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Ambush from Ten Sides
多人联展最难和最容易确定的便是展览主题,要么选取的词汇在当代语境中“言不由衷”,要么在文本的语法结构上会“牵强附会”。所幸,这次展览以历史典故“十面埋伏”为主题,自然还有另外两层的含义铺设。一是从参展人员上拟邀请十位艺术家;二是在地域环境(Area One Gallery)的经营战略的空间部署上,三则是从成语出处中探讨、梳理上海朱家角在地艺术家现状的纷繁样貌与其创作背后的语言逻辑及文献线索。
陈俊江 CHEN Junjiang
颜料注入灵魂,广场息吹漫步的咆哮
布面油彩 160×200cm | 2021
The exhibition theme is the most difficult and easiest thing to be determined for the joint exhibition because the selected vocabulary is either "insincere" in the contemporary context, or is "far-fetched" in the grammatical structure of the text. However, this exhibition is themed as "Ambush from Ten Sides" - a historical allusion, which naturally implies other meanings: firstly, ten artists will be invited from the exhibitors; secondly, it focuses on the spatial deployment of business strategy in the regional environment (Area One Gallery); thirdly, the current situation of local artists in Zhujiajiao, Shanghai from the sources of idioms and the language logic and literature clues behind their creations is explored and summarized.
周云侠 ZHOU Yunxia
疫情烧纸放生,水墨综合材料
72×50cm | 2019
作为壹域画廊-Area One Gallery 2021上海空间的开幕首展,此次第一回展览共选取“十位”在上海朱家角的中青年艺术家,他们年龄跨度从五零后到九零后,其艺术作品不仅具有“十面”独特的语言风貌和表现特征,同时,他们还是扎根于朱家角这一特殊场域的异质个体,并在各自创作的领地中“潜心伏艺”。
毛君 MAO Jun
欧洲杯,布面丙烯
100×100cm | 2021
Ten young and middle-aged artists in Zhujiajiao, Shanghai are selected to exhibit on the first opening exhibition of Area One Gallery 2021 in Shanghai. Crossing the ages range from the post-50s to the post-90s, they do not only have a unique language and expressive characteristics of "ten-sides" in their artworks, but at the same time, they are also heterogeneous individuals rooted in the special field of Zhujiajiao, and they "devote themself to study art" in their respective creation domains.
曹冰 CAO Bing
盒子,布面丙烯
120×120cm | 2021
全球疫情的反复反弹,无疑限制了日常展览活动的常态化进展,此种情况下,Area One Gallery在这样紧张而又令人生畏的条件下开启了他们全国的第三个主空间,并将这个空间设置在环境优美的旅游景点——上海市青浦区朱dcdt家角。从阿拉伯数字3而言,“一生二,二生三,三生万物”,三生,即有万物之中的十面含义。
文廣 WEN Guang
无题,数码手绘
60×50cm | 2021
The repeated outbreak of global COVID-19 undoubtedly limits the normal promotion of exhibition events. Faced with this tense and daunting situation, Area One Gallery opens its third main space in the country and set this space in a beautiful tourist attraction-Zhujiajiao, Qingpu District, Shanghai. From a numerical aspect, the Arabic numeral 3 represents that "One gives birth to Two, and Two gives birth to Three, and Three gives birth to all things", which means that everything has ten sides significance.
陈清勇 CHEN Qiangyong
制造山水2021-2,布面油彩
150×150cm | 2021
“十面埋伏”出自《抱妆盒》,意为设伏兵于十面以围歼敌军。其典故源于楚汉相争时期,中国历史上著名的“垓下之战”的项羽楚军中了淮阴人韩信的“十面埋伏”(徐州市九里山),从而一度丢失战斗主动权,于是便有了项羽后来所说的“天之亡我,我何渡为!且籍与江东子弟八千人渡江而西,今无一人还,纵江东父兄怜而王我,我何面目见之?纵彼不言,籍独不愧于心乎?”最终项羽在乌江自刎……
陈凡 CHEN Fan
红猫,布面丙烯
60×60cm | 2021
"Ambush from Ten Sides" comes from "Hidden in the Dressing Case", meaning to set ambush troops on ten sides to encircle and annihilate the enemy. The allusion originated from the period of Chu-Han. In the famous "Battle of Gaixia" of Chinese history, the Chu army led by Xiang Yu was hit by the "Ambush from Ten Sides" (Juli Mountain, Xuzhou City) designed by Huaiyin native Han Xin, and lost the battle initiative. At the end of the battle, Xiang Yu said, "God wants to destroy me, so why should I cross the Wu River? I have led eight thousand soldiers from Jiangdong across the river to the west, but now nobody returns. The people in Jiangdong pity me and let me be the king, now I feel too ashamed to face them. Even if they don’t say anything, don’t I have any guilt in my heart?", finally, he suicided beside Wu River.
李建华 LI Jianshe
夜色,布面丙烯
122×122cm | 2021
朱家角艺术生态的形成与发展,是一种自然而然生长的野性状态,由于得天独厚的优质地理环境和便利的交通轨道,现已盘踞了众多艺术从业者和各式奇人异士,他们或居住在某一谧静的湖边边上,或集中于机器轰鸣依然在经营的铜管厂文化创意产业园,或隐藏在人潮熙攘的古镇某一角落,亦或是行走于夜幕降临的石阶之上……“十面埋伏”展览是壹域画廊在上海朱家角的第一回邀请展,也为接下来展出的多面艺术创作者埋下第一个伏笔,即是一种回响,而伴随着十位艺术家的集体亮相,我相信,此刻的发声也将会为朱家角的艺术生态对外发声注入一股新的生命力和艺术张力!
潘海 PAN Hai
墙-15,布面油彩
100×100cm | 2021
The formation and development of Zhujiajiao artistic ecology is a wild state of natural growth. Due to its unique high-quality geographical environment and convenient transportation, many art practitioners and all kinds of talents have come to settle here. They either live beside the lake, or are concentrated in the cultural and creative industrial park of the copper tube factory roaring with machines, or hidden in a corner of a bustling ancient town, or walking on the stone steps when night falls... As the first invitational exhibition of Area One Gallery in Zhujiajiao, Shanghai, "Ambush from Ten Sides" lays the first foreshadowing for the multi-side art creators of the following exhibitions as an echo. With the collective appearance of ten artists, I believe that the voice at this moment will also inject new vitality and artistic tension into Zhujiajiao's artistic ecology.
庞海龙 PANG Hailong
元宝,牛骨、绸缎
50×42cm | 2021
2021年《无相如来》 个展 北极熊画廊吾月空间 上海
2021年《如临太虚》 双个展 灰墙艺术 上海
2021年《应心造景》 个展 起点画廊 杭州
2021年《重山临水》 个展 艺术外滩 上海
2011《物语》Loh 画廊,上海
2010《个展》Galerie Junger ,上海
2006《 “中国波普”列维画廊》,德国汉堡
2005《“物质女孩”》上海
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