任颐（1840—1896），名颐，字伯年，浙江山阴（今绍兴）人。他是一名全才型画家，于人物、肖像、花鸟、山水无所不精，尤精于传神写照，早年师承任熊、任薰。是我国近代杰出画家，徐悲鸿将其推誉为“仇十洲之后，中国画家第一人。”任伯年的绘画发轫于民间艺术，他重视继承传统，融汇诸家之长，以自己独创的艺术，打破了当时专事摹古，陈陈相习的模式，形成自己丰富多彩、新颖生动的独特画风，丰富了中国画的内涵，因此在近代美术史上备受推崇。

Ren Biao (1840—1896), the name of the gu, the word Bo Nian, Zhejiang Shanyin (now Shaoxing) people. He is a versatile painter. He is a versatile figure in portraits, portraits, flowers, birds and landscapes. He is especially good at portraying his life. In his early years, he was appointed as a bear and Ren Xun. It is an outstanding painter of modern China. Xu Beihong praised it as “the first Chinese painter after Qiu Shizhou.”

Ren Bonian’s paintings are based on folk art. He attaches importance to inheriting traditions and blending the strengths of his families with his own original art. It broke the pattern of specializing in ancient times and Chen Chen, and formed a unique and colorful style of painting, enriching the connotation of Chinese painting, so it is highly respected in the history of modern art.

灵竹山鸟图 故宫博物院 馆藏

任伯年的花鸟画研习宋代画院画家的精湛技法和对事物精细入微的观察方式，结合了古代文人画的典雅情趣和笔墨韵律，造型优美，工而不板，重视作品意境情感的准确传达。构图和结构都比较严谨，对于线条的掌控非常准确而且力道十足。

Ren Bonian's flower and bird paintings study the exquisite techniques of the painters of the Song Dynasty and the way of observing the fineness of things. It combines the elegant taste and the rhythm of the ancient literati paintings. The styling is beautiful, the work is not the board, and the accurate conveyance of the artistic conception of the works is emphasized. The composition and structure are more rigorous, and the control of the lines is very accurate and full of strength.

紫藤双凫图 故宫博物院 馆藏

清中期，西方的艺术思潮和文化观念对中国影响很大，中外文化逐渐交流融合，而“海上画派”为代表的代表人物任伯年对传统的中国画进行了大胆的改革和创新，在上海这个最先接触西方文化的地方，凭借自身扎实的传统功底和文化修养，敢于吸取西方文化中的精华，洋为中用。

In the middle of the Qing Dynasty, Western art trends and cultural concepts had a great influence on China. Chinese and foreign cultures gradually exchanged and integrated. The representative of the "Marine Painting School"

Ren Bonian made bold reforms and innovations in traditional Chinese paintings in Shanghai. This place, which first touched Western culture, relied on its solid traditional skills and cultural accomplishments to dare to absorb the essence of Western culture and use it for the Chinese.

藤萝双禽图 天津博物馆 馆藏

他的花鸟画能够准确把握中国传统和创新的关系，构图取景新颖别致，在透视取景方面取得了前所未有的突破，轻松明快，充满生机，他十分注重虚实、疏密、主从关系，他的花鸟画作品无论从整体树枝、藤蔓的穿插，还是细节中枝叶的疏密，花、鸟的前后层次都能看到其扎实的传统功力和独特的创新。

His flower and bird paintings can accurately grasp the relationship between Chinese tradition and innovation, and the composition and novelty are novel and unique. He has made unprecedented breakthroughs in perspective framing, which is easy and bright, full of vitality.

He pays great attention to falsehood, sparseness, master-slave relationship, his flowers and birds. Paintings from the whole branches, vines interspersed, or the details of the branches and leaves in the details, flowers and birds can see its solid traditional skills and unique innovations.

五伦图 沈阳故宫博物院 藏

任伯年的花鸟画构图具有音乐的节奏感，是因为它在内在意义和外部结构上，达到了高度完美的统一：好像谁也不能在他的画面上增加一笔，也不能将他画面上的形体地位稍许撼动，否则就要破坏了它那种节奏和谐的调子。在我国绘画构图学中，从来就讲究形与形的互相呼应，色与色的互相衬托，从来就讲究抑扬、起伏、疏密、虚实等手法，从来就讲究不同的形体在画面上的高度统一，这些构图学上的法则就如同作曲的基调与和声，而任伯年可以说，他是创造视觉形象的和声老手。

Ren Bonian's composition of flowers and birds has a rhythmic sense of music because it achieves a perfectly perfect unity in its inner meaning and external structure: it seems that no one can add a stroke to his picture, nor can he put him on the picture. The shape of the body is slightly agitated, otherwise it will destroy its rhythm and harmonious tone.

In the composition of painting in our country, we have always been concerned with the mutual opposition of form and shape. The contrast between color and color has always emphasized the methods of suppression, ups and downs, sparseness, and falsehood. We have always paid attention to the high unity of different forms on the screen. These compositional laws are like the tone and harmony of composition, and Ren Bonian can say that he is a vocal master who creates visual images.

任伯年工笔花鸟画

这两幅任伯年的工笔花鸟画，一对憨态可掬的瑞鸽戏于笔墨简澹的拳石之上，石榴树隐于石后，长长的题跋铺陈与画面中，全画设色亮丽明艳，形成兼工带写，明快温馨的格调，形象生动活泼，别具风格。一只鸟立于枝头之上，一只鸟从枝头俯冲而下。树用笔豪放，以点粉随意写出;花蕊却以细毫精致描出，神韵布满枝头;花萼以艳色点出，气氛热烈。

The two paintings of Ren Bonian's meticulous flowers and birds, a pair of embarrassing and sturdy pigeons on the simple and incisive boxing stone, the pomegranate tree is hidden behind the stone, the long title plaque and the picture, the whole painting is bright and bright. Forming a part-time work with a written, bright and warm style, the image is lively and lively,

with a unique style. A bird stands on the branch and a bird swoops down from the branch. The tree is unrestrained with a pen, and it is free to write with a little powder; the flower core is exquisitely described in fine detail, and the charm is covered with branches; the flower buds are pointed out with a bright color, and the atmosphere is warm.

山石结合点簇、钩勒及晕染，有厚重之感。两只鸟皆以墨色的变化表现出质感。此画笔墨简逸放纵、设色明艳、明快温馨，风格清丽脱俗。这两幅传承有序、稀缺性极高的任伯年工笔花鸟画绝对可以算得上是字画收藏市场中金字塔尖上的顶级拍品，是很多收藏家梦寐以求的藏品。

The combination of mountains and stones, clusters, hooks and smudges has a heavy feeling. Both birds showed texture with a change in ink color. This brush is simple and indulgent, bright and bright, bright and warm, and the style is beautiful and refined. These two books, flowers and birds, which are well-ordered and extremely scarce, can definitely be regarded as the top lot of the pyramids in the calligraphy and painting collection market. They are the collections that many collectors dream of.

他的花鸟画用笔富于变化，用色用墨灵活，对比鲜明而和谐，常把最显眼的色彩施于最重要的部位，使色彩为表现主题服务。在章法布局上，他重视主从、疏密、宾主等关系，即使是并列的折枝花卉，也做到主次分明，鸟的抑扬，花的起伏，叶的虚实，景的陪衬，都是经过统一经营的整体，达到了内容和形式美感的高度统一。

His flower and bird paintings are rich in change with pens. They are flexible with color, contrasting and harmonious, often applying the most conspicuous colors to the most important parts, so that color serves the theme of expression. In the layout of chapters and regulations, he attaches importance to the relationship between the master, the secret, the guest, and the other.

Even the juxtaposition of the flowers and flowers, the primary and secondary, the bird's suppression, the flower's ups and downs, the leaf's falsehood, the scenery of the foil, are through The unity of unified management has achieved a high degree of unity in content and form.

任伯年工笔花鸟画

任伯年善于学习前人的艺术精华，能做到“施其意而不失其迹”他不仅更重视写生，而且在他的许多作品中吸收了一些水彩画的技巧，从而又发展了传统的没骨画法，影响所及，促使我国近代写意花鸟画获得了新的发展。小编从英国罗斯柴尔德拍卖行驻大陆办事处亿缘文化了解到我们今天看到的这两幅珍贵的任伯年花鸟画将参加英国罗斯柴尔德拍卖行ukrothschild新加坡拍卖会，这正是我们近距离接触任伯年花鸟画的好机会。登录：qr06.cn/FqD7C0 或者 英国罗斯柴尔德拍卖官网了解更多信息 。

Ren Bonian is good at learning the artistic essence of his predecessors, and he can do “appreciate without losing his trace”. He not only pays more attention to sketching, but also absorbs some watercolor techniques in many of his works, thus developing traditional No bone painting, influence, and promoted the development of modern Chinese freehand flower and bird paintings.

Xiaobian learned from the British Rothschild auction office in the mainland, Yiyuan culture that the two precious Ren Bonian flowers and birds paintings we see today will participate in the ukrothschild Singapore auction in Rothschild, UK. It is a good opportunity for us to get close to Ren Bonian's flower and bird paintings.