成多禄 （1864－1928）吉林人，原名恩龄，字竹山，号澹堪，著名书法家。他精诗文、功书法、诗词、文稿，墨迹遍及东北三省，驰名全国，被喻为“吉林三杰”之一。

民国初年任吉林省第二届参议院议员，民国教育部审核处处长，且为官清廉，被群众誉为“清廉太守”。

Cheng Duolu (1864-1928), a famous calligrapher, was born in Jilin, formerly known as enling, with the word Zhushan and the number Dankan. His fine poetry, calligraphy, poetry, manuscripts, ink throughout the three northeastern provinces, well-known throughout the country, known as one of the "three heroes of Jilin".

In the early years of the Republic of China, he served as a member of the second Senate of Jilin Province and the director of the Audit Department of the Ministry of education of the Republic of China. He was an honest official and was praised by the masses as "honest prefect".

一生诗作不下千首。有《澹堪诗草》二卷和自订年谱一卷行世，有今人翟立伟、成其昌等编注《成多禄集》，收辑成诗八百六十首。先生书法造诣颇深，取法欧、颜、苏、翁各体，不落窠臼，卓然成家，被今人目为东北四大书圣之一。

成多禄诗词、文稿、墨迹，遍及东北三省、北京及江南各地。其匾额、楹联，在京、吉、奉、哈等地颇受推重。

There are no fewer than a thousand poems in one's life. There are two volumes of "Dan Kan Shi Cao" and a volume of self-made chronology. Zhai Liwei and Cheng Qichang have compiled and annotated the collection of Cheng Duolu, which has collected 860 poems. Mr. Zhang has a deep attainments in calligraphy. He takes the styles of France, Europe, Yan, Su and Weng. He doesn't stick to the old pattern and has a distinguished family. He is regarded as one of the four great calligraphers in Northeast China.

Cheng Duolu's poems, manuscripts and ink are all over the three northeastern provinces, Beijing and Jiangnan. Its plaques and couplets are highly respected in Beijing, Kyrgyzstan, Feng, Kazakhstan and other places.

成多禄即是属于旗人书家群体中重要的一员。他的书法早年以颜真卿、柳公权为宗，中年后受宋苏轼、黄庭坚影响，晚年则致力于唐代徐浩《不空和尚碑》，运笔有横扫千军之势，得其渴马奔腾之妙趣，后专力于帝师翁同龢书法，全面地继承翁氏书学精髓。

多禄的书法亦颇为出名，在北方书坛中有着不可替代的地位，京、吉、奉、哈等地的匾额、楹联多出于其手，时人称其为“东北书圣”。

Cheng Duolu is an important member of the Qi man calligrapher group. In his early years, his calligraphy was dominated by Yan Zhenqing and Liu Gongquan. In his middle age, he was influenced by song sushi and Huang Tingjian. In his later years, he devoted himself to Xu Hao's "not empty monk monument" in the Tang Dynasty. His pen has the potential to sweep away thousands of troops and get the wonderful fun of his thirsty horse. Later, he devoted himself to the calligraphy of emperor Weng Tongfu and comprehensively inherited the essence of Weng's calligraphy.

Doru's calligraphy is also quite famous and plays an irreplaceable role in the northern calligraphy world. Most of the plaques and couplets in Beijing, Kyrgyzstan, Feng, Kazakhstan and other places came from his hands. At that time, he was called the "northeast calligrapher".