他的人物作品，以简笔为主，有时用线，有时则作“墨人”；粗“细”，淡“浓”，随机，随意，随手，加上随处题写的诗词跋语，让人感到池抒写时的自由与放松，奸像是在以纸楮作游戏。古人有“意笔”之说，又有“戏笔”画，即指这种随意性很强的作品。兴之所至，信笔涂来，如水行也，自由自在，尽兴而止，有如儿童游戏。古代书法家也有“兴来洒四壁，走笔如流星”的情状，西方现代画家如抽象表现主义，新表现主义者，也都强调作画的随机性，把艺术创作视为人的灵性的—种表现，而不屑于去经营、构想和绘制。
　　幽默感是智慧、热爱人生的表现，有时也透露着自我解嘲的人生无奈感，以及以玩笑态度看世事的生活哲学。这种幽默感与画家自由抒写的戏笔风格十分和谐，也可说，是画家以艺术的戏笔写戏剧性的人生感受吧。

 著名美术评论家
郎绍君

　　There is a striking simplicity about his brushwork. Zhao Junsheng treats his images with spontaneity, together with an element of playfulness. Our ancient masters in penmanship were spontaneous in their line and character creation; their sentiment and feelings carried their maze of lines and strokes "through the starry night". Zhao Junsheng instills these linear formations with freedom and ease, thus gives the work a humourous and theatrical quality.
　　Zhao is not a cynic; he brews something which is already there and adds humour to his art without a trace.

 Art critic  Lang Shaojun

作者：郎绍君