青花瓷器，是以钴料为着色剂，在洁白干燥的瓷胚上，用毛笔勾画出各种图案，再罩上一层 透明釉 ，置于高温还原焰中一次烧制而成的，属釉下彩瓷的一种。它集绘画、书法、工艺于一身，以其素雅大方、幽菁明快的色调散发着独特的艺术魅力。凝聚着祖先们智慧和汗水而创造出来的瓷器，不仅为我国赢得了“瓷国”的美誉，而且使这项原本具有实用性的 手工产品 ，与高度的技术和各种审美理念相结合，成为我国特有的民族艺术项目之一。

Blue and white porcelain is a kind of underglaze colored porcelain, which is made of cobalt as coloring agent and painted on the white and dry porcelain embryo with a brush. It sets painting, calligraphy, craft in a body, with its simple but elegant generous, youjing lively tone sending out a unique artistic charm. The porcelain created by the ancestors' wisdom and sweat has not only won the reputation of "China country", but also made this practical handmade product, combined with high technology and various aesthetic concepts, become one of the unique national art projects in China.v

我国瓷器发展的整个历程可大致分为青瓷－白瓷－彩瓷三大系统。依时间而言，青瓷最早，白瓷居次，彩瓷发展最晚，其创始与兴起之前，青瓷和白瓷已经度过一段漫长的岁月，在瓷器烧造制作上，无论材料和技术等方面，都为后来的彩瓷打下坚实的基础，创造了完备的条件。 我国历史上的瓷器烧造，自唐代开始，就有“官窑”、“民窑”之分。早期的“官窑”、“民窑”的划分只是限于使用者的身份不同、在烧制上精细粗糙有别而已，都是同样出自民间窑场烧造。而至明代，官窑真正形成制度与建立规模。烧造景象盛况空前，产品品质优越，这也成为激励民窑进行各方面改进的力量。官窑为了保护自身的利益，而对民窑进行了控制与压抑。民窑凭借着强韧的生存能力，在有限的烧造范围内，转向其他方面发展，在烧造思想和技术上不断在暗中吸取官窑的优点和长处，藉以改进与提高产品的品质，使得民窑瓷器在瓷器史上一度大放光芒。

The whole process of China's porcelain development can be divided into three systems: celadon - white porcelain - colored porcelain. In terms of time, celadon was the first, white porcelain was the second, and color porcelain was the last. Celadon and white porcelain had already passed a long period of time before its inception and rise. In terms of porcelain firing, both materials and technologies laid a solid foundation for the later color porcelain and created complete conditions. China's history of porcelain firing, since the tang dynasty, there are "official kiln", "people kiln". The division of "official kiln" and "civilian kiln" in the early stage was only limited to the different identities of the users and the fine and coarse differences in firing, which were all fired by the same folk kiln. But to the Ming dynasty, the official kiln really formed the system and the establishment of the scale. The production scene is unprecedented, the product quality is superior, this also becomes the power that stimulates civilian kiln to carry on each aspect to improve. In order to protect their own interests, the official kiln controlled and suppressed the civilian kiln. By virtue of its strong survival ability, the civilian kiln turned to other aspects of development within the limited range of firing, and constantly absorbed the advantages and advantages of the official kiln in the dark in terms of firing thought and technology, so as to improve and improve the quality of products, making the civilian kiln porcelain once shine in the history of porcelain.

此件藏品口径约15厘米，高约32厘米，胎体细腻，精致轻薄。釉面腻润光亮，白中闪青。装饰手法为明代青花经典。具有极高的升值空间和极大经济价值。

The caliber of this collection is about 15cm and the height is about 32cm. The carcass is delicate, delicate and light. The glaze is greasy, moist and bright, shining blue in white. The decoration technique is the blue and white classic of the Ming Dynasty. It has very high appreciation space and great economic value.