良渚文化的社会背景

The Social Background of Liangzhu Culture良渚文化所处的钱塘江流域是中国稻作农业的最早起源地之一，在钱塘江南岸的半山文明是世界上最早的稻作遗址，在众多的良渚文化遗址中，普遍发现较多的石制农具，如三角形石犁和V字形破土器等，表明良渚文化时期的农业已由耜耕农业发展到犁耕农业阶段，这是古代农业发展的一大进步。

 由此带动了当时生产力的高度发展，更促进了手工业的发展，因而，制陶、治玉、纺织等手工业部门从农业中分离出来，尤其是精致的治玉工艺，表现了当时手工业高度发展的水平，其他诸如漆器、丝麻织品、象牙器等，均表现出当时生产力的一定程度的先进性及其所孕育的文化内涵！

礼制的核心是体现人们之间贵贱、上下、尊卑、亲疏的隶属关系。良渚文化的用玉制度正是表现了这样的关系。以用玉制度为主要特征，表明了良渚文化礼制的产生，这无疑是社会发生质变的表现。良渚社会已从荒蛮的史前期踏入文明的社会！

良渚文化目前的市场行情

The Qiantang River Basin, where Liangzhu Culture is located, is one of the earliest origins of rice farming in China. The half-mountain civilization on the southern bank of Qiantang River is the world's earliest rice-planting site. Among many Liangzhu cultural sites, more stone tools, such as triangular stone plows and V - shaped ground-breaking tools, are commonly found, indicating that agriculture in Liangzhu culture period has developed from a ploughing agriculture to a ploughing agriculture stage, which is a great progress in the development of ancient agriculture.
This led to the high development of the productive forces at that time and also promoted the development of the handicraft industry. Therefore, the handicraft industries such as pottery making, jade treatment and textile industry were separated from agriculture, especially the exquisite jade treatment technology, showing the high level of development of the handicraft industry at that time. Other industries such as lacquer ware, silk and linen fabrics, ivory ware, etc. all showed a certain degree of advancement of the productive forces at that time and the cultural connotation they gave birth to.本公司很荣幸征集到一副良渚文化的人兽面具面具

地方玉质，整体发鸡骨白，沁色明显，表面有沁蚀，为冠状，上端中部内凹，中间有小突起，上部打孔，在大部分良渚玉器上，均带有神人兽面的纹饰，完整的图形应为一神人，头戴长冠，骑于神兽之上，双手持玉璧，置于神兽两端，此件亦作纹饰，但是只做了抽象的兽面，突出大眼，而此件冠形器的器形即来源于图腾上神人发冠的造型。而在器身布满旋纹，此类装饰手法并不多见，可见此器等级较高。

The core of the ritual system is to reflect the subordination relationship among people of high and low rank, upper and lower rank, upper and lower rank, and affinity. The system of using jade in Liangzhu culture shows such a relationship. With the jade system as the main feature, it shows the emergence of the ritual system of Liangzhu culture, which is undoubtedly a manifestation of the qualitative change in society. Liangzhu society has stepped into a civilized society from the earlier stage of the barbaric history!
The Current Market Situation of Liangzhu Culture
Our company is honored to collect a mask of human and animal masks of Liangzhu culture
The local jade, with white chicken bones and clear color, has a eroded surface and is crowned with a concave top with small protrusions and holes in the middle. Most Liangzhu jade articles are decorated with the face of god and beast. The complete figure should be a man of god, wearing a long crown on his head, riding on a god beast, holding jade with both hands and placing it on both ends of the god beast. However, this piece is also decorated with abstract animal faces and protruding big eyes. The shape of this crown - shaped device comes from the shape of a man of god's hair on a totem. However, the body of the instrument is covered with spiral lines. This kind of decoration is rare. It can be seen that this instrument has a higher level.