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大清雍正粉彩虞美人过枝花卉盘

过墙花是指一种技法,这种装饰技法始于雍正,即所绘的图案由内盘的部位起笔,越过器口延续到外壁上的纹饰,此类画法亦称为“过枝花”或“过墙龙”;雍正以后十分流行,官窑器物上常常出现此类过墙花的画法,并一直延续至清末。

Wallflower refers to a technique, this decorative technique started from Yongzheng, that is, the pattern painted from the part of the inner plate, across the mouth of the device continued to the outer wall decoration, this kind of painting method is also known as "branch flower" or "walldragon"; It was very popular after Yongzheng, and the painting of wall flowers often appeared on the wares of imperial kilns, and continued until the end of the Qing Dynasty.

https://img10.artimg.net/public/write/png/202112/ddf926d6381fdeb8b34fe67256e39891.png

此类绘画由皇帝钦定,画稿出自宫廷画家,画成再由御窑场画师按图精描至器物上,再加彩细绘。绘画者需艺术修为极高,理解画意精髓,又讲究眼明手快、心灵神巧,方能运釉如墨,且描且绘,一气呵成,神形具备。

This kind of painting was authorized by the emperor, and was drawn by the court painter. When it was finished, the painter in the imperial kiln yard drew it on the utensils according to the fine drawing, and then added color and fine painting. The painter needs art practice to be extremely high, to understand the essence of painting, and pay attention to discerning and quick hand, the soul of god, can transport glaze such as ink, and draw and draw, in one stroke, god has.

https://img10.artimg.net/public/write/png/202112/31285b5da3bd189712cc7dda2f892394.png


特别声明:本文为艺术头条自媒体平台“艺术号”作者上传并发布,仅代表该作者观点。艺术头条仅提供信息发布平台。

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