香格纳S空间荣幸地宣布将于2018年5月10日带来《共享叙事》第三章节。这是一次由策展人缪子衿策划的系列展览项目，共分为四个章节。

　　ShanghART S-Space is pleased to present the third chapter of Shared Narrative(s), an seriers of exhibition curated by emerging curator Miao Zijin, opening on May 10th, 2018. The exhibition consists of four chapters.

　 策展人 | Curator

　　缪子衿 | Miao Zijin

　　艺术家 | Artists

　　施昀佑 & 林奥劼 & 管钧 | Yunyu Ayo Shih & Lin Aojie & Richard Kuan

　　第三章节开幕 | 3rd chapter Opening

　　2018/05/10 3pm

　　展期 | Duration

　　2018/03/23- 2018/05/22, 11am - 6pm (周一闭馆 | Mon. Closed)

　　地点 | Location

　　香格纳S空间，朝阳区机场辅路草场地261号, 北京, 中国

　　ShanghART S-Space, 261 Cao Chang Di, Airport Side Rd., Chaoyang District, Beijing, China

　 第三章节：b & C

　　The third chapter : b besides C

　　Opening - 5/10, 2018

管钧 | Richard Kuan | 来往道路 | Channels of Correspondence | 视频装置, 双频同步录像, 汽车后座|Video Installation, two-channel synchronization video, car back seats | 24' | 2018

　　在策展项目“共享叙事”的第三个章节b besides C中，C代表管钧的项目，而b表示林奥劼对管钧以及策展结构的回应。

　　In the third chapter of our curatorial project “Shared Narrative(s)”, b besides C, C is an abbreviation of Richard Kuan's project, while b stands for Lin Aojie's response to Richard Kuan and our curatorial framework.

“共享叙事”-第三章节：b & C |布展现场 | Shared Narrative(s) -The 3rd chapter - b besides C|Installation Site

　　管钧从多个层面展现了他处理“记忆”的方式。庭院外实时运转的行车记录仪象征长者逐渐衰退的短期记忆，如同每隔几分钟就会被系统抹除的信息。室内的暖气管盖子上方的屏幕回放着之前管钧拍摄施昀佑清理管道的场景，我们对他的记忆仿佛始终盘旋在此。分为三个部分的录像作品以符号的、经验的、以及观念的方式处理与记忆相关的图像。这些值得分享的叙事也渴望被回应。林奥劼选择为前两个章节的展览打分，并附评语。很难讲明他是以艺术家还是普通观众的身份做出评论，但这让大家有机会从一个批判性的距离回顾或重访我们刚刚结束的展览。

“共享叙事”-第三章节：b & C |布展现场 | Shared Narrative(s) -The 3rd chapter - b besides C|Installation Site

　　Richard Kuan presents his personal approaches to memory in multiple layers. The car dash cam displayed outside the courtyard symbolizes the deficit in the elders’ short-term memory, which is similar to the information erased every few minutes by the system. Richard Kuan’s recordings of Yunyu Ayo Shih cleaning the heating pipes and ditches are shown inside the space, where our memory of the previous artist never stop haunting. The two-channel video is divided into three parts, which deals with memory images via symbolic, experiential, and conceptual methods. There is a longing for sharing memorable narratives and correspondence. Lin Aojie chooses to grade the previous two chapters, providing his own comments on the shows. It is hard to tell whether he is making the criticism as an artist or a general audience, but it gives us a second chance to review or revisit our exhibitions just past from a critical distance.

　　第二章节：a & B

　　The second chapter : a besides B

　　Exhibition Review

“共享叙事”-第二章节：a & B |展览现场 | Shared Narrative(s) -The 2nd chapter - a besides B|Installation View

　　在策展项目“共享叙事”的第二个章节a besides B中，B代表林奥劼的项目，而a表示施昀佑对林奥劼的回应。在林奥劼的黑白有声影像作品《较量》中，观念性的字幕提示着艺术家在圈内同台竞技并获得最终胜利的前提条件。

In the second chapter of our curatorial project “Shared Narrative(s)”, a besides B, B is an abbreviation of Lin Aojie's project, while a stands for Yunyu Ayo Shih's response to Lin Aojie. Lin Aojie’s black-and-white video Battle provides conceptual subtitles, which tells the artists the prerequisite for success in the art scene as a battlefield.

“共享叙事”-第二章节：a & B |展览现场 | Shared Narrative(s) -The 2nd chapter - a besides B|Installation View

　　施昀佑在平板电视机前的单人沙发坐垫内缝入几颗鹅卵石，以身体性的方式呼应播放的录像。乍看之下，沙发的外观并无多少改变，仍旧平顺，如同影像里流畅的文字与配乐。林奥劼的《较量》仿佛一出空城计，释放给观众虚虚实实的信息，也暗指现实存在的重重逆境。

In response to the video playing in front of the single upholstered armchair via a corporal approach, Yunyu Ayo Shih places several cobblestones inside the cushion. At the first glance, the appearance of the armchair does make a huge difference, seems still smooth, echoing the the liquidity of text and sound flowing in the video. Lin Aojie’s Battle runs like an Empty Fort Strategy, which releases truth mingled with falsehood, while articulating the adversity hidden in our reality.

来源：雅昌艺术网