主办单位：大楚艺术机构

　　协办单位：三维多元宇宙、欧洲艺术与共同体协会

　　展览总监：张展

　　策展人：刘凡、伊丽莎白•罗斯

　　展出地点：中国•武汉•湖北省美术院美术馆（武汉市武昌区中山路368号）

　　展览时间：2012年6月29日-7月8日

　　开幕时间：2012年6月29日20点

　　参展艺术家：安吉•博尼诺、安娜•索勒•瑟普瑞艾、阿亚娜•偌利维•麦克劳德、陈芸、伊丽莎白•罗斯、弗洛伦斯•巴宾、郭燕、胡子、茱莉娅•波娜妮、雷本本、栗子、林欣、刘凡、劳拉•洛佩兹•库萨、卢塞罗•冈萨雷斯、玛卡•莫雷诺&米瑞安•普萨德、谭奇、炭叹、王晓璐、王晓新、伊芙•布吕克纳

　　在物理学中，平行宇宙理论目前还尚未被证实。根据这种理论，在我们的宇宙之外，很可能存在着和我们一模一样的宇宙，它看上去就像我们自己一样。那么，对于生活在中国和西方的女性艺术家来说，对方是否能够成为比对的平行宇宙？对于以自我为中心的西方人来说，中国的女性艺术家是否只是作为她者的异质性存在？对于受西方文化影响的中国女性艺术家而言，除了肤色的差异，她们的主体性体现在哪些方面？

　　将女性作为一种身份来研究，在中国艺术圈其实并不算一个很热门的话题。在男性艺术家或者男性策展人眼中，女性艺术家那种具有女性特质的艺术作品太纤细、柔弱。而从学理上对女性艺术进行研究的理论家，也屈指可数。总结起来，我们对女性艺术的研究归纳为：观看模式的改变，存在方式的再发现以及性别差异再现方式的探讨。

　　西方世界经历过1950和1980年代的女权运动。1971年，诺克林（Linda Nochlin）就发表过《为什么没有伟大的女性艺术家？》（Why have there been no geat women artists？）引起了艺术圈对于展览政治的检讨，今天，我们还有必要在再去谈“女性主义”或是“性别政治”吗？《法兰克福汇报》（Frankfurter Allgemeine Zeitung）艺术组编辑沃思指出，诺克林40年前批评男性霸权在艺术圈里仍未改变：纽约现代美术馆2010年的抽象表现主义展览中，105位艺术家中，女性只占了六位。相对于男性艺术家大多展出系列作品而言，女性艺术家只能展出单件作品。一系列的艺术市场、博物馆生态的统计数据显示：女性艺术家获得的展览机会与女性艺术家相比仍旧相差悬殊。

　　欧洲经济危机爆发后，“经济”已成为西方各国首当其冲的重要议题。本次展览将“女性主义”作为主题，提出了一个远比“经济”更为复杂的问题。虽然女性主义曾经直接促成了对西方男性霸权的反思与解构，并且形成了一个学科体系。但这种抽象的思维更多的是作为一种理论分析的工具，而女性主义所存在的政治问题和不平等现象仍然存在。所以，重新提及女性主义其实是对艺术圈和艺术市场上的弱势群体边缘化议题的关注。从历史文本的角度出发，将女性主义放入其历史脉络之中，对其进行“政治化”以及“去政治化”的解读，对于今天的女性主义研究是至关重要的。

　　本次展览邀请了来自中国、西班牙、墨西哥、德国、美国、法国的女性艺术家，她们将用录像、摄影、装置、动画、互动影像、琉璃等方式和媒介展示其作为女性所拥有的不同的观看模式与存在方式，为我们重新审视“女性主义”这个在艺术圈内忽隐忽现的议题。

刘凡

2012年3月

Eyeseverywhere

　　Host: Dachu Art Origination

　　Co-organizer: 3multiverse，European association for the arts and communities

　　Exhibition Supervisor: ZHANG Zhan

　　Curator: LIU Fan,Elizabeth ROSS

　　Address: The Gallery of Hubei Academy of Fine Arts(368 Zhongshan Road, Wuchang District, Wuhan)

　　Date: June 29th – July 8th, 2012

　　Opening: 8pm, June 29th, 2012

　　Artists:Angie BONINO,Anna SOLER Cepriá,Ayanna JOLIVET McCLOUD,CHEN Yun,Elizabeth ROSS,Florence BABIN,GUO Yan,Huzi,Julia BONNANI,LEI Benben,Lily, LIN Xin,LIU Fan,Lola LÓPEZ CÓZAR,Lucero GONZÁLEZ,Maca Moreno & Miriam Persand,TAN Qi,Tan Tan,WANG Xiaolu,WANG Xiaoxin,Yvonne BRÜCKNER

　　In physics, the theory of Parallel universes has not been confirmed. According to this theory, maybe there is another universe besides ours, which looks like us. So, for female artists in China and western countries, whether they can be the Parallel universes for each other? For the westerners that is self-centered, whether Chinese female artists can only exist as the heterogeneity of others? For those Chinese female artists who are influenced by western culture, except for the difference in color, which aspects can their subjectivity be reflected?

　　In fact, it is not a hot topic that does research about female identity in Chinese art world. In the eyes of male artists or curators, those female artists' art works which with female characteristic are too delicate. While there are few theoreticians do research about female art from the perspective of theory. To sum up, we can boil the research about female art down to: exploring the change of gaze mode, the rediscovery of existential form and the reappeared form of gender difference.

　　The western world experienced feminist movements in 1950 and in 1980. In 1971, Linda Nochlin published Why Have There Been No Great Women Artists? This caused the art circle’s self-criticism about exhibition politics. Is there any necessity for us to talk about "feminism" or "gender politics" today? The copyreader in art group of Frankfurter Allgemeine Zeitung, pointed out: Nochlin criticized male hegemony 40 years ago, which has not been changed in art circle. In 2010, the Museum of Modern Art in New York held an exhibition of abstract expressionism. There were 105 artists, only including 6 women. Most male artists exhibited a series of works, while female could only exhibit one work. The statistic data about a suite of art market and museum ecology shows: the opportunities for female artists to exhibit are very small, which is disproportionate to the number of female artists.

　　After European economic crisis broke out, "economy" has been the most important issue in western countries. This exhibition takes "feminism" as its theme, putting forward an issue which is far more complicated than "economy". Feminism once led directly to the introspection and deconstruction of western male hegemony, and became a discipline system. But the abstract thinking is more likely to be a tool for theoretical analysis. For women, the political issue and inequality still exist. So, mentioning feminism again, in fact, is the concern about the marginalization of vulnerable groups in art circle and art market. From the angle of historical text, it is very important to put feminism into history and analyze it in "politicized" and "de-politicized" ways.

　　This exhibition invites those female artists who are from China, Spain, Mexico, Germany, America and France, they will use video, film, installation, animation, interactive video, colored glaze and some other modes and media to show their different viewing modes and existential forms as women, letting us rethink "feminism", which is a flickering issue in art world.

Liu Fan

2012.3

作者：刘凡