在香港，吴松素来不乏拥趸，其创作的"酒瓶系列"也一直为来自世界各地的收藏家所追捧。他是批评家笔下的"兰桂坊画家"，更是香港兰桂坊之父盛智文坚信不疑的 "当今香港画坛最耀眼的明星"。吴松在创作上的成功显然与他执着的性格有关，特别是长达十年之久在兰桂坊周边生活和工作的经历，使他对兰桂坊独特的夜生活有着更深的个人体悟。酒瓶，在常人眼中，是最不可能成为绘画主题的题材，但在吴松的画面中却显现出特有的魅力。透过酒瓶，艺术家的人格得以充分展现；也是透过这些酒瓶，兰桂坊从地理空间中的酒吧区转变成了艺术家的心灵档案。

　　Ng Chung enjoys considerable popularity in Hong Kong, meanwhile, his "Wine bottle series" attracts the attention of collectors all over the world.  He is named "the Lan Kwai Fong painter" by critics and is firmly believed by Allan Zeman, the father of Lan Kwai Fong, as the "shinning star of Hong Kong art circle".

　　Ng Chung's persistent personality contributes a great deal to his success in art. The 10-year working and living experience around Lan Kwai Fong is especially an essential element of his art, which brings him a unique perception of the obsessional nighttime life of Lan Kwai Fong. In an ordinary man's opinion, a wine bottle will never be the object of painting, however, Ng Chung successfully grants them indescribable beauty.

　　By the virtue of these wine bottles, the artist releases the inner voice of his soul; by the virtue of these wine bottles, Lan Kwai Fong transforms from a geographical destination for pubs and bars to a spiritual documentary of the great artist-Ng Chung.

本文节录自: 《画廊2007.12》

作者：胡震