釉水绿中微微泛黄，釉面生坑氧化水银包浆自然，颇具沧桑美感；外口沿下、颈肩结合处及腹中上部各两周弦纹，丰富了壶体表面的变化。

Glaze aqua slightly yellow, glaze pit oxidation mercury pulp natural, quite vicissitudes of beauty; The outer mouth along the lower part, the neck and shoulder joint and the middle and upper part of the abdomen are two weeks of chord lines, which enrich the surface changes of the kettle body.

低温铅釉在常年的埋藏过程中，其釉中的铅元素会渐渐淅出，裹于陶器的表面，形成一层银色的薄膜，俗称“银光”。这层银膜与釉面是分离的，可以被刮去而不损釉面。有无“锡光”可作为汉代绿釉器是否真品的依据，因此过去有“银光”的汉代绿釉陶罐价值连城而无“银光”的绿釉罐却无人问津。当然目前亦有仿冒有“银光”的赝品出现，但真品的“银光”沉着，均匀，位置相对集中，而仿品的“银光”漂浮，分散而无序。

Low temperature lead glaze in the burial process, the lead elements in the glaze will gradually out, wrapped on the surface of the pottery, forming a layer of silver film, commonly known as "silver light". The silver film is detached from the glaze and can be scraped away without damaging it. Whether there is "tin light" can be used as the basis of whether the Han Dynasty green glaze ware is genuine, so in the past, the Han Dynasty green glazed pottery pot with "silver light" is worth millions of dollars while the green glazed pot without "silver light" is nobody. Of course, there are also fake "silver light" fake appear, but the original "silver light" calm, uniform, relatively concentrated position, and the imitation of the "silver light" floating, scattered and disorderly.