湖田窑是汉族传统制瓷工艺中的珍品，位于今景德镇市东南湖田村。是中国宋、元两代各大制瓷规模最大，延续烧造时间最长、生产的瓷器最精美著名的古代窑场。

Hutian kiln is a treasure in the traditional porcelain making process of the Han nationality. It is located in Hutian village, Southeast of Jingdezhen city. It is the most famous ancient kiln with the largest scale, the longest continuous firing time and the most exquisite porcelain produced in song and Yuan Dynasties.

湖田窑所烧造的瓷器被称之为影青瓷，北宋早期普遍使用仰烧法，烧造青白瓷唇口、葵口碗。造型简单，瓷胎较厚，釉色偏灰或米黄。多光素无纹饰。这一时期的产品，尚不具备影青瓷的基本特征。

The porcelains made in Hutian kiln are called Shadow celadon. In the early Northern Song Dynasty, it was commonly used to make blue and white porcelain lips and cups. The shape is simple, the porcelain body is thick, and the glaze color is gray or beige. Multi light element without decoration. The products of this period do not have the basic characteristics of shadow celadon.

北宋中晚期，选用表层风化最佳的瓷石原料，淘洗澄湛工艺逐渐完善，拉坯成型技艺日趋成熟。尤其采用旋坯工艺，用铁刀在阴干的毛坯上旋削修整，使瓷胎薄腻至极，造型规整秀美，其实大批量烧造的斗笠碗，口径20厘米有余，面碗壁厚度尚不足0.2厘米。如此大口径薄胎器，即便明、清两朝造瓷技艺发展至巅峰，也无法大规模再造。

In the middle and late period of the Northern Song Dynasty, the best surface weathered porcelain stone materials were selected, and the process of washing and clarifying was gradually improved, and the technology of blank forming was becoming more and more mature. In particular, the rotary process is adopted, and the iron knife is used to spin and trim the blank which is dried in the shade, so that the porcelain body is extremely thin and greasy, and the shape is neat and beautiful. In fact, the diameter of the large-scale bowl is more than 20cm, and the wall thickness of the bowl is less than 0.2cm. Such a large caliber and thin mould could not be reconstructed on a large scale even if the porcelain making techniques of Ming and Qing Dynasties reached the peak.

这一时期，釉料中釉灰用量较多，釉熔融较透，透明度特别好。釉层中气泡、析晶以及其他残留物较少。刻花、划花、模印花纹的凹痕宽度、深度不同，釉层堆积厚度和块面大小多有变化，釉色由淡淡青白色向天青、湖绿渐次演变。纯净明澈并富于色调变化的硬青釉，大大强化了纹饰的艺术效果，给人以“音乐旋律绎如心灵”的美感。

During this period, the amount of glaze ash in glaze is more, the melting of glaze is more transparent, and the transparency is particularly good. There are few bubbles, crystallization and other residues in the glaze. The width and depth of the dents in the patterns of engraving, drawing and pattern printing are different, the thickness of the glaze layer and the size of the block surface are mostly changed, and the glaze color gradually changes from light blue white to sky green and lake green. The pure and clear hard blue glaze rich in color change greatly strengthens the artistic effect of the decoration and gives people the aesthetic feeling of "music melody is like heart".

棕眼是影青瓷釉面的一个重要特征。坯胎用的是生料，高温烧结产生大量气泡，气泡通过釉面逸出，有些釉表面未被及时填平，而形成大小不同的棕眼。棕眼不光凹馅面大小不一、深浅不同，形态也有差异。多数只是釉表面的凹痕，一些却有针管样细孔穿透釉层，连通瓷胎。经近千年土浸，釉层下的胎上，形成大小不一的放射状扇型土浸斑，灯光照射影像明显。

Brown eye is an important feature of shadow celadon glaze. The blank is made of raw material. A large number of bubbles are produced by high-temperature sintering. Bubbles escape through the glaze surface. Some glaze surfaces are not filled in time, forming brown eyes of different sizes. Brown eye filling is different in size, depth and shape. Most of them are just dents on the glaze surface, while some of them have pinhole like pores that penetrate the glaze layer and connect the porcelain body. After nearly a thousand years of soil soaking, radial fan-shaped soil soaking spots of different sizes were formed on the tire under the glaze layer, and the image of light irradiation was obvious.

富安国际艺术有幸征得一件宋代湖田窑影青执壶，带掺泥盖，所谓的影青就是在瓷胎上面刻画花纹，罩上一层青色的单色的釉，可以就叫做影青；影青这种瓷器，事实上大中祥符年就有过记载，它是有多小件，杯、盘、碗、碟、盒、钵，具有唐代的遗风；从以下几个方面可以来证实它是影青，第一点，影青的手感与观感，和青白玉一样，所以这是它的一个基本点，既不干涩，也不枯燥，但又不是很柔润，不是那样的，是居中的；此影青执壶的胎色，它是洁白的，是细腻的，它的副款，也不会滑腻，这是特别强调的；这个影青一般来说，它这个胎上面没有多大的粘黏，一般它是脱胎的；所以说它的纹饰有明显的时代特征，唐代的印记，唐五代的时候，这个器型它的圈足是要宽大一些，口圆一周有掺泥感，什么叫掺泥感，好像是上面这个帽，它是掺起来的，是有泥的，掺口的，它叫掺口泥，所以它的器型多来自于金属器。壶嘴像细细的水流，一般的是像注水一样的，像柱子一样的带着这样的臂，它的底浅足，这个底的中心，没有上釉，而且它是拱出来的，比如这种器型，这都是底部特征；北宋是偏高，南宋是偏矮，元代近乎是平的，这个就是北宋的，所以说这样的影青执壶加上掺泥的一个扭特别的漂亮，惹人喜欢，所以它的收藏价值应该是不可低估的，它的艺术非常有价值，也是很高的，能够保存这么完整也是稀见的。

Fu'an international art has the honor to obtain a Song Dynasty Hu Tian kiln Yingqing holding pot with a mud cover. The so-called Yingqing is to carve patterns on the porcelain body and cover it with a layer of monochromatic blue glaze, which can be called Yingqing. In fact, Yingqing is a kind of porcelain, which has been recorded in the Funian of Dazhong Xiangfu. It has many small pieces, such as cups, plates, bowls, saucers, boxes and bowls, with the legacy of the Tang Dynasty. From the following It can be confirmed in several aspects that it is Yingqing. First, Yingqing's hand feel and appearance are the same as Qingbai jade, so this is a basic point of Yingqing. It is neither dry nor boring, but it is not very soft. It is not like that, and it is in the middle. The tire color of Yingqing holding pot is white, delicate, and its sub style is not greasy, which is specially emphasized. This shadow Generally speaking, green has no big sticky on this tire, and it is usually unborn. So its decoration has obvious characteristics of the times. The mark of Tang Dynasty, in the Tang and Five Dynasties, the ring foot of this utensil type should be wider, and the mouth circle has a muddy feeling. What is the muddy feeling? It looks like the hat on it is mixed, muddy and mixed. It's called muddy Mouth mud, so its shape is mostly from metal. The spout of the pot is like a thin stream of water, like a water injection, like a pillar with such arms. The bottom of the pot is shallow, the center of the bottom is not glazed, and it is arched out, such as this type of utensil, which is the characteristics of the bottom; the Northern Song Dynasty is on the high side, the Southern Song Dynasty is on the low side, and the Yuan Dynasty is almost flat, which is the Northern Song Dynasty, so this kind of shadow green holding pot is mixed with One twist of mud is particularly beautiful and attractive, so its collection value should not be underestimated. Its art is very valuable and high, and it is rare to be able to preserve such integrity.

影青瓷造型美，装饰技艺更是独步青云，特别是刻花、划花技法。娃娃纹、莲纹、水波纹等等，构图饱满，线条流畅，洋溢着浓郁的生活气息。粗线条先垂直刻一刀，再沿线斜刻一刀。这不由得让人联想到汉代玉雕之“汉八刀”工艺。匠师根据构图需要，刻痕深浅、斜线坡度、斜面宽窄等等都富于变化。每根线条都明显起顿，犹如中国书法之提、按、顿、捺。细线条则以深浅宽窄变化，表现花、叶、水波、娃娃等范围轮廓。流畅有力，有韵律美感。线条的起顿衔接，准确而自然。匠师专业而有自信，手法娴熟，正可谓“庖丁解牛”。匠师们还就地取材，创制刻、划花的专用工具，不仅大大提高了工作效率，还取得了超乎想像的艺术效果。

Shadow celadon has beautiful shape and unique decoration skills, especially the skills of carving and painting. Doll pattern, lotus pattern, water wave pattern and so on, full of composition, smooth lines, full of rich life atmosphere. The thick line is first cut vertically, and then cut obliquely along the line. This can not help but remind people of the Han Dynasty jade carving "Han eight knives" technology. According to the composition needs of the craftsman, the depth of the score, the slope of the diagonal, the width of the slope and so on are all variable. Each line is obvious, just like the Chinese calligraphy, which is mentioned, pressed, pressed and pressed. The thin lines vary in depth, width and narrow, showing the contour of flowers, leaves, water waves and dolls. Smooth and powerful, with rhythmic beauty. The starting and ending connection of lines is accurate and natural. The craftsman is professional and confident, skillful in technique, which can be described as "doing things by doing things". The craftsmen also made special tools to carve and carve flowers on the basis of local materials, which not only greatly improved the working efficiency, but also achieved unimaginable artistic effect.

中国古代瓷器近年多有亿元拍品诞生，历来是古玩市场的绝对主流，无论是拍场还是收藏市场，无论是数量还是价值，都稳居国内瓷器市场前列。近年，中高端瓷器拍品市场规模日渐扩大，增长率顺势直上，均价同样在上涨。据统计，2017年成交在500万元以上的拍品数量占瓷器总成交量的一半以上，市场份额逐步扩大，瓷器市场更直观的看出2017年—2018年瓷器市场整体是很受欢迎的。综上所述，瓷器历史文化价值、收藏价值以及投资价值都比较高。

In recent years, more than one hundred million yuan of ancient Chinese porcelain products have been produced, which has always been the absolute mainstream of the antique market. No matter in the auction field or collection market, no matter in quantity or value, they are firmly in the forefront of the domestic porcelain market. In recent years, the market scale of medium and high-end porcelain auction is expanding day by day, the growth rate is in line with the trend, and the average price is also rising. According to statistics, in 2017, the number of products with a turnover of more than 5 million yuan accounted for more than half of the total turnover of porcelain, and the market share gradually expanded. It is more intuitive that the porcelain market in 2017-2018 is very popular as a whole. To sum up, the historical and cultural value, collection value and investment value of porcelain are relatively high.