看似随意的线条，在纸上绕来绕去，自由自在，无拘无束。这些线条，散漫而不乱，无序而有章，细如游丝，像女人的秀发，在风中飘逸。又像八十七神仙的衣带，典雅而清高，在行进中荡漾。

　　这些线条好像，略带混沌的网，在纸面空气中灵动起来，好像富有了生命。这阡细柔弱的思想生命，想要挣脱怀抱，伸向四方，自由飞翔。但快到尽头时，又纷纷弧线迂回，没有棱角，没有反抗，默默无声，然后，她们又再次从中心向外发散，再次被无形的禁忌无情地拦截，再次无功而返，再次，慢慢聚拢，回到中央。就这样，这饱含生机的“游思”们，无数次奔向自由，又无数次地回到原来的地方。于是，就这样，在纸上留下当下文人的迷茫。

　　或许，思想本来就不需要什么方向，自由是她的本性，让这生命任意随性吧，放荡无羁，不也是一种天性而自然的追

　　求？如何不也成为一种志趣的向往？但这些也并不被鼓励，也许还会遇到阻挡？于是，这生命翻腾在纸上，上下左右，东西南北，转着数不清的圆，走不尽的圈，日日夜夜，寒来暑往。

　　在这片洁白无瑕的纸面空间，让游思的生命，自由地驰骋，让情感大胆地释放，让智慧无限地伸张。均匀的，弹性的，充满生机的游思们，带着文人的三界动机，四肢欲望，五官情感和八方想象，乘风而上，或顺流而下，如同《逍遥游》大鹏，在空中飞腾，划出圆弧的形状。又如莫高窟飞天菩萨，飘带和花朵在云雾里升降。

　　王璜生式的“游思线”，让都市中的文人墨客，仿佛找到了回旋的解脱，没有日本诗人谷川俊太郎在《小鸟在天空失去的日子》中描写的那样：“小鸟在天空消失的日子，天空在静静地涌淌泪水。小鸟在天空消失的日子，人还在无知地继续歌唱”。

　　感谢王璜生，在他有意无意笔下，用“游思线”织出了中国人轮回的图像。

吴志攀 北京大学常务副校长，教授

2012年6月14日

　　Wondering Mind: Impression of Wang Huangsheng's Exhibition
　　Random line, freely twines around in paper. All these lines look like loose instead of chaos, disorder but with balanced-spring, like a woman's hair flowing in the wind. It also is like belts of eighty seven immortals, elegant and bourgeois, rippling in the walking..

　　These lines seem a slightly chaotic network, flow in aire of paper, full of life. This sligth and dedicated life of thinking wants to break, and stretchs the four winds and fly freely. But near the end, it run into arc lines, without sharp corners, without resist, but silent, and then they diverge from the center outward, relentlessly is blocked by invisible taboos again, once again, return without any result; and again, they slowly gather around, return to the center. In this way, 'wandering mind' full of vitality, runs to freedom countlessly, and returns to its own place. So, it left confusion of contemporary scholars on the paper.

　　Perhaps, thinking should not need any direction, and freedom is its nature, so that is it a natural pursuit to leave this life alone without any limitation? Is it a passion? But all these have not been encouraged, is it would be blocked? So this life runs on the paper, above and below, left and right, or from north to south, turns countless and endless circle, day and night, as summer goes.

　　The spotless paper space makes life of wandering mind run freely, and releases emotions and wisdom. Even, elastic, vibrant wandering mind flys upside by the wind or goes down with river, as like the peng in Peripateticism, flying in the air, drawing an arc line. It also looks like Flying Buddha of Mogao with streamers and flowers in the fog.

　　Wang Huangsheng's wandering mind lines seem to make urban men to find a slaloming release, unlike Japanese poet ShuntarōTanikawa said in his Days When Birds Disappeard in the Sky: 'when birds disappeared in the sky/sky tears quietly/when birds disappeared in the sky/people are singing ignorantly'.

　　Thanks to Wang Huangsheng for he weaves the circle image of the Chinese with wandering mind lines, by his painting brush, intentionally or unwittingly.

Wu Zhipan Executive Vice President and professor of Peking University

June 14, 2012

作者：吴志攀