姓名：CHUK Yin Man, Edwin

院校：香港浸会大学

专业：自由身

作品名称：My Grandma

摄影 42x29.7cm 数码照片 创作年代 2017

作品故事：

The work is a photobook (display with a set of 3 inkjet print abstracts)。

Grandma once taught me how to make turnip cakes, then I took the first photo of us together, for my grandma. Through photographs, I record the time I spend with her and it tells my vision of her.

Photobook preview: https://youtu.be/rn0-e68yCkU

作品名称：Untitled (Switzerland)

摄影 10.5x14.8cm 其他 创作年代 2017

作品故事：

The artwork is a set of 3 digital prints, created by the photographic collage of industrial buildings I found in Zurich.

Switzerland was abidingly being presented as a place with the magnificent natural landscape in numerous tourist souvenir we access to. Through photographic collage, I represent my impression towards Switzerland and to reconstruct a scenery of landscape constitute with industrial buildings.

作品名称：The Bechers’

摄影 23.5x16.8cm 其他 创作年代 2017

作品故事：

The work is composed of photographs from the well-known German photographers, the Bernd and Hilla Becher which insert in the photocopy of newspaper. Thereby to question the meaning and context behind the typograhy photography

作品名称：那個人們都不曾到過的森林

摄影 40x50cm 数码照片 创作年代 2017

作品故事：

作品為一套兩張的數碼打印相片。

在這片森林，我發現一處看起來很不現實的地方。一路觀看着這片森林，我又想像出另一個人們都不曾到過的地方。

作品名称：那個我們都不曾記得的地方

摄影 120x80cm 其他 创作年代 2018

作品故事：

作品為一套兩個的噴墨打印透明燈箱。

非地方指的是不能透過具體關係、歷史及地點文化定義的空間。它包括因人或是貨物運輸作用而產生的設備或地方。

公路是非地方的其中一種。公路的功能是為了讓人從一個地方走到別的地方，它本身沒有承載任何自身意義，而途經的人也習慣閱讀而非真正觀看這些地方。作品透過攝影記錄及照片處理城市的公路，而重現一個日常卻非現實的地方。

艺术家简介：I am interested in the practice of photography, small metal, and illustration, and focus on photography in recent. Through 3 varied mediums, I attempt to create works in the subject of space. To me, space is not limited to the physical space where we are now being, rather no matters the 2 or 3-dimensional work themselves could create its own space for audiences to look at. Inverting images to look at the world in a different perspective is what I do often to look up the possibilities of my creation. To flip or take photo upside-down, or to observe an object in another angle. Gradually, a vision of detached quality towards subject matter such as architecture or landscape is built. The subject matter in my work devoid of emotion and rather provides a non-biased relationship with the audiences and seeking for their further imagination. Therefore, room for audiences’ various of the impression on what they see is always welcomed. By means of psychological space in my work, the perceptions towards overlooked common and everyday objects or place are re-established. Since the subject matter itself is no longer the same with the one they used to acknowledge, thereby, to trigger audience’s curiosity to look closely into the work and create relationship while they are engaging the work.

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来源：雅昌艺术网