按：疫情系列作品《又见桃花驿》已被藏家海歌收藏。自2018年初与小黎第一次去成都龙泉桃花驿看桃花，至今已连续三年四次赏桃花了，创作了一个“醉桃花系列”（80幅）。这个系列大都是宣纸彩色硬笔作品，今年疫情期间得以常驻川渝地区，便在三月份再次前往龙泉后，回来便创作了这幅《又见桃花驿》油画作品…

《又见桃花驿》 100X80CM

整个画面四周被暗色包围，形成悲伤的基调，而中央呈现暖色心生希望。各色块里的能量被锁住，冷暖色频繁对比，造成对空间挤压感，形成矛盾冲突，揭示了作者复杂沉重的心理。女子的下半侧脸、乳房等被进行解析重组，相互穿插，赋予活泼跳跃的艳色，立体再现女子的娇柔美。“醉桃花”“COVID”字样则交代了疫情下作者数次逆行又见桃园忆昔日的背景。右下方的血桃花野蛮生长滋生桃园外，越向上挣扎脱离桃花源，花越绿，败得越快，这明亮流动的轻盈绿意同时平衡协调了整幅凝固失重的画面。又见桃花，心跳加快，希望是我今生永远的驿站，而不是作短暂无奈的停留。

See Taohuayi Again (size: 100x80CM)

The whole picture is surrounded by dark colors, forming a sad tone, and the warm colors in the center show hope. The energy in each color is locked, and the cold and warm colors are frequently compared, resulting in creating a sense of squeezing the space. It forms a contradiction and conflict, and reveals the author's compression and conflict. Women' lower half face and breast are analyzed and recombined, interspersed with each other, is endowed with lively and bouncing colors, and it is three-dimensional representation of delicate beauty of women.
The words intoxicating Peach Blossom and COVID explained the recollection of several retrogradations to see Taohuayi during the epidemic. The bloody peach blossom on the right bottom grows savagely outside the peach garden. The more you struggle upwards to get rid of the peach blossoms, the greener the flowers are, the faster you lose. This bright and flowing light green balances and harmonizes the whole picture of freezing weightlessness. Seeing the peach blossom again, my heart beat faster, I hope it will be my eternal post in this life, not a short and helpless stay.