范一鸣的画面极具个人特质，与其他画家同样的藏族题材很鲜明地区别开来。

——艾轩（知名画家）

　　范一鸣对文艺复兴时期艺术的热爱为他自己的绘画创作增添了灵感。他在其油画中恰如其分地运用了古典风派。

　　西藏是一片充满传统色彩、自成风派的国土。藏民朴实而原始的生活方式为他的作品注入了大量新鲜而奇特的绘画技法。画作深深地抓住了乡村生活的清纯。范一鸣将西方文艺复兴古典风格与现代写实主义相结合，在其作品中创建了现代现实主义的表示方法。

　　范在其油画作品中运用他高超的技法和创造性创造了一种平静而充满活力的美。他对中国文明的崇尚和尊重使他成就了这个油画集。范把他在西藏的亲身经历以及他的艺术语言运用到画作中，使他的作品独具一格。从他的作品中我们可欣赏到纯洁和美丽，从而唤起深深的情感共鸣。

——李家信 艺术总监（香港Memory画廊）

　　现在以西藏为题材进行创作的画家很多，可以说范一鸣把西藏人的美感融入得非常到位。他没有表现西藏的人迹罕至，而是从人物的服饰、人物形象及光线、画面形式上去强调一种唯美的感觉。

——刘元寿（知名画家）

　　Remarks by Lee Kashun:

　　Fan Yiming's love of the arts during the time of the Renaissance serves as inspiration for his own painting. He aptly uses this classical style in his paintings.

　　Tibet is a place which possesses a lot of traditional color scheme and stylist characteristics. The Tibetans' simple and primitive life brings much fresh and astonishing perspective for his paintings. The paintings capture the purity of the country life in a deep celebratory fashion.

　　Fan Yiming merges the style of the western classical Renaissance with the modern realist approach to create the modern realistic way of expression in his paintings.

　　Fan creates a peaceful yet powerful beauty in his oil paintings with his exceptional technical skills and creativity. His deep admiration and respect for the Chinese civilization compelled him to create this series of oil painting. Fan applies his own experience in Tibet and his artistic language to the paintings to build a unique style. In his work, we can find a purity and beauty that invokes a deep emotional reaction.

　　Remarks by Liu Yuanshou:

　　Mr. Fan Yiming perfectly blended aesthetic feeling of the Tibet folks in his paintings. Instead of expressing Tibet' desolateness, he chose to emphasize the feeling of beautifulness from the characters' dress and vision as well as rays and formality.