真率的绘画是没有草稿可言的，每一笔的流露都是作品的起点也是终点。

　　我想他是从头画到脚的，但没有先勾勒轮廓，我从他看着我的眼神和他眼神的方向就知道，他的眼睛像3D打印机，印底的局部决定整体地解决绘画者的观察过程。观察对于艺术家来说就是面对世界的角度，正因不同的观察方式影响了接收事物信息的能力，也决定了艺术家的艺术观，甚至形成他的世界观、价值观。他在扫描我的额头、眉骨、鼻子、咀唇，他故意隐藏与我眼神相遇的时刻，后来我发现他在隐藏与我对视是为了捕捉我更瞬间的闪烁眼神。他太明白我了，的确，我是从16发与他相识，如今我们都49发了，他说要画一次我，这种创意不仅对他是一种挑战，对我更是一种挑战。我哪一种眼神他没见过?他又发现了我哪一种浮现的目光?我一直忍耐着不去看他的画面，我希望自己真实地存在于他的眼前，也期待他全部真率的艺术呈现。也许我一直以为画家不是在画模特，因为模特是替代的角色，这是我的艺术态度，我想他就是这种。

　　2013年6月29日傍晚，张伟来电话，我们今晚完成合作，我当时正在洛溪星坊的创意园工作室展馆收拾最后的布展，于是回复张伟晚饭后便相约在天河的工作室见，但生活就是这样，每下一个环节都是难以预料，结果我们在不断的通话和微信中一直把时间退后到6月30日零时才碰面，见面之时张伟已喝得脸色通红，眼睛冒着血丝，而我已酒气充天，为了更放松地完成张伟画我这张作品，我们最后决定在天美酒店的公寓套房作为创作场所，这真是他的聪明之举，我一进房间一边脱衣服一边说，画裸的!但众人不同意说，那你们俩画与被画，我们都走开!这时我焕然大悟：原来我不是女模特!终于我披着衣服很舒畅地站立着，我站立在张伟的对面，我看不到他的画面，建纲在不断地拍照，记录画与被画的全过程，终于过了两个多小时，张伟轻描淡写地说，可以了，看一下吧。当他把200cm×135cm的大画布翻开摆在我面前时，我惊奇地发现了我，顿时心理本能地掠过一丝羞涩，我看见了赤裸的我，完全赤裸的我，毫无掩饰的神经体系。每一个细节都相互连贯而形成了不知用现实主义判断还是浪漫主义来导引我的视觉思维结果。

　　我终于遇见了我!这是一种什么哲学?我做了一次张伟的模特，不对!我被张伟画了!不对!张伟与我遇见，我遇见了我。张伟的艺术观超越了现实主义，他借用了德拉克罗瓦那把闪光的刀子(注)在雕刻正在存在的生命，他告诉我，他在画青春，太让我感动了，我终于看到了生命的闪光就是青春，这就是张伟赠给我在49发，一个无法定义也不愿意去定义的年鉴的生日礼物。

　　6月30日下午，我们在众多来自各地的朋友面前，在[49]——郭承辉49件作品展的开幕party上互赠了这份将各自永久珍藏的礼物，我把展览中的1980年我画张伟的素描头像赠给了张伟。

　　(注：浪漫主义艺术大师德拉克罗瓦说：我不是在画刀子，我是在画刀子的闪光。)

　　2014年4月20日

I Have Been a Model for Zhang Wei Once

Guo Chenghui

　　There is no draft for frank painting,and every brush is the beginning of the work as well as ending.

　　I believed that he painted from the head to foot without drawing shapes first,and I grasped something from the eyes that he watched me and their direction.His eyes were just like the 3D printer,the part of the bottom painting decided to totally solve painter’s observation process.As for painter, observation meant the perspective of facing the world,because different observation methods influenced the capability of receiving objects information,and determined to the painter’s art value,even forms his world views and values.He scanned my forehead,brow ridge,nose and lip,and deliberately hid to have eyes contract with me.Later, I found his hidden eyes contract aimed at grasping my more momentarily flashing eyes.He truly understood me.Actually, we have made friends with each other since I was 16 years ago.Nowadays,we are both at the age of 49.He said he would like to paint me.This idea was not only a challenge for him but also for me.Which my eyes had he never watched?And what my new eyes had he found? I always forbore not to watch his paint, wished to present a true one to him, and expected him to make a totally frank art presentation.It is possible for me to believe that painter is not painting the model but a replaced role.This is my artistic attitude ,and I think Zhang Wei is this kind of painter,too.

　　In the evening of 29th June,2013,I received the call from Zhang Wei ,and we accomplished our cooperation that night,at that time I just did out the final exhibition in Starhouse Network workshop in Luoxi.Thus, I replied to Zhang Wei to meet in the Tianhe workshop after dinner.However, that was life,and you could not guess what would happen in the next.As a result,we kept on constantly phoning and We Chat to delay the appointment to the midnight in 30th June.When we met at that time,Zhang Wei drank himself into a stupor with red face and bloodshot eyes,and I was in reeking powerfully of alcohol.In order to complete Zhang Wei’s work more easily, eventually, we decided to create the paint in the apartment suites of Timmy Hotel as a creative place.It was his smart decision.As soon as I came in, taking off my clothes and talking,“ Painting nude. ” However,everyone did not agree with me ,saying ,“Painting by yourselves, and we go away . ” At that moment, I realized that I was not a female model!At last, I was graced with clothes and comfortably stood,opposing to Zhang Wei without seeing anything.While, Jiangang was taking photos continually, recording the whole process of painting and being painted.Over two hours later, Zhang Wei said with understatement, “ Ok, just have a look . ”When Zhang Wei opened the big canvas to me,which is 200cm×135cm,I found myself with amazement.Suddenly, a hint of shyness crossed me instinctively.I saw the nude myself ,which were totally nude with uninhibited neural system.Every detail was mutual interacted smoothly, and formed the guidance to my visual thinking result which was not true to be judged by realism or romanticism.

　　Eventually, I met myself.What kind of philosophy this was?I had been a model for Zhang Wai once.No!I was painted by Zhang Wai.No!Zhang Wai met with me,and I met with myself.Zhang Wai’s artistic value had surpassed the realism,using Eugène Delacroix’s glittery knife to carve the existent life(See Note below.).He lold me that he was painting the youth,which touched me to much.I finally witnessed the blinking life,which was the youth .That was the gift from Zhang Wai at my age of 49,which was an almanac gift that could not be defined and was unwilling to define .

　　In the afternoon of 30th June, before the friends around the country,we made a present of each other at the opening party of [49],Guo Chenghui’s 49 piece of works exhibition,and I presented the sketched head portrait of Zhang Wei ,being painted by me in 1980,during the exhibition.

　　Note:

　　Eugène Delacroix, the Romanticism artist ,said,“ I was not painting knife,but painting the flash in the knife. ”

　　20th April,2014

作者：郭承辉