高士 1987 中国 山西 大同

关于行为

口信，是传统年代朴素艰难并带有浓重仪式感的信息传输方式。以表演的形式将仪式感的部分进行强化，试图达成以人的视角与空间中不同维度的未知能量进行精神对话的意愿。

Oral message

Oral message is a simple and difficult way of information transmission in traditional times. In the form of performance, the ritual part is strengthened to try to achieve a willingness to engage in spiritual dialogue with people's perspective and unknown energy in different dimensions.

关于绘画

意识的存在构成了生命本身的意义。但是，在生活中的意识活动往往是浅层的，大多仅仅只是对视网膜所记录下的物的、事件的、声音的辨识与记录，以便对日常的行为提供经验性的判断指导，而深层感知意识的抑制根源正是源于对先前经验的依赖，进而呈现在意识之中的所有情景也都只是浅层的感知反馈。

在浅层意识中的一切感知都是值得怀疑的。先前意识的投射、一厢情愿的自我暗示、以及建立在先前经验之上的暗示，这一切印证了这个世界的荒诞。对令人致盲的荒诞的认同和对自我的一再确认是能否唤醒灵性感知的前题。只有这样才有可能进入到意识本身，即意识自身的意识当中，那将会是最接近真相的区域。这时，意识的自觉也就变得尤为重要。而我的作品所想要做的是尝试将深层意识唤醒，并带入到一种超经验性的灵性感知之中。通过冥想，将意识本身从与浅层意识的相互消耗中抽离并解放出来，进而完成自身对不同维度和场性的灵性感知，进入到无限伸展的漫游状态。

The existence of consciousness constitutes the meaning of life itself. However, conscious activity in life is often shallow, mostly only the identification and recording of objects, events, and sounds recorded in the retina, so as to provide empirical guidance to everyday behavior, and the root of the deep sense of consciousness is derived from the dependence on previous experience and then present now. All situations in consciousness are only superficial perception and feedback.

All perception in shallow consciousness is doubtful. The projection of previous consciousness, wishful self suggestion, and hints based on prior experience confirm the absurdity of the world. The absurd of blinding of identity and repeatedly confirmed that the self is the premise can awaken the spiritual perception. Only in this way can it enter into consciousness itself, namely, the consciousness of consciousness, which will be the closest area to truth. At this point, consciousness is also becoming more and more important. What I want to do is to awaken deep consciousness and bring it into a super empirical spiritual perception. Through meditation, the consciousness itself is removed from and liberated from the mutual consumption of shallow consciousness, and then the spiritual perception of different dimensions and fields is completed, and the wandering state of infinite extension is entered.

关于装置

通过作品传达一种生命体在时间中的被动消耗，以及时间对生命的裹挟，并从中唤醒人们对自身生命意义的反思。

Through works, it conveys the passive consumption of a living body in time, and the coercing of life by time, and wakes people to reflect on the meaning of their own life.