Looking up at the stars when was a boy, see stars in the sky, do not understand the universe, only confused reverie. Now look at the vastness of the sky and majestic nature, feels less than only a little dust. Coming back to life, time has gone like water. Childhood seeing o people death, felt a kind of invisible pressure and sadness. Relatives and friends that continued after death, can now see themselves soon in the human world, tragedies of life is really a short, relative to the General history of the River, just a short moment. I often confused, humanity as a whole is this is just a tragedy? The Sun will do so alive forever? Earth to revolve around the Sun will always be the same, neither near nor to leave forever? As long as this state change, humans went to the ancient Chinese history? What's more, at the time of the Sun and the Earth is moving well, humans may have perished in the fratricidal war.

　　Continuing to paint and write, I often have is fatigue, that at the time of writing into a dream, dreaming of creation, this creation with the acid, not philosophy, mixed King confused, fragmented picture and misplaced time made small take pity on poor themselves have a field day, tried to shout. What is human? Where has it come from? Where to go? I have no answer, troubled life, various contradictions, stars and history will feel sympathy to the individual. However the stars and the meaning of history is complex, it is reality, existence, experiences, emotions. Human Ecology in tapping the vast great State, there is a grain of dust. But even so, but as a human struggle, still to be done, human dignity is important? Still life important? Conscience, conscience, thought, awakening herself to show the world. This unable to grasp the significance of the world, is opening the way people find, on homes, on the existence, or the world itself is an illusion. In search of meaningful way, Bush always sheltered clear judgment, forcing people to look for a real entities. Art tangled is asleep, dreaming, myths, magical things, is the tragedy of contradictions are tangled together.

　　People are very vulnerable, as long as there is one tiny invisible bacteria that can make people sick. Accidentally fell down, may be permanently disabled. People who could not swim, drowned in a few minutes in the water. In the ground a few meters of height, slipped and became disabled or died. Encountered a little bit bad, bad all day. Temperature too high or too low, discomfort or illness. Let alone encountered an accident, earthquake, tsunami. In front of a rich nature, human beings are so small. I always thought, you should really see themselves in the boundless beauty of location or live in a virtual illusion of self-righteous arrogance is more appropriate? Each individual will have different understanding on the basis of differences. In my paintings, I inadvertently misplaced and uncertainty of natural and human disasters, earthquake, tsunami, war, not that I purposely to be a tragedy, disillusionment, but because the view of the universe, think of people with the delicate relationship between the universe long troubled me. Life experience is constantly formed and digestion, fresh, exciting feel, live quickly into a dull pain or slowly. Sees the world full of logic is bizarre and full of momentum is fuzzy and uncertain floating thinking in theoretical support, huge universe itself as a strange metaphysical sense of the superficial, I deeply felt constant pressure in a barren, offsetting, leaving only trance and regret. When I face the canvas it is difficult to find real-life counterpart, this confusion is always interspersed in my creative process, and evolve my hidden self-separate narrative threads and viewing angle. From this perspective, I have worked tirelessly to go through my mind so I continuously towards a more complex, be suspended in a more extensive system of time and space. I had to make daily as this no longer appears on the original location. My wandering life and complex experience makes me a nostalgic temperament, nostalgia is not just a matter of literary significance, it is also philosophical sense, why the impulse to find poetic home. In simple day-to-day response and ultimate questions with a metaphysical sense seeking to create meaning, face the growing complexity of the real world and dizzying high speed development, sense of emptiness in urban culture shared by people's emotions. Put me in an often mixed with anxiety, sadness, a sense of tension, such as discouragement, despair or fear; I easy to confuse and creative sense of emotional tension, anxiety even in the creative process is. This is more of a soul out, run through my moods of comfort. At the same time, breaking the cultural memory and blurred reality experiencing constant disputes over I thought, even though people go their separate ways on the road in the face of nothingness, but the world is always in the same boundless. This is why individual vision takes courage, self beyond the high level people will be able to ease their own vision. In one realm. Motivations to people organization, formation of psychological and symbolic, wake, and subconscious images have the scope is not independent of consciousness. Because of this, my work was difficult words to accurately describe, it can not with any preset viewer's judgment and all sorts of conjecture. Some people are always at their most meet state, which has its advantages and disadvantages. Does not meet and rise up to create the tension can change a person's views on the failures. Failure is just not yet doing well enough, in fact, there is always a gap between the vision and the status, failure is a learning opportunity, you can see their status incorrect knowledge, understand why the policy than expected effective, and test the vision is clear and correct. Each of these errors is a cumulative process of the final product, potential contradictions of structural action, Chi makes us close behind the goal. Sometimes the lack of tolerance of often emotional tension and erosion of the target. I think that the creation of works of art's purpose is to make life more interesting. Art for life, the value of art appreciation from, be appreciated value. Frame structural puns are inspiring, it makes people appreciate in the fascinating world of images and graphics, failure to detect hidden in mystery, see amazing after the breakthrough concept of inherent, awareness of the reality of things, but by pictures may be just odd.

　　Individual face of pessimism lost and questioning the meaning in the real world, faced with stars and history such a pessimistic sympathy, compassion in individual small and lonely, drowns in the history of the helplessness and sigh, however such sympathy and space is so small in comparison, negligible. My unique personality and different languages, it is difficult to incorporate to the evaluation system and standards of Chinese contemporary art, my history face and style different from the real clue to the history of Western art, it is difficult to be classified as such a fusion with combination of Chinese and Western art road. Self-transcendence is not an easy task, but through the cultivation of self-transcendence can know themselves, know life again, digging up inside the desire and potential, in a positive and creative attitude towards life. Continue to set goals, beyond the limits, achieve self-transcendence in the results from my screen, viewers can intercept some keywords, such as "misplaced, overlapping, dreams, diversity", which constitutes a hyper-reality of fantasy and misplaced art. It is for this reason also, I provide viewers with an imagined possible, thereby deepening this painting feature. Imagination while promoting a new Visual image, fixed from the original illustration was the urge to continue to imagine. At the same time, unconscious dreams also makes my work become rich, bizarre and complicated. Self-transcendence is I truly seek and not self-fulfilling. My life in the pursuit of the meaning contains references to the natural world, human social and cultural, as well as the exploration and understanding of people in one location, aims to better grasp the life, to live more meaningfully. The quest for the meaning of life is not contented with self-equilibrium, but rather on a transcendence of self, characterized by courage to assume responsibility, take the bull by the horns, constantly created. Wandering between reality and the ideal, dedicated to follow up and find a way, which are part of the problem faced by me. But social trends often affect an individual's vision, public opinion often provide a personal vision is good or bad. Self-transcendence makes me aware of their true desires, in order to achieve the aspirations and concentrate on training the necessary patience, and able to see reality objectively. This is the spiritual foundation of establishing learning-type organization. State of desire for the pursuit of excellence in my life, self beyond the value of learning and creativity. Therefore it is important that, aware of creative tension and negative emotions, creative tension is not in itself, but rather so-called emotional tension. Reducing emotional tension loop exists on all levels of human activity. They are compromised origin, resulted in the abandonment of the real ideal source.

　　The foundations of Chinese culture, carefree, road and air are not simple to record and reproduce, more than simply a social interaction, and to turn the arts into art itself, return to one's own heart and return to people with significant beyond the material world of the natural world. Competition between the cultural identity in postcolonial cultural areas, also did not bring its Chinese cultural background as a real strategy game of Eastern and Western culture, out of the theory of binary oppositions that never stops. Others seek-oriented world in amazing way. Oil painting creation of material combined with traditional Chinese landscape painting, is having an oil painting materials borrowed on the basis of the performance characteristics of an impressionistic landscape painting techniques to reflect Chinese traditional aesthetic, developing new areas of Chinese painting. Not continuous images, there is some sort of life or mental logic, but it links the ideas implied in the work and its principles. Traditional Chinese painting techniques on the meaning of a passage, and important locations, attention to the words used, from a simple image with ink sketch objects, developed as a chapped to clean the wood, broken ink ink, to reflect the strong or change of scenery and ink rendering of t and pale run. Natural of landscape picture, tsun technique, trunk of branches of outlines and wood, and points wiped, pursuit a heart of Yat pen hastily and chest in the of a emotional, feeling middle, with Western texture observation various visual effect, construction a-oriented future of factor, broad schema people and natural, and people and environment, and people and homes of relationship, in Visual image Shang, in local, and future of angle Shang expression strongly of personal feel. Humanistic feelings in the whole world. Art of dream, for whole worldview and Outlook on life stressed people of individual care, stressed free, and democratic, and equal, and fraternity, and care reflected in own of screen middle, reality world of tumultuous, social of, and political of, and violence of, also has economic Shang of, reality world is is multiple forces of a game and struggle of results, human social is thousands of years is so walked to of. So in the screen to find the eternal element. Rationality cannot be converted into highly emotional performance, very rough brushwork painting turned out a barren wilderness, Hun: home, this silent age-old mountains, limitless natural energy reserves and the world's contradictions, paradoxes of nature. Are more people approved of painting elements of China's traditional culture, in the context of East-West cultural diversity, repeated overlay, image resources, various visual experience, repeated stack, ancient and Western character, looming, take pity on to looking at the world. I wanted to go after it a calm, tranquillity and a fascinating realm to exorcise from antiquity to kill each other and the tone of the dispute, want to leave the world a better image among a large number of small flying cranes, fish, marine fish, algae, various variants of composite images. I do not want to mind only in pen and ink, shape of formalist tendencies, is not that quiet, lyrical expression of small bridges, prosperity, beauty of sweet greasy and only pen and ink techniques, but lost the meaning as art itself. I am determined to use the language of oil painting to express the artistic conception of Chinese traditional paintings, images, vast screen many heterogeneous elements blend together, Yat hastily, congcong, noise and chaos, yet emotional. My form of landscape painting, derived from the combination of Eastern and Western aesthetics. Things of art there are stark differences, the Chinese philosophy of belief in heaven and focused on expressing the artist's subjective spirit and ideal of Chinese painting, in pursuit of reach the lively art effect in painting. Western painting follows the philosophy of serious and high level of integrity that is focused primarily on external morphology of the depicted objects, methods of combining science and art to shape objects, pursuit of a true representation of an objective image of the idea. Classical oil painting in conformity with the laws of perspective and Anatomy, to strokes of color and light and shade change to faithfully reproduce the characteristics of an object, the lack of use of artistic conception. Artistic creation is the process of art appreciation process and aesthetic experience, an abstract distinction in photographic depiction of the performance factors of aesthetic experience, has a deeper one of spirituality. This deep one of aesthetic experience to enjoy a high level of spirituality in art particularly, is different from the General appreciation arising from the activities of aesthetic excitement and pleasure. Applied to oil painting artistic conception of traditional Chinese painting, I form a perfect heart, is a jagged heart is like my long term Western life reflected. Chinese art focus on lyric like poetry, sketch based on realistic oil painting from a development to abstract expressionism and pop modern, well as I broaden the source of inspiration, I like the pursuit of artistic diversity. The artistic conception of traditional Chinese paintings, are painters by depicting scenes forming arts realm to express thoughts and feelings. It resonates to appreciate by Lenovo, and feelings were infected.

　　Since modernism art value on expression of philosophy in art creation abused and anomie, but artworks lurking in my mind or subconscious thought is, if works of art will always remain in the discussion on the form and techniques, of 20th century art, maybe it can become very bland. Human and social development in the broad sense of "history" phase before the development of various civilizations in the world has its own logic and features, but for "the world" the overall view of the structure, but is essentially the same, that is the world we face in "natural" and "social" two levels on the properties of the clarity and stability of the structure. After it reaches the modern humans, first in the natural sciences, with the development of modern physics, has shaken our understanding of the physical world--two of the most basic factors in the system timing and spatial awareness. Linear time in the classical physics, uniformity, indivisibility, non-reversible; and on the stability of the-three-dimensional extension of the space, and so on, these traditional "world view" basis under the challenges of modern physics, are an unprecedented shake. Of heaven and put people into a natural, Center of the universe as a whole, limited life with unlimited space, time and space to do an Exchange, a dialogue. I tried to gouzhi building and street scenes of New York in the strange history of space, however, this history is not a reality structure, its more like a humanistic care with the nature of the universe. Screen screen hidden images of the characters are placed in the main location, many combinations of relationships relationships, colorful, landscape and architectural integration in it. In such a context, subjective wishes, times of reflection, original expression of ecological relationships, in a complicated and changing world, yielding a reflection or some sort of peeping, alarm, warning, question, thought-provoking work of art. Self-transcendence is elegant and easy to complete extraordinarily complicated work. In the practice of self-transcendence, implies another aspect of mind-the subconscious. In fact we all unwittingly through the subconscious to deal with complex issues. Self-transcendence levels high and the General people of distinction, between the conscious and subconscious, developed a high level of agreement relations. Different from the occasional brief induction, the potential use as a practice to be upgraded. Screen full has a bitter, a boundless, anxiety, heavy, and Grand, and deep, and more has forces, people in universe among by Department of location, and human of ultimate fate of thinking, national and national of a narrow sexual also in language ontology, also has texture, and material of using, universe life is unlimited of, screen is limited of, screen of content more is limited of, in unlimited in do limited of depicting, discussion world in self looking for in the of possibilities. Unlimited is the wheel of time, limited is the fetter of the human soul, when the finite to infinite, infinite into a limited, finite and infinite lines to break, mankind is no eternal and short, no individual's life and death. A result of postmodern culture of contemporary globalization, is the kind of conflict between cultures, of human art, this should be a higher level, forming an entirely new concept. Recalling history of mankind's art, Renaissance artists on art works have been completed in the three dimensional shape of a two-dimensional plane, IV-d expression, it is not a record but a spirit of the time communicating. Zen said the Buddha require three levels: the first tier is fallen leaves filled with empty mountain, where to find activities - and not seeking; no second layer is empty mountains, water flowers--it is realized and not realized real; the third layer is the eternal sky, fleeting love affair - instantly realized. Beyond the peoples and Nations of this narrow, standing in a human angle to think about pursuing a transcendence of the reality, spirit of freedom. I hope my art to make yourself and others quiet, pure, Salvation, span the relationship between ancient and modern, relationship between persons and things. Current conflicts in the world, entanglement, collision and there is no conclusion, there will be no conclusion. Magic realism, surrealism, a sense of the absurd, like for example on the use of resources, in song and Yuan Dynasty landscape, also is more temporal and spatial isomorphism on methodology, ancient and modern integration, realized and not realized real trouble, calm water, that maybe I continue to explore the realms.

　　Subconscious is the most important artistic creation, fit inside the results you really want. More from deep inside conscience and values, the more easy and deep subconscious agreement, or sometimes even was part of the subconscious. Art never meet the enterprising spirit and the old shoe on broad minded and aesthetic style, artistic practice is reflection and aesthetic concepts of externalization of reification. Eyes, the image of the female body, as well as industrialized products, at the same time, through the individual images in the image, carefully painted automobiles, airplanes, women and animals, as well as with the mysterious atmosphere of the eye pupil, and so on, contemporary science and technology and has some traditions and wisdom, combined and even witchcraft in order to return to human nature. "Eye" has a dual meaning in art, through works of eye gaze for the real world, the second between the artists and the audience, reality itself and the audience's gaze. Overcoming the disadvantages of lack of descriptive language to create, but the main options available, all sorts of collective or individual experiences of life, manifested itself with a group of related visual symbols from one side reflects the people and events in the world. Machinery up to face, animals come to human form, spend up to beautiful women, monsters, ghosts and a fairy Fox as described by Pu songling mountains. Chinese traditional folk belief that everything is spiritual, mountains and lakes, snake, insect beast, and even trees and flowers, stones, etc, you can cultivate into human form. All creatures are equal, or fairy or demon who attained and even revered by others. Greek to the surrealism is a purely mental, is expressed in a variety of real physical activity. Let viewers gaze only works are beyond the normal reality, makes no disguise of human nature, people in each other's role in producing all sorts of psychological hint. This to my ideas have some kind of agreement. But for the audience, and understanding of my work is free, I want to express the meaning and emotion, everyone can understand is different, multidimensional, so I do not need to pursue general or specific objectives of Visual communication. Human nature kindness love affection, understanding of life in the universe, reflected in the image on the looming, invisible nature millions of years, mixing chaotic of humanity, shengshengsisi also, also will reshape it. People who are more transparent, is altogether apathetic people, can also be I, inverted or you, she and he, in fact, is God. God is not God, not God, God treats the world will never be redeemed, no love, but altogether apathetic, people die. In my works, visitors can feel the humanity in rapid development, industrial and scientific civilization makes the real world is filled with material, people's materialistic and self-emphasis on weight and the individual reality of fantasy, fantasy, dreams, and even I have created fear, like a mirror, reflecting human nature reflects the real world. I use those symbols and simplify symbolic image, abstract works with a freedom and an infinite sense of tension, drawing also presents a wide range of performance skills, travel experiences and knowledge background have a close relationship. At the same time to enrich the calligraphy and painting as one manifestation, increased screen and powerful sense of form, focus on expressing subjective emotions. Emphasize the "meaning" and "God" expression, don't get bogged down in the "shape" and "pen" and sometimes less, alike do not like. Weakened body shape of components to enhance writing. On the painting, painter oil mimics the brush side of front, side, Center and other techniques, the use of Chinese painting "cleaning chapped dye" style; lyric of self expression. Ecofeminist critique of theories of gender discrimination, racial discrimination, control of nature, speciesism, and other forms of social inequality, is a kind of natural liberation of women's liberation and awareness of tightly tied together. Through the picture background sense of overall portrayal of strong, natural, and the urbanization of natural, holistic organism, recognized the intrinsic value of nature, I believe that the equal value of human beings and other species, the Earth, and together form an indivisible integral whole. Imitation of nature are revealed in oil production levels, such as ink, free flowing natural mottled and calm reflection, thin attachment on the canvas, and partial remains, and concrete forms part against each other, forming dash, hazy implication of painting. Jimme non-fog fog midnight to dawn. When you dream? Find cloud-free. Naturalism pursuit absolute of objectivity, advocate simple to tracing natural, focused on on reality life of surface phenomenon for truthfully of records, no just of exclusion art ontology in art creation of when by using of imagine, and exaggerated, and lyric, subjective factors, will with as life in the various images of all slices, as forest, and mountains, and wheel, and and various animal,, for subjective of care, in must creation concept Xia, for has has means of combination, to formed own of art featured and style. Realism is a reflection of life and manifestation of the stress. We know that ultra stable world of expression, not just about the "physical", also a matter of "human", the so-called "day unchanged Road will not change." Established on the basis of modern industrial level before the advent of modern transportation system, interpersonal exchanges around the world were slow and partial. Skills Shang of application echoed with theme and content, will nature do female of metaphor, she is no longer is kindly of mother, fertile land of symbol, also is no longer is naive of girls, life vitality of metaphor; nude female of repeatedly appears, on like is injury, is abuse of be forced to earn a living by prostitution woman, as sad and bleak and Dim, people image of aesthetic breath, against in barren of land Shang, dirty of mountain mizusawa in the, some also winding with beauty of large flap flower, with with fun of Blossom. On the expression form, is describing the basic characteristics of a work of realism, a manifestation of real life, but this is art, is an art of narrative. On a pieces contains with many different element of screen of works,, each element Zhijian in is not plus combination Xia, may is no associated of, but once will its depicting in same pieces works in the, they Zhijian on produced has mutual role, formed a kind of contact and relationship, this not on reality of a new of created, but a perspective and concept, a emotional of expression.

　　Since the 20th century, large genre in the history of art, emerging art genre formed a diversity of aesthetics, and diverse aesthetic further liberated creativity of the artist. Compound in the pluralistic concept of artistic creation is based on a diversified background of globalization. Cannot be simply summed up in East or West, is not a simple tracing of the real world, not the kitsch of popular expression, but reflect problems in the real world from a level, itself it is questioning is also a reflection on the man himself, I think it is its value. Ah, my technique how skilled, how smart the mind! Conquer all, same screen, appear as a different perspective, such strong contrast, with "humanism" an appreciation of experience different social environment will inevitably lead to different social values base. So, is associated with this, I work through a variety of images in multiple overlapping, combinations, reveals the inherent contradictions in the world: the contradiction between time and space, social and political contradictions of contradiction, contradictions of culture, science and technology, and even human contradictions. Overlapping images, symbols, toggle was not motivated by a pursuit of style, but in the process reveal the structure of the world and I, according to its own symbolic significance and natural flow. Ancient China might not be able to expect, the Kingdom was praised by Marco Polo, who had been King of the Gentiles envied, the challenge of civilization, embarrassed and reluctantly accepted by the Western start of modernization, and now, is full of lofty to begin the conquest of nature. Irony in the case of "civilization", "progress", we went back to the despair of the moment, back road, heaven and nature. Eye eyebrows, whether young chun, also is good for older, no longer do a look of quick intelligence and soft refinement in one's eyes, or eyed portrayal, unlike classical beautiful portraits, through feature the eyes painted to create reserve proud, or spoke with a relaxing beauty, but hesitant description of the resignation of complaints, all eyes are pale blue, untold desires. The eyes what do you see? This "desperate" is caused by people's way of life, ethics and values and, therefore, truly "civilized people" do not need to focus on community map on the so-called "humane" but should be "more intelligent and savage". Like in the traditional society of China retired expert for mountain Plaza, swordsman, to animals and birds fish insect, with QS-moon as friend. Make this the ideal lifestyle. The devastation is everywhere, dry land, moving uprooted animals; only urban forest, forest of chimneys, cutting highways, luxury and materialistic. Ghost and the skull, through the images of eyes, and overlap the picture on the screen, create image-cutting oil painting picture. In other words, is not looking for images, but "image" of themselves according to their meaning need to float now the meaning of the expression system. Based on this logic, a variety of "real" and "imaginary", "images" and "abstract", "Eastern" and "Western", "symbol" and "performance", all the image elements leading the vision come into my jungle. In this jungle, didn't have the logic, everything needs to visitors according to their own experience and knowledge back to weaves, experience. In fact, similar questions in various civilizations in civilization can be found in the "question"-style approach to the issues raised, but they are in the stages prior to the arrival of modern physics, only as a "singularly strange tales" and not occupy the mainstream knowledge. Did not simply simple tracing of the quest for reality, but with the automatic method of description of, abandon logic, ordered based on the experience and memory of the real image, realistic ideas and instincts, unconscious fusion of experience, pursue an unexpected hint of interest and image, thus rendering a psychological image of the world.

　　Renaissance consciousness of man culminating, in relation to the creation, people's creativity, people above all things, a positive value is self-evident. But today the human ego and greed swell too much, or even completely opposite in nature, the consequences of the human self lost, naturally seized by ruthless greed, environmental destruction of human life. Embodies the mood of despair. People living in quiet despair. Then I features images of the 20th century "wilderness" diagram, the poetry of despair: we create is the outcome of disease, the Earth is our hospital. Old man looks like icons of the Lord appearing, this gaze--is this the Lord created all things, creation of human mind and now it seems so desperate, as if the end of the century. Through the flower woman, fate of the youth's death, with the fate of nature, attention to ecological paint extends to the specific perspective of eco-feminism, with this focus, increases the likelihood that an idea to visualize, Visual aesthetic is also particularly full. Eco-feminism was a product of bringing together feminist and ecological thinking, to the oppression of women and there is a relationship between the degradation of nature, lead to oppression and social mentality of dominant women, directly linked to the social mentality leading to abuse the Earth's environment. When the ideas, implement on screen, through interwoven with images and image, making images in the screens with poetic imagery a general aesthetics. In learning photography process in the, film repeatedly exposure technology, and will its forms application to painting among, construction out ambiguity of "figure end of isomorphism" of relationship, main images of "figure" and background images of "end of", to complementary effect constitute screen, through "alternative", and "spell reset", and "filled" and "plus or minus" of way, formed special of Visual effect, like poetry image of cross stacks. Close-up of eyes alternatives to automobile tires, ship's searchlight. I only use numbers and letters as art works entitled, in composition also has Antique titleless form this is that images have a strong sense of structure and weaving of textures, internal structure and texture supports the picture of the negative image of the characters against the background as on the end of the night, alternating positive and negative, germinal image of loneliness, depression, sadness poetry. Poetic imagery to convey, and as will be difficult to express feelings, unspeakable, by image express endorsement, poetry as a logical language to reach our endless obscure artistic effect. Painting is like writing, personal experience or hidden or, to form rather than content is manifested. Weave texture in the picture to give impressive, together with images of women, eco-feminist object into the traditional role of women, farming men till the land and women weave cloth in the era of poetic imagination, the woman in the picture is descends to dust the weaving girl nine days, also in the South China Sea will weave SATIN/CHARMEUSE shark people, disappeared the weave texture is maintained against the screen. I used a similar translucent drawing with watercolor techniques; as well as woven textures enable these complex images a sense of organization, propagation and chaos. Transformation translucent images and create mutual scenes, like in the dream depicted with peacock feathers woven into cloth, different angles have different colorful. Especially one blinking eye in the picture, darkness give me black eyes, but I use it to find the light, meaning the ambiguities and uncertainties, provide broader room for imagination and taste, to warning prophecies and philosophies to remind the audience, human possibility to desperate step, showing the deterioration of the natural environment, landscapes of endangered species to go into hiding.

　　Find a universal recognition in the global culture, are unattainable goals, work is good or bad, may be in a form of a future judgment. Indeed, in classical physics on linear characteristics will necessarily involve time in its start and end points; three-dimensional space are bound to involve it in the direction of both the macro-and micro-boundary. Traditional way of Oriental philosophy, which stresses "harmony", respecting the laws of nature, Western stressed the human conquest of nature, human being in this will challenge the world, fact is recognized by the public kind of vulgar. If you follow this simple logic questions, this worldview is also able to raise up its inherent contradictions. In fact, within the space of a local characteristics of the autonomy of community needs, a more hierarchical in structure and stability. Before the arrival of modern humans, we know nature and social parameters are contained in a knowledge structure is set to expand. Morphology of the cultural image transfer ink is a national? Or international? Traditional, or modern? Dead trees no cool, crickets hard to relieve stuffy sound of dry stone with no water. Panicking birds in the aircraft ROAR, and sewage breath under the fish in the fish nets, raging and excavators in the daily fight for Mustang mountain cattle. And God said: we have to follow our image, according to our likeness, and enable them to manage the fish of the sea, the birds and animals on the ground and in the air, trap trapping joy, light bird, faced with flocks of wild animals, sea life, netting them a clean sweep. For Chinese painters,, false, empty, far has always been its core objective of creating artistic conception, deficiency of Chinese Freehand brushwork, but with the real places that draw against constitutes a relationship than when combined with the actual situation, Yin Yin. Free lines, smooth and clean ink, free to move the dots, not for real, but charm and coloring of the foot. I a lot of personality in my painting lines, flowing strokes, color, colors, shapes, layout, and so on form factor, is the pursuit of artistic conception and the use. Faithfully like a photographic facsimile of nature, is a major characteristic of Western art. And I consider Chinese ink painting lively Freehand as a purpose, "vivid" in the first place and the "likeness" in second place.

　　Hou modern is a thought sources heterogeneous of transnational multi cultural globalization of era, huge of information quickly spread, new technology changing, has never no a history period like today as has so rich of art style, people obtained has so diverse of technology means, performance has so broad of theme range; from bad of area said, this era also may because different cultural and traditional of artist Zhijian too familiar of sake, and lost necessary of thought distance and technology know-how. Copy, diversion, and image tiling and other technologies, is the superposition of the images "painting image after making" one of the main tools. Copy these technologies in mechanical/landscape/mass media/intended time of the potential role of participation in production of symbol and meaning, modernist quest for authenticity movement, use of image reproduction, diversion, tiling and stacking the postmodern approach is fundamental to the concept of authenticity in the negative. Relationship between us and the universe and nature, individual is very small. On the depiction of the human body, and tsun technique using traditional Chinese ink painting lines, contour line sketch, ink pens, dry rendering tones, ignored detailed characterizations of light and shade, colour, structure, and overall attitude to the human body, and to substitute a write impression wrote sketches of objects. Color is more simple, in large "splash color" as outlined on, full use of lines of charm, both Yat Po color mood, and traces of the expressionistic style. Overall image more concise, convey a more elegant expression of artistic conception, filled with Oriental, ethnic mood. Whole picture freehand with a very strong taste. Exploring the possibility of integration between different image reflects the artist's creation of multiple cultural backgrounds, eclectic ideas and complex concepts. European of reproduce sexual painting meet has people of Visual exploration and narrative needs, provides has to Sentinel perspective for based of space experience and grasp, and transformation natural of vital experience; Europe of modern doctrine painting is expression has artist of main sexual requirements, on media possibilities range of explore, and reflexive of criticism spirit, 20th century second half yilai of Hou modern art, set reflected has Hou industrial/Hou colonial/consumption/mass media era of value diversified, and cultural of heterogeneous sexual and human experience of convergence of. World has possibilities of being an infinite superposition compound. Every time we tried to see the world that is for the world to make a measurement. After this measure brought a direct effect is based on the measurement of the split of, multiple parallel universe. There is no primary and secondary order, has not finalized any perception of body. I cannot determine what is in the background of paintings: a crane after making can also be a perception of body. In the production of background texture, composition, as well as in terms of how to approach such as large areas of paint spilled on abstract expressionism. A constant, unchanging factor is one of the model, namely visible representational form, regardless of how they are hidden behind traces on the surface of an abstract picture or distorted picture. Reflects the eclectic creative concepts.

　　Through, between ancient and modern  , past and future , Oriental and Western, and natural and Humanities, and people and object, in these familiar of II Yuan opposition  for suddenly of through, makes screen all is unified in a mastery of overall atmosphere in the, with as, and abstract, and performance, landscape, and building, and people, fragmented of added composite state, repeatedly appears of human civilization world--steel building, highway...... ; Is parallel with natural scenery, forests, mountains, rivers, animals, through in between each slice, make the whole screen aspect ratio in parallel through a number of time and space. At the same time trying to take complicated ideas. To a huge, time and space of culture through history and physical reality out of where, looking for spiritual solace, constantly encounter, continually seeking, constantly in pursuit, in which releases are insufficient to solve simple tactics hybrid space, so techniques are constantly evolving, floating constantly evolving forms of language. Sense of floating culture had to be attributed to the need to find and match the complex real-world approach, there is no absolute, does not have universal value. , East and West, traditional and modern Western painting and Chinese painting, landscape painting and landscape painting, nature and humanity survive and so on binary oppositions between fragmentation and integration of contemporary artists really, really expressing confusion or frustration, agitation or depression, revolt or nostalgia, vagrancy or insight into the profound historic and exemplary nature of the handover, "the negation" of authenticity. In their parallel world we face in split one don't know when they're not even sure the exact dimensions of the world seem negligible exception. But we have to work together to face the different parallel world posed a physical entity in the world. People can also be considered to be crane's background. Or on the background of the cable car, to animals as subjects of perception to perceive people and the cable car...... Contingencies, rendered in front of viewers is a parallel world of composite components. While the painting realism is good at, pay attention to depicting the actual structure of the object, and perspective, layout changes of color, line, shape and contrast and echo, dash, and density, and opening and closing, UPS and downs, converting, separation and reunion photo, screen space tend to be flattened and abstracted. Belong to different objects and scenes of space, time, form a philosophy of time and space in Visual form, painting realistic modeling method of combination of traditional Freehand brushwork of painting and pen and ink, oil painting this form of Visual performance full of impressionistic sense of body posture. After the simple values of revolution, produced by progress on the concept of art, art methodology will inevitably lead to a contradiction. As the frequency of interpersonal communication, the so-called "racial", "ethnic groups", "class", "national", "sex", "cultural" identity, in accordance with the social development of mankind in the process, become established themselves in turn, awareness of others and their social status frame. Every element of this system, according to their effects continued to campaign, at the same time and space change in growth as a new element in a different parallel world. Through constitute a narrative thread of my painting, but also as its main one misplaced image. Crossing that is from here to the other place, the reality in which it left the material cage and alienation from reality through the time and space machine, go to the singular boundary. I finished the superposition of the images through, through the superposition of the images people completed a virtual presence in the picture. After all, however virtual is virtual, the feeling of floating and suspended makes looking for become Misty, imagination becomes the final journey home. Complexity and Paradox characteristic of my painting culture of misplaced and split, also works for me to find a realistic basis. Even facing the nothingness of the world and dream-like reality, I still need the courage to face the emptiness or power through humanism-practical care and constantly tried to ask some of the final proposition, this is what I should be adhered to, it is required to face the emptiness of power and faith. A structural conflict is a structure of the forces in conflict with each other, at the same time and pull away from us to want. Feel complete work more and more difficult, unexpected obstacles in our path suddenly comes on, or people around you let me down. I often cannot detect the presence of structural system of conflict. Just because I failed to spot, has further strengthened the power of structural conflict. Manipulating the tension of conflict through a deliberate false conflicts, greater efforts to manipulate their own, pursuing wanted to avoid what I do not want to.

　　We actually had been living in a parallel universe that is infinite composite number. I tried to get rid of an underdeveloped art system, the "new", more "scientific" does art system must be advanced? No doubt do? I was actually in a self virtual structure that already exists instead of a steady deconstruction. Development of Chinese contemporary art has shown many of the disorder derives from Deconstructing this super stable. As a "history" of human society after the close, challenge the stability of structures of modern physics world, interpersonal communication, mobile has the world frequently, so that our view of the world has changed dramatically. In the field of painting, postmodern painting does not explore the objective experience of time and space, not to test the purity and range of possibilities of the medium, but the use of any and all means and media diversity. Just put this on the grand narrative of the world background combined with a specific individual. In the best of cases, post-modernism painting to season too narcissistic tendencies of modernism and post modernism has raised criticism, but it has also fully exposed the anti-rationalism, on the intellectual virtues of cynicism on such as hedonistic and emotional limitations. Links between these parallel worlds left to viewers to appreciate for himself--at different dimensions can come to different conclusions. In this connection, I tried to demonstrate the attitude is open with no fixed points to. From another point of view and determine, in parallel to express various space complex, a sense of time, including the sense of culture is typical of the handle, is the handle and overlap. From a larger context, its a broken memories, dreams, trance, unconscious of the fragment, unconscious manipulation of superimposed with a results. People looking for their own position in the natural and social is a very instinctive reactions. An instinct that dates back to the early knowledge of human systems, "time" and "space" concepts are actually humans establish themselves aware of the most important reference in the world. Is not confined to a specific scene, from the start, soul deep and profound and unpredictable things out into mystery stories, prompting eternal charm, is my goal. Deep one of spirit and physical state of natural deep one seamless, rich artistic landscape oil painting came from a variety of sources of artistic inspiration. Reconciling East and West, Oriental art, too subjective. Western art is too objective. Take Oriental Art Director, complementary and new art. This does not mean that the superficial level of converting oil painting and traditional Chinese painting techniques, is not between Chinese and Western aesthetic mix, but by new language of painting to create new aesthetics, the aesthetics of Western aesthetics aesthetics cleverly combines with China.

　　Into a profound philosophy of quiet reverie, into a colorful world of sorrow heavy. With Impressionism and Expressionism in the West similar to the East, whether inherent color composition concept, created to meet the needs of and according to the taste of their emotional works, to achieve the unity of God. Seeks to work with a strong sense of modern and full of emotion, pose me a unique charm of the art world.

　　This is my exploration.

作者：Yuan,Chu,Chen