钧瓷始于唐盛于宋， 中国传统陶瓷烧制工艺的稀世珍品，为中国著名的五大名瓷之一，是中国历史上的名窑奇珍，距今已有一千三百多年的历史，被誉为“国之愧宝”。自宋徽宗起被历代帝王钦定为御用珍品，入住宫廷，只准皇家所有，不准民间私藏。在宋代就享有“黄金有价钧无价”，“纵有家产万贯，不如钧瓷一件”之盛誉。钧瓷之所以受到人们的青睐和专家们的高度重视，一件钧瓷产品需具备以下几个重要因素：一是钧瓷的窑变艺术，钧瓷属北方青窑系统，其独特之处是使用一种乳浊秞，即通常说的窑变色釉。入窑一色，出窑万彩，高温烧制后，会产生出如夕阳晚霞、或如秋云春花等，是凝聚了中国劳动人民智慧和艺术的结晶。

Jun Porcelain began in Tang Dynasty and flourished in Song Dynasty. It is one of the five famous porcelain in China. It is a rare kiln in Chinese history. It has a history of more than 1300 years and is praised as a "treasure of national shame". Since the Song Dynasty, Huizong has been regarded as a royal treasure by the emperors of the past dynasties. When he stayed in the palace, he was allowed only to be owned by the royal family and not to be kept privately by the people. In the Song Dynasty, it enjoyed the reputation of "gold is priceless and Jun porcelain is not as good as Jun porcelain even if it has a family property of ten thousand. The reason why Jun porcelain is favored by people and highly valued by experts, a Jun porcelain product needs to have the following several important factors: First, Jun porcelain kiln art, Jun porcelain belongs to the northern green kiln system, its unique feature is the use of a kind of opaque, that is, commonly referred to as the kiln color glaze. It is the crystallization of the wisdom and art of the Chinese working people.

宋代钧瓷釉质莹润、含蓄，呈乳浊状，有着绚丽多姿的审美风韵，“似玉、非玉、胜于玉”的审美体验，使之成为皇室的尤物。表示了宁为玉碎，不为瓦全的的民族气艺，和温文尔谦做人的品质。

Jun porcelain enamel in Song Dynasty is bright and moist, implicit, opaque, with gorgeous aesthetic charm, "like jade, non-jade, better than jade" aesthetic experience, making it a royal favorite. It expresses the national spirit that is better to be broken and unfinished, and the quality of Wen Wener's modest conduct.

无论是观音造型还是火莲花座艺术，还是釉色风格；审美追求还是艺术成就都是显着一种自然天成的“道家风范”，在看似“平凡”、“平谈”中，有着深刻的文化积沉。它不乖巧、不矫饰、不哗宠，然而，那神奇绝秘的釉色，在色浅时有韵质的变化，在色浓时，有山水风光，四时日月的幻化，淡而不俗，淡而不寡；它那庄重大方的造型、透射着冷峻和尊严、素穆和伟毅，极具典雅之魅力，故一些钧瓷美学家常定位宋代钧瓷为“淡雅”的典范，成为一种时尚，成为一种境界，这也是当时文化氛围，时代精神的集中表现。

Whether it is Guanyin sculpture or Fire Lotus Block art, or glaze style; aesthetic pursuit or artistic achievements are marked by a natural "Taoist demeanor", in the seemingly "ordinary" and "plain talk", there is a profound cultural accumulation. It is not clever, no pretension, no flattery, however, that magical secret glaze color, in light color, rhyme changes, in thick color, landscape scenery, the four seasons, the sun and the moon magic, light but not uncommon, light but not few; its magnificent style, transmission of cold and dignity, plain and magnificent, very elegant charm, therefore Some Jun Porcelain Aestheticians often positioned Jun Porcelain in Song Dynasty as a model of "elegance", becoming a fashion and a realm, which was also the concentrated expression of the cultural atmosphere and the spirit of the times.

釉面往往有大小不一的棕眼、褐斑点和蓝斑点。放大镜下棕眼口小里大，棕眼口的四周分布有疏松的褐色颗粒杂质。其形成机理，“钧缘阁”在《钧瓷新探》中认为是“胎内气泡携带胎表‘护胎釉’杂质溢出过程中，不断合并成较大的气泡，到达釉面后，因气泡内含有杂质使表面张力减小，在气泡内压力大于烧成环境压力的情况下破裂，并将杂质颗粒带到破口四周。绝大多数的破泡在窑温高的环境中被熔融的釉料填充，形成釉面呈现褐色杂质颜色的浅褐色凹陷点；极少数在停烧后产生的破泡，由于窑温降低，周围冷却的釉料不能及时补充，形成如前所述的‘棕房’； 釉表没有破裂的含‘护胎釉’杂质的气泡，使釉色呈现浅褐色圆点。”本人基本认同“钧缘阁”对褐斑点和棕眼的解释。要补充的是只含钧釉的破泡在窑温高的环境中被熔融的较轻釉料填充，形成釉面呈现天蓝色的凹陷点；釉内没有破裂只含钧釉杂质的气泡，使釉色呈现天蓝色圆点。这里要跟大家说的是“棕眼口小里大，棕眼口的四周分布有疏松的褐色颗粒杂质”这个特点是目前现代工艺仿不出来的。

Glaze often has different sizes of brown eyes, brown spots and blue spots. Under the magnifying glass, the brown eyes are small and big, and brown brown grains are scattered around the brown eyes. The formation mechanism of the glaze is that during the process of the impurity overflowing from the `tire-protecting glaze'carried by the bubbles in the fetus, the bubbles merge into larger bubbles. When the bubbles reach the glaze surface, the surface tension decreases because of the impurities in the bubbles, and the pressure inside the bubbles is higher than that of the firing environment. Bring impurity particles to the periphery of the breach. Most of the broken bubbles are filled with melted glaze in the high temperature environment of the kiln, forming a light brown depression with brown impurity color on the glaze surface; a few of the broken bubbles are produced after stopping firing, and the cooled glaze around the kiln can not be replenished in time due to the lower temperature, forming a brown room as mentioned before; the glaze surface does not break and contains `brown room'. The bubbles of impurities in the protective glaze give the glaze a light brown dot. I basically agree with the explanation of brown spot and brown eye by Jun yuan Ge. It is necessary to add that the broken bubble containing only scandium glaze is filled with the lighter melted glaze in the high temperature environment of the kiln, forming a blue-sky depression on the surface of the glaze; there is no crack in the glaze but bubbles containing only scandium impurities, making the glaze appear sky-blue dots. Here we want to tell you that "brown eye mouth small inside big, brown eye around the distribution of loose Brown particles impurities" this feature is not modern technology can imitate.

“晕如雨后霁霞红，出火还加微炙工。世上朱砂非所拟，西方宝石致难同”——乾隆《赏钧红》

"Dizzy after rain, red and red. Cinnabar is not prepared in the world, but difficult to be found in Western jewels.

Qianlong's reward for Jun Hong.

佛像底下的孔是留着装藏用的,装藏后接着开光,以方便开始供奉，但此尊钧窑观音像有个特点就是下面底部有出水孔但是倒水入来是不會流出来的！这也是古人的智慧精艺所在啊！

The holes under the Buddha statue are reserved for storage, and then they are opened to facilitate the commencement of worship. However, one of the characteristics of this statue is that there is a water outlet at the bottom of the statue but the water poured in will not flow out! This is also the wisdom and skill of the ancients.

目前藏品持有人欲将此珍品结缘于有缘之士，参加2018年十二月新加坡星洲国际拍卖会，有兴趣可搜索登陆深圳乾龙国际文化传播有限公司官网，预约贵宾名额，一览珍品风采！

At present, the holders of the collection would like to associate this treasure with a person of good fortune to participate in the Singapore Xingzhou International Auction in December 2018. They are interested in searching the official website of Shenzhen Qianlong International Cultural Communication Co., Ltd. to make an appointment for VIP places and to have a look at the treasures.