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中国青铜器是举世公认的顶级艺术品,而古铜镜制作又将青铜铸造工艺推向了巅峰。不同历史时期的铜镜有着风格迥异的形象,战国镜的张力和层次感、汉镜的神秘和隽秀、隋唐镜的精致和浮华,这些古铜镜的经典代表将艺术之美生动地呈现在了方寸之间。
The Chinese bronze ware is recognized as the top art in the world, and the bronze mirror production has pushed the bronze casting process to its peak. The Bronze Mirrors of different historical periods have different styles of images, the tension and layering of the Warring States Mirror,
the mystery and grace of the Han Mirror, the exquisiteness and glitz of the Tang dynasty mirrors, and the classic representatives of these bronze mirrors vividly present the beauty of art. Between square inches.
战国镶金绿松石铜镜
铜镜一般由含锡量较高的青铜铸造。最早作为用来祭祀的礼器出现,在春秋战国至秦一般都是王和贵族才能享用,直至汉代铜镜才慢慢的走向民间,是人们不可缺少的生活用具。一些遗存下来的铜镜制作精良,形态美观,图纹华丽,铭文丰富,是中国古代青铜艺术文化遗产中的瑰宝。
Bronze mirrors are generally cast from bronze with a high tin content. It was first used as a ritual for worship. It was generally enjoyed by the king and the nobles in the Spring and Autumn Period and the Warring States. Until the Han Dynasty bronze mirror slowly moved toward the folk,
it was an indispensable tool for people. Some of the surviving bronze mirrors are well-made, beautiful in appearance, gorgeous in patterns and rich in inions. They are the treasures of ancient Chinese bronze art cultural heritage.
汉代铭文连弧纹铜镜 直径:12.9cm
如何判断一件古铜镜的收藏价值?首先要看这面铜镜品相的完整度和纹饰的精美度,其次收藏铜镜要从其历史价值、文物价值、艺术价值等方面进行权衡。再次,特殊的制作工艺、特殊的纹饰也具有特殊的收藏价值。当然铜镜的形状、尺寸、稀缺性和纹饰的繁密程度也都决定着铜镜的收藏价值。”
How to judge the collection value of a bronze mirror? First of all, we must look at the integrity of this bronze mirror and the exquisiteness of the ornamentation. Secondly, the bronze mirror should be weighed from its historical value,
cultural value and artistic value. Once again, special production techniques and special patterns also have special collection value. Of course, the shape, size, scarcity and complexity of the bronze mirror also determine the collection value of the bronze mirror. ”
汉代铭文连弧纹铜镜 直径:12.9cm
一面古铜镜,真正的收藏家会把玩一生。而伪藏家只会醉心于铜镜交易价格所带来的利益。“在收藏领域,铜镜一直归属于杂项,长期市场待遇不高。不过从2010年开始,铜镜市场突然呈现出爆发式增长。虽然今年古铜镜的市场行情有所回落,但未来仍有较大的成长空间。
A bronze mirror, the real collector will play for a lifetime. The fake collectors will only be fascinated by the benefits of the price of the bronze mirror. “In the field of collection, Bronze Mirror has always been attributed to miscellaneous items,
and the long-term market treatment is not high. However, since 2010, the Bronze Mirror market has suddenly experienced explosive growth. Although the market for bronze mirrors has declined this year, there are still future Larger room for growth.
汉代铭文连弧纹铜镜 直径:12.9cm
2008年嘉德秋拍,一件估价只有55万的元代缠枝花卉镜拍出了100.8万元的价格,震惊业内,其实这仅仅是开始。2009年秋拍,一件唐代海兽葡萄镜以268.8万元成交。2010年秋拍,一件唐代海兽葡萄镜以超过700万元成交,打破了铜镜拍卖的纪录。这些数字说明中国古代铜镜的价值正被市场认可。
In 2008, Jiadeqiu shot, a price of only 550,000 Yuan Dynasty wrapped flower mirror shot a price of 10.08 million yuan, shocked the industry, in fact, this is only the beginning. In the autumn of 2009, a Tang Dynasty sea beast grape mirror was sold for 2.688 million yuan. In the autumn of 2010,
a Tang Dynasty sea beast grape mirror sold for more than 7 million yuan, breaking the record of the bronze mirror auction. These figures show that the value of ancient Chinese bronze mirrors is being recognized by the market.
唐代龙凤纹葵口铜镜 直径:19cm
历史上铜镜一直是宫廷用品和达官显贵的消费品,能够流传于世且品相完好的比较少,尤其是那些铸造工艺达到极致的铜镜,它们的艺术价值此前被忽略了。另外,铜镜之所以不被重视,原因还包括品相完好的铜镜非常少。
In the history, Bronze Mirror has always been a consumer product of court supplies and dignitaries. It can be passed down to the world and the quality is relatively good, especially those bronze mirrors whose casting process is the ultimate.
Their artistic value has been neglected. In addition, the reason why the bronze mirror is not taken seriously is that there are very few bronze mirrors with good appearance.
唐代龙凤纹葵口铜镜 直径:19cm
铜镜很薄,时间跨度大,保存难度大,大多数铜镜都有裂纹,稍有瑕疵,收藏价值就会大打折扣。从收藏价值来看,战国的山字镜、菱纹镜比较珍贵;汉代的重圈铭文镜、规矩镜、神兽镜也颇受追捧;而隋唐的瑞兽葡萄镜、花卉镜则是收藏重点。此外,镏金、镂空彩绘、螺钿镜、金银平脱等附加了特殊工艺的铜镜也很受市场关注。
The bronze mirror is very thin, the time span is large, and the storage is difficult. Most of the bronze mirrors have cracks, which are slightly flawed, and the collection value will be greatly reduced.
From the point of view of the collection value, the Shanzi mirror and the diamond mirror of the Warring States are more precious; the inions of the Han Dynasty, the mirrors of the rules, the mirrors of the gods and the beasts are also highly sought after;
and the mirrors of the beasts and the mirrors of the flowers in the Sui and Tang Dynasties are the focus of collection. In addition, bronze mirrors with special techniques such as sheet metal, hollow painting, screw mirror, gold and silver flat are also very popular in the market.
上面这件唐代铜镜,葵花口,宽素边,龙凤纹。镜背主纹为高浮雕龙凤纹隔半珠钮对望。纹饰精美,图案生动。八瓣葵花形边,龙踩祥云,凤踏花朵,钮坐菱花。镜背与镜面乌黑光亮,偶有绿锈红斑间杂其中。此镜铸工精良,纹样传神。头模大器,精妙绝伦,堪称唐镜上品。
Above this Tang Dynasty bronze mirror, sunflower mouth, wide plain, dragon and phoenix. The main back of the mirror is a high-relief dragon and phoenix with a half-bead button. Beautifully decorated with vivid patterns. Eight-flowered sunflower-shaped edge,
the dragon stepped on the auspicious cloud, the phoenix stepped on the flower, and the button sits on the flower. The mirror back and the mirror are black and bright, and occasionally there is a mixture of green rust and red spots. This mirror caster is excellent and the pattern is vivid. The head mold is exquisite, and it is called Tang mirror.
唐代龙凤纹葵口铜镜 直径:19cm
中国铜镜,以汉镜出土的数量最多。汉代铜镜图案丰富、制作精巧,具有很高的艺术性和装饰性,是我国铜镜发展的重要时期。镜形基本为圆形,半圆形钮为主,也出现了一些伏兽形钮。纹饰表现手法为平雕、线雕和浮雕,种类上主要有蟠螭纹、蟠虺纹、草叶纹、规矩草叶、规矩蟠螭纹、百乳纹、四乳四虺,以及“日光”、“昭明”等以铭文为装饰的铭文带(指有铭文的部分)镜。
Chinese bronze mirrors have the largest number of unearthed Han Mirrors. The Han Dynasty bronze mirror pattern is rich, exquisitely crafted, and has a high artistic and decorative nature. It is an important period for the development of bronze mirrors in China.
The mirror shape is basically circular, the semi-circular button is dominant, and some volcanic buttons are also appeared. The patterning techniques are flat carving, line carving and embossing. The main types are crepe, crepe, grass leaf pattern, grass leaf, regular crepe pattern, milk pattern, four breasts, and "daylight". , "Zhaoming" and other inions decorated with inions (refer to the part with inions) mirror.
宋代菱花铜镜 直径:15.2cm
隋唐代是开放包容的盛世之期,制度上的文明和经济上的昌盛,使得青铜镜发展达到了历史鼎盛。唐代青铜镜纹饰巧妙、图案丰富、镜体厚重。唐代青铜镜在器型上更是突破了汉式镜,出现了葵花镜、菱花镜、方亚形镜等。在主题纹饰和表现技法上,唐代铜镜内容上更注重写实和人物故事,纹饰多以鸳鸯、蟠龙、海兽葡萄、人物故事及花卉等为主,彰显了唐人的优雅、奢华与浪漫。
The Sui and Tang Dynasties were open and inclusive, the institutional civilization and economic prosperity made the development of bronze mirrors reach a historical peak. The bronze mirrors of the Tang Dynasty are ingenious, rich in patterns and thick in mirrors.
In the Tang Dynasty, bronze mirrors broke through the Chinese-style mirrors, and sunflower mirrors, magnifying mirrors, and square-shaped mirrors appeared. In the theme of decoration and performance techniques,
the Tang Dynasty bronze mirror content pays more attention to realistic and character stories. The decoration is mainly composed of dragonfly, dragon, sea beast grape, character story and flower, which highlights the elegance, luxury and romance of the Tang Dynasty.
宋代菱花铜镜 直径:15.2cm
此面宋代铜镜菱花八瓣,圆钮,镜背纹饰分内外二区,内区略低,饰以锁心形缠枝纹,四只神兽刻画,生龙活虎,寓意非常。
This face of the Song Dynasty bronze mirror Linghua eight petals, round button, mirror back decoration is divided into two areas inside and outside, the inner area is slightly lower, decorated with lock-heart-shaped winding pattern, four beasts depicting, living dragons and tigers, meaning very much.
宋代菱花铜镜 直径:15.2cm
宋代铜镜不崇华侈,而重实用,器体轻薄,装饰简洁,形状仍以圆形为主,亦有方形、弧形、菱形以及带柄等多种形式。背面多铸有花鸟鱼虫、人物故事、山水楼阁等图案纹饰,亦有光素无纹者。 宋代铜镜大部分为黄铜质,含锡量明显减少,而含铅量大增,这样的合金成分一直影响着后世的铜镜,这也成为鉴别宋代乃至以后各朝代铜镜的重要依据。
In the Song Dynasty, the bronze mirror was not admirable, but it was practical and practical. The body was light and thin, and the decoration was simple. The shape was still round, and there were also various forms such as square, curved, diamond and handle.
On the back, there are many patterns of flowers, birds, fish, insects, landscapes, landscapes, and other patterns. Most of the bronze mirrors in the Song Dynasty were brassy, the tin content was significantly reduced, and the lead content was greatly increased.
Such alloy composition has always influenced the bronze mirrors of later generations, which has become an important basis for distinguishing the bronze mirrors of the dynasties in the Song Dynasty and later.
辽 青铜镜
辽代铜镜大都承袭唐镜的雄浑和宋镜的柔和,并结合草原民族的彪炳习性,形成辽代独有的铜镜艺术风格。辽代铜镜作为中国古代铜镜历史发展的一个相对较为特殊且颇具魅力的时期,其纹饰图案不仅有八卦纹、荷花纹、连钱纹、龙纹等,并且因所处历史环境、地域文化、民族风俗、宗教信仰等因素,出现了一些充满辽代契丹本民族特点的纹饰图案,形成了中国铜镜史中独树一帜的纹饰风格。
The bronze mirrors of the Liao Dynasty mostly inherited the gentleness of the Tang dynasty and the softness of the Song Mirror, and combined with the sacred habits of the grassland people, formed the unique bronze mirror art style of the Liao Dynasty.
As a relatively special and attractive period of the historical development of bronze mirrors in ancient China, the Liao Dynasty bronze mirrors not only have eight-striped patterns, lotus patterns, even money patterns, dragon patterns, etc., but also because of their historical environment and regional culture.
Factors such as ethnic customs and religious beliefs have appeared in some patterns that are full of the characteristics of the Qidan nationality in the Liao Dynasty, forming a unique style of Chinese bronze mirror history.
元 青铜镜
元代铜镜可谓是“粗者甚粗,精者颇精”。元镜式样少,除流行的圆形和圆形带柄镜外,形制基本上保存了宋代铜镜流行的形制,有圆形、菱花形、葵花形及带柄镜。纹饰有双鱼纹、双龙纹、花草、禽鸟纹、八卦星象图案和人物故事等。铭文少见,一般是吉祥语,也有纪年铭,多作单行排列,有的在镜缘刻出铸造匠师名款。
The bronze mirror of the Yuan Dynasty can be described as "the thick is very thick, the fine is quite fine." There are few Yuan mirror styles. In addition to the popular round and round handle mirrors, the shape basically preserves the popular shape of the bronze mirror of the Song Dynasty.
It has a round shape, a rhomboid shape, a sunflower shape and a handle mirror. The pattern is decorated with double fish, double dragon, flowers, birds, gossip, and character stories. The inions are rare, generally auspicious, and there are also the chronological Ming, which are arranged in a single line, and some are engraved in the name of the casting master.
小编从英国罗斯柴尔德拍卖行驻大陆办事处亿缘文化了解到我们今天看到的这三件珍稀的铜镜《汉代铭文连弧纹铜镜》,《唐代龙凤纹葵口铜镜》,《宋代菱花铜镜》将参加英国罗斯柴尔德拍卖行ukrothschild新加坡拍卖会,这正是我们近距离接触古代铜镜遗珍的好机会。登录:qr06.cn/FqD7C0 或者 英国罗斯柴尔德拍卖官网了解更多信息 。
Xiao Bian learned from the British Rothschild auction office in the mainland office Yiyuan culture to learn these three "Han Dynasty inions with curved copper mirror", "Tang Dynasty Dragon and Phoenix Pattern Kwaikou Bronze Mirror", "Song Dynasty Linghua Bronze Mirror" I will be attending the ukrothschild Singapore auction in Rothschild, UK, which is a good opportunity for us to get close to this ancient bronze mirror.
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