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随着数字时代诞生的新媒体艺术已成为当代艺术的常见表现方式，它拥有独特的时代感与未来感。
Emerged with the digital era and as a common expression of modern art, new media art presents a unique sense of contemporariness and futurism.
秩序法，视频和数据集，2020
Laws of Ordered Form, video work and dataset, 2020
1985年出生于英国的新媒体艺术家安娜·瑞德尔被 Artnet 列为九位探索 AI 创造潜力的“开拓艺术家”之一，并在2019年 Ars Electronica Golden Nica 奖项中获得 AI 和生活艺术类荣誉称号。由于她在数据集和分类方面的工作，她目前被设计博物馆提名为“年度最佳设计”奖。她对处理信息或数据（尤其是自生成的数据集）的工作感兴趣，常以各种媒介创建新颖而独特的叙述。
Anna Ridler was born in 1985 in the United Kingdom. She was recognized by Artnet, as one of nine pioneering artists that explore AI’s creative potential. She was also honorably mentioned in the 2019 Ars Electronica Golden Nica award for the category AI & Life Art. She is currently nominated for a Design of the Year award by the Design Museum for her work on datasets and categorization. She is interested in working with collections of information and data, particularly self-generated datasets, to create new and unusual narratives in a variety of mediums.
艺术家 安娜·瑞德尔 Artist Anna Ridler
在艺术家安娜·瑞德尔看来，科技和数字是创作艺术的全新工具，能够启发前所未有的灵感。
To artist Anna Ridler, technology and digital media are brand new tools for artistic creation, and they are unprecedentedly inspiring.
房屋倒塌，水墨，纸本，2017
Fall of the House of Usher II, Ink paper，2017
我发现科技，特别是机器学习的技术是非常启发灵感的。在很大程度上，它既是一种工具也是一段过程。我并不觉得它侵犯了人类的表达，反而感到它给予我一种以前从未有过的，更充分的自我表达的方式。
I find this technology - particularly machine learning - very inspirational. It is very much a tool and a process. I don’t find it encroaching on human expression, I find it a way of expressing myself more fully, in ways that I was never able to do before.
艺术家创作过程
The creating process of the artist.
在安娜·瑞德尔的逻辑中，“绘画”既是一个名词，也是一个动词，它是一件事物，也是一种动作。虽然人工智能可以完成一幅画作，但它也许并不能从思考出发，完成“绘画”这一行为。人工智能构建一幅图像的方式与艺术家构建图像的方式有着本质的不同。
In Ridler’s comprehension, "drawing" is both a noun and a verb - it is a thing and an action - but while an AI might be able to produce a painting, it might not be able to draw with consciousness. How it constructs an image is fundamentally different from how an artist constructs an image.
花，网站、智能合成、对抗网络生成的视频及AI机器人，2019
Bloemenveiling, website, smart contracts, GAN generated video and AI bots, 2019
作为一名艺术家，我对于使用技术去探寻人性化叙事很感兴趣，同时我非常着迷于利用信息或数据的抽象集合，特别是自生数据集合，去创造出全新的、不同寻常的叙述。在项目的前端和后端，我投入了大量的技术工作，将技术视为一种工具，进而去探讨记忆、爱、衰退；或者是以某种不可能发生的方式来扩充和改变故事。
I am an artist who is interested in using technology to find human-scale stories - I’m very interested in working with abstract collections of information or data, particularly self-generated datasets, to create new and unusual narratives. I work heavily with technology at both the front and back end of projects. I intend to make work that uses these technologies as a tool to talk about other things - memory, love, decay - or to augment or change the story in a way that otherwise would not happen.
万寿菊 (郁金香)，C型数字印刷品包含：手写注释，磁性涂料，磁铁，墨水，2018
Myriad (Tulips), C-type digital prints with handwritten annotations, magnetic paint, magnets, ink, 2018
相较于传统意义上的绘画，新的技术将推动绘画的发展，并赋予它新的含义。希望今日的文章能够唤起您对未来的思考，也期待您在文章下方分享更加新意无限的视角。
Compared to the traditional definition of painting, new technologies will push it and give it new purchases. Parkview Green FangCaoDi hopes today’s article will evoke some thoughts about the future, and we await you to share fresh opinions and ideas in the comment section below.
当前展览
Current Exhibition
侨福当代美术馆 · 北京
The Parkview Museum Beijing
周一至周日 Mon - Sun 10:00 - 19:00
免费开放，敬请点击“阅读原文”链接预约观展。
Free admission.
Please click on "Read more" to make reservations.
北京市朝阳区东大桥路9号侨福芳草地D座10层
L10, D Tower, Parkview Green FangCaoDi, No. 9 Dongdaqiao Road, Chaoyang District, Beijing, China
作者：侨福芳草地
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