会议简介

　　中国自觉的收藏行为，至少可追溯至汉代，并在其后至民国的两千多年间，形成了独特的文化、社会与政治现象。其中朝廷建立收藏以促进其政治及意识形态主张、士人以收藏树立身份及文化之认同与区隔、以及收藏、鉴定与创作的密切关连与互动，乃是中国收藏史的若干重要侧面。这些出于不同目的的收藏努力，共同塑造了中国收藏史的特有形态。

　　近30年来，随着中国经济之增长、文化事业之进步，收藏与研究也进入活跃状态。在教育、学术机构从事收藏及相关研究的同时，民间也涌现出一庞大的收藏群体。在此背景下，浙江大学将于11月11日至12日，举办“中国收藏与鉴定史国际研讨会”，从不同视角探讨中国收藏与鉴定的历史，以期促进艺术史研究的进步与当代文化之建设。

　　会议中，海峡两岸故宫博物院、上海博物馆、香港中文大学文物馆、美国佛利尔美术馆的专家和浙江大学、中央美术学院、台湾大学、美国加州大学、布朗大学和欧洲的学者，将分別从收藏文化、皇室收藏、收藏活动中的性別文化、地域差异、资讯与运输、以及鉴定学个案等角度，展开深入讨论;时代覆盖宋元明清，内容涉及金石、书画及陶瓷等。

　　为配合研讨之进行，同时弥补会议议题之阙，浙江大学艺术与考古博物馆、浙江大学图书馆将联合举办《我来自东：东亚艺术收藏在西方的建立(1840-1930)》专题展览。

　　CONTENT

　　Self-conscious collecting behaviors in China can be reliably traced to at least as early as the Han dynasty. Over the course of the subsequent two millennia that led up to the Republican Era, art collecting had formed a unique cultural, social, and political phenomenon. The court established collections to advance its political and ideological causes; literati collected art to articulate their social identity, and cultural identification and distinction; and the domains of collecting, connoisseurship, and art-making themselves were imbricated in dense patterns of mutual interaction and exchange — all of these were significant aspects of the history of collecting in China. Motivated by disparate ambitions, these various collecting efforts collectively define the shape of the history of collecting in China.

　　Over the past thirty years, with China’s economic growth and cultural development, collecting and corresponding research also enter an active phase. Just as educational and academic institutions are engaging in collecting and related research, a thriving community of independent collectors has also emerged. Against such a background, from 11th to 12th of November Zhejiang University will be hosting an international symposium on Collecting and Connoisseurship in Chinese Art History and exploring this subject from various perspectives, in order to promote advancement in the state of art historical research and current cultural construction.

　　In this symposium, specialists from the Palace Museum, Beijing and Taipei, the Shanghai Museum, the Art Museum at the Chinese University in Hong Kong, the Freer Gallery of Art in the US, and scholars from Zhejiang University, Central Academy of Fine Arts, Taiwan University, University of California, Brown University, and Europe, will engage in the in-depth discussions from perspectives of the culture of collecting, imperial collection, gender in collecting activities, regional disparity, information and transportation, and connoisseurial case studies; covering Song, Yuan, Ming, and Qing, the symposium will address issues related to ancient bronzes and stone tablets, calligraphy, paintings and ceramic collections.

　　In order to facilitate the symposium and to complement the topics under its agenda, the Zhejiang University Museum of Art and Archaeology and the Zhejiang University Library will be co-hosting a special exhibition, The West Discovers East Asian Art, 1842-1930.

　　时间：

　　2016年11月11日–12日 9:00-17:00

　　Time:

　　November 11th to 12th, 2016

　　地点：

　　浙江大学紫金港校区小剧场

　　Venue:

　　Theater of Zijingang Campus, Zhejiang University

　　主办单位：浙江大学

　　Organizer: Zhejiang University

　　承办单位：

　　浙江大学文化遗产研究院

　　浙江大学艺术与考古博物馆

　　Implementer:

　　The Cultural Heritage Institute, Zhejiang University

　　Zhejiang University Museum of Art and Archaeology

　　协办单位：

　　浙江大学《中国历代绘画大系》编辑委员会

　　浙江大学文化遗产学科发展联盟(筹)

　　Co-organizer:

　　Editorial Committee of A Complete Collection of Ancient Chinese Paintings

　　The Cultural Heritage Consortium, Zhejiang University (Preparatory)

来源：雅昌艺术网