郭景兴 号守桥翁，1928年2月生，宁河县苗庄镇江石沽村人。中国书法家协会会员，北京市书法家协会会员，中国老年书画研究会会员，北京市丰台地区书法家协会副主席，台湾"艺文交流"画报社名誉社长，台湾中华艺术交流协会"名誉会长"，"海峡两岸名家展评审团"委员，中国人民抗日战争纪念馆研究员（文博专业）幼年从伯父澄斋学习书法、篆刻。书法始攻颜，兼学欧、柳、苏、黄。1949年结识北京名书法家吕廷立，又攻研魏碑，经多年研究，形成个人风格，其书风以唐楷为基础，入北魏气势架构，后宗赵之谦，气势浓厚，豪放舒展，放而有度，神韵活现，遒劲于流动之中。治印五十余载，操刀如笔，视石若纸，袭秦篆之风，采汉印之长，印风端庄稳健，潇洒奔放，寓高雅清秀于方寸之中。自1981年起，从事文物考古工作。从事书法、印石六十年，经常参加书法篆刻展、赛，并多次获奖
Guo Jingxing, Shouqiaoweng, born in February 1928, is a native of Shigu Village, Miaozhuang Town, Ninghe County. Member of China Calligrapher Association, Beijing Calligrapher Association, China Senior Calligrapher and Painting Research Association, Vice-Chairman of Beijing Fengtai Calligrapher Association, Honorary President of Taiwan Art and Literature Exchange Picture Press, Honorary President of Taiwan Chinese Art Exchange Association, Member of the Jury of Famous Artists Exhibition on both sides of the Taiwan Straits, and Member of the Chinese People's Anti-Japanese War The war memorial researcher (Wenbo specialty) learned calligraphy and seal cutting from his uncle Chengzhai as a child. Calligraphy began to attack the face, learning from Europe, Liu, Su and Huang. In 1949, I met Lu Tingli, a famous calligrapher in Beijing, and studied Wei tablets. After years of research, I formed my own style. His style of calligraphy was based on Tang Kai and entered into the framework of the momentum of the Northern Wei Dynasty. Zhao Zhiqian, a later scholar, was full of momentum, bold and open, open and graceful, with vivid charm and vigorous flowing. Over fifty years of printing, the knife is like a pen, the stone is like paper, the wind of Qin Seal is like paper, the long of Han Seal is adopted, the style of printing is dignified and steady, free and unrestrained, and elegant and elegant in square inches. Since 1981, he has been engaged in archaeological work of cultural relics. He has been engaged in calligraphy and seal cutting for 60 years, often participated in calligraphy and seal cutting exhibitions and competitions, and won many awards.

点画线条的力量感是线条美的要素之一。它是一种比喻，指点画线条在人心中唤起的力的感觉节奏本指音乐中音符有规律的高低、强弱、长短的变化。书法由于在创作过程中运笔用力大小以及速度快慢不同，产生了轻重、粗细、长短、大小等不同形态的有规律的交替变化，使书法的点画线条产生了节奏。汉字的笔画长短、大小不等，更加强了书法中点画线条的节奏感体感是中锋用笔的结果。中锋写出的笔画，"映日视之，画之中心，有一缕浓墨，正当其中，至于折处，亦当中无有偏侧
The sense of strength in drawing lines is one of the elements of line beauty. It is a kind of metaphor, which refers to the feeling rhythm of the force aroused by drawing lines in the human mind. It originally refers to the regular changes of the notes'height, strength and length in music. In the process of creation, the strength and speed of handwriting vary, resulting in regular alternation of different forms, such as weight, thickness, length, size, and so on, which makes the dotted lines of calligraphy produce rhythm. The strokes of Chinese characters vary in length and size, which strengthens the sense of rhythm and sensation of dotted lines in calligraphy, which is the result of the use of strokes by the center.The strokes written by the centre of the painting "reflected by the sun, the center of the painting, there is a thread of ink, just in which, as for the fold, there is no side.

这幅字，线条明显 是郭景兴的代表作之一。整体式天道酬勤这四个大字 即有很高的收藏价值，更增添了藏品一番韵味 升值空间更高
The line of this character is obviously one of Guo Jingxing's representative works. The four big characters of integral heavenly way rewarding diligence have very high collection value, which adds a higher appreciation space for the collection's charm.