庞永杰简介
　　庞永杰，1968年生于山东，他是公认倡导中国“后现代抽象”的运动者，是过去几年蓄势待发的中国领先的当代艺术家之一。庞在中央美术学院，山东师范大学学习油画和中国水墨画，在那里他达到了掌握色彩表现力和形象的能力，他早期参与倡导新表现主义运动，之后精致且不间断的线条和形式的探索，逐渐融合了东方古典及抽象绘画的精髓。在2000年中期，他逐渐形成独特的个人绘画风格，现在他的作品是以丰满、俏皮的人物和动物形态的有机形式呈现最为著名。
　　庞永杰，以及与他同时代的大部分画家，经历的时代曾上升到突出的政治批评，社会的犬儒主义和对其后果的狂热，其后超过二十年，几乎占据了整个中国当代艺术的话语权。然而，庞先生却一直坚持自己含蓄内敛的探索并陶醉在其抽象的绘画行为中，用欢乐和深深感性的直觉经验反驳虚伪的政治符号。这个叛逆的决心导致其另类艺术的反转，这在某种程度上回答了在集体心理中的自我解放，在社会主义意识形态和道德监控的框架内独白，并与上层建筑对抗，此艺术形式在中国社会一直饱受强烈的争议。
　　自21世纪初，庞永杰的作品除了在亚洲的不断普及，已经在欧洲不断定期展出，包括荷兰、德国、比利时、丹麦，以及在法国即将到来的展览。

——AsianArtPiers　　

　　Pang Yongjie
　　RESUM
　　BIOGRAPHY
　　Born in Shandong in 1968, Pang Yongjie is recognized as one of the leading Chinese artists who championed China's "post-contemporary abstract" movement which has been taking place and gaining momentum over the past few years. Pang studied both oil painting and Chinese ink and water painting at the Central Academy of Fine Arts and Shandong Normal University, where he achieved his mastery of expressive color and imagery, evident in the Neo-Expressionism movement, and his refined undisrupted lines and forms, exemplified in classical Chinese abstract painting. He gradually formed his unorthodox abstract figurative painting style in the mid-2000s and is now famous for his voluptuous and playful rendering of fleshy human figures and biomorphic organic forms.
　　Pang, along with most of his contemporaries, went through the era when the frenzy for political criticism, social cynicism and their ramifications rose to prominence and subsequently dominated almost the entire dialogue of China's contemporary art for more than two decades. Yet he found himself counter-intuitively exploring with and reveling in the act of abstract figurative painting as a joyous and deeply sensual experience, possibly repelled by the efflux of disingenuously fabricated visual symbols and social signifiers. This rebellious determination led to the alternative artistic U-turn, which somehow answered the inner calling in the collective psyche for the liberation of the self from the framework of socialist ideology and moral surveillance, paralleling to the external antagonism towards the Superstructure, often manifested in art forms of social criticism in China.
　　In addition to his ever-growing popularity in Asia, Pang has been exhibiting regularly in Europe including Netherlands, Germany and Belgium since the early 2000s as well as an upcoming exhibition in France.