现在光芒四射的艺术圈，各色人等们，气象了得。有装深沉崇高唯此唯大傻样的，有倒楣死相弄萌酷的，还有谑世嘻哈玩乐的，林林总总不一而举。应该说张伟身处的艺术环境挺不好的。张伟能诚恳自然参加着一份平和，不装样，不极端，在适当的平衡中自觉天成是他的禀性使然。

　　他这次画，以他不同的观看方式，画他最熟悉不过的学生亲们，一个接一个，不急慌，一张接着一张，就这么“结画成阵”，算是不经意间的一次发力，事情开始变大，格局展开了。

　　苏珊•桑塔格说道，“摄影把绘画从忠实表现的苦差中解放出来，使绘画可以追求最高目标，抽象。”我们现在看到的张伟直接写生的“画阵”中的形象与呈现方式是他自己的角度的独特的发现。可以问，张伟看到了什么?他以怎样的角度在怎样的氛围中看的?他为什么把画画成现在这个样子而不是另外个样子?他反正不是从西画老祖宗那得到的透视法则或三维照相式看的。

　　我们觉得看到似真。张伟以心看。真在心，即使真实的概念有些模糊的，但心迹跃然即成就了真。支撑他真的背景是他宝贵的特质，是视觉经验的再认识，再重构。有着日常生活，心理的，意识的，情绪的等经验的积淀。他不画他过去他看到的，而只画“这一次”他“要”看到的。依着他的朴素的直觉激越他对他“这一次”的发现执戟死战了!

　　张伟从未把写生与创作对立起来，他眼见得那些“亲们”随即可以幻化为画，不同于贾克梅蒂的方式，是他这一次有个“结画成阵”的设计，并找着了他独有的适中的写意状态并将其发见性的表现出来了。这就是张伟实现的抽象力量。

　　刘健健 2014年4月于杭州

　　The Serial Painting Matrix

　　Liu Jianjian

　　At present,the illuminated art circle is full of all sorts of people,how fantastic!Some people pretend to be a deep one with noble ideas piously , some are woe - begone and adorable in disguise,and some are jeering the world with a smirk and recreational attitude.There are various types of people and they will not be enumerated one by one as following.It is supposed to say that Zhang Wei are in a poor art atmosphere.Sincerely and naturally,Zhang Wei takes part in with peaceful attitude instead of pretensions and extremes.It is his nature that is to explore the proper balance on his own initiative.

　　In terms of his works this time, he adopts different appreciation methods to draw his most familiar students without urgency ,one by one,so that a series of paintings are formed.It can be regarded as a random splash. And the pattern has been increasingly developed with the proliferation of the painting form .

　　Susan Sontag,said,“Photography will emancipate the painting from faithful representation,so that the ultimate goal and abstract can be pursued. ” It can been seen that the images that are shown in the series of works in Zhang Wei’s direct sketch is a unique perspective on his own.There is a question that what did Zhang Wei see?What atmosphere and perspective did he see ?Why did he paint in this way rather than others? Anyhow he does not attain the perspective and three dimensional photography from the ancients.

　　We seem to get the realities,while Zhang Wei see those in his inner spirit.The realities lay in the inner spirit.Although there is some ambiguous in the real concept,yet the emerging inner spirit makes it come true.It is his valuable character that supports him and originates from his true background.It is the rethought and reconstructed visual concept. It is the experience accumulation from daily life,psychology,consciousness ,mentality and so on.He does not draw what he has seen in the past but this time that he would like to watch.His pure intuition sparks him to indulge in what he has found in this time.

　　Zhang Wei has never set sketch against creation.Those relatives and friends that he has seen are drawn.Different from Giacometti ’method,he designs a serial painting matrix with his own freehand brushwork condition and his awakes are presented.This is the abstract power of Zhang Wei.

　　Liu Jianjian

　　April ,2014 in Hangzhou

作者：刘健健