“南有景德，北有彭城”。 磁州窑是中国古代北方最大的一个民窑体系，也是著名的民间瓷窑，窑址在今河北省邯郸市峰峰矿区的彭城镇和磁县的观台镇一带，磁县宋代属磁州，故名。据考察，磁州窑创烧于北宋中期，并达到鼎盛，南宋、辽金元、明清仍继续烧制，烧造历史悠久，具有很强的生命力，流传下来的遗物也多。

 There is Jingde in the South and Pengcheng in the north. Cizhou kiln is the largest folk kiln system in the north of ancient China. It is also a famous folk kiln. The kiln is located in Pengcheng town of Fengfeng mining area in Handan City, Hebei Province and Guantai town of Cixian county. Cixian county belongs to Cizhou in Song Dynasty, hence its name. According to the investigation, Cizhou kiln reached its peak in the middle of the Northern Song Dynasty. It continued to be fired in the Southern Song Dynasty, Liao, Jin, yuan and Ming and Qing Dynasties. The firing has a long history, strong vitality and many relics handed down.

磁州窑品种诸多，以白地黑花（铁锈花）、刻划花、窑变黑釉最为著名。它的装饰技法突破了当时流行的五大名窑：（哥、官、汝、定、钧）窑的单色釉局限，运用了数十种丰富多彩的装饰技法。磁州窑的器型和纹饰为民间所喜闻乐见，影响范围较广，发展迅速。北方各地纷纷仿制，中心窑场以邯郸市的观台镇为中心，形成了一个庞大的磁州窑体系。主要分布在河南鹤壁集窑，修武当阳峪窑，禹县的扒村窑，登封曲河窑，山西介休窑，霍县窑，山东淄博窑，江西吉安吉州窑，福建泉州，四川广元等，都大量烧造与磁州窑风格相近似的瓷器。

 There are many kinds of Cizhou kilns, among which white ground black flower (rust flower), engraved flower and black glaze are the most famous. Its decoration techniques broke through the limitations of the five famous kilns at that time: Ge, Guan, Ru, Ding, Jun, and used dozens of colorful decoration techniques.

Cizhou kiln's shape and decoration are popular among the people, with a wide range of influence and rapid development. In the northern part of China, there are many imitations. The central kiln takes Guantai town of Handan City as the center, forming a huge Cizhou kiln system. They are mainly distributed in Hebi kilns in Henan, Dangyangyu kilns in Xiuwu, Bacun kilns in Yu County, Quhe kilns in Dengfeng, Jiexiu kilns in Shanxi, Huoxian kilns, Zibo kilns in Shandong, Jizhou kilns in Ji'an in Jiangxi, Quanzhou in Fujian, Guangyuan in Sichuan, etc., all firing a large number of porcelain similar to Cizhou kilns.

历史上有关宋代磁州窑瓷器的文献记载，宋代尚未见到，主要集中出现在明清两朝。明代初年有曹明仲的《格古要论》、王佐《新增格古要论》、谢肇制《五杂俎》、清初《磁州志》、《明会典》、朱琰《陶说》、兰浦《景德镇陶录》和许之衡的《饮流斋说瓷》等书，磁州窑瓷器在造型、釉色、烧造地及工艺特色等方面均有不同程度的记载和描述。

 According to the historical records of Cizhou kiln porcelain in Song Dynasty, it has not been seen in Song Dynasty, mainly in Ming and Qing Dynasties. In the early Ming Dynasty, there were Cao Mingzhong's "gegu Yaolun", Wang Zuo's "new gegu Yaolun", Xie Zhao's "wuzazu", Cizhou Zhi, minghuidian, Zhuyan's "Taoshuo", Lanpu's "Jingdezhen Taolu" and Xu Zhiheng's "yinliuzhai Shuo porcelain". Cizhou kiln porcelain ware has different records and descriptions in terms of shape, glaze color, firing place and process characteristics 。

磁州窑系庞大黄河南北均有此类风格制品，清末民初，此窑大量生产青花制品，覆盖华北华南广大地区，兰花花碗、盘等用品。代表民间青花的盛世。现代已成为中国最大的瓷区之一，其产品深受世界各国人民喜爱。具有极高的欣赏、收藏、使用价值。

Cizhou kiln has such style products in the north and south of the Yellow River. At the end of the Qing Dynasty and the beginning of the Republic of China, this kiln produced a large number of blue and white products, covering the vast areas of North China and South China, such as orchid bowls and plates. Represents the flourishing age of folk blue and white. Modern China has become one of the largest porcelain areas in China, and its products are loved by people all over the world. It has high value of appreciation, collection and use.

磁州窑以生产白釉黑彩瓷器著称于世，黑白对比，强烈鲜明，图案十分醒目，刻、划、剔、填彩兼用，并且创造性地将中国绘画的技法，以图案的构成形式，巧妙而生动地绘制在瓷器上，具有引人入胜的艺术魅力。它开创了我国瓷器绘画装饰的新途径，同时也为宋以后景德镇青花及彩绘瓷器的大发展奠定了基础。 

 Cizhou kiln is famous for producing white glaze and black color porcelain. It has a strong contrast between black and white. The pattern is very eye-catching. It can be carved, scratched, carved and filled with color. Moreover, it creatively draws the techniques of Chinese painting on the porcelain in the form of pattern composition, which has an attractive artistic charm. It created a new way of Chinese porcelain painting and decoration, and laid a foundation for the great development of Jingdezhen blue and white porcelain and painted porcelain after the Song Dynasty.

磁州窑的釉色较为丰富，有白釉、黑釉、酱釉和绿釉等，尤以白釉最为出名。在装饰上主要采用黑白对比的方法，其中以画花、剔花及珍珠地最为盛行。画花系以当地所产的花斑石为绘料，在白色的釉地上画出黑色的花纹，其纹饰多以枝叶并茂的折枝花和生动多姿的鱼间窑以独特的创造性，一改宋代以前我国南青北白的单色装饰方式，开创白地黑花釉下彩绘陶瓷制品的装饰先河。

 Cizhou kiln is rich in glaze colors, including white glaze, black glaze, sauce glaze and green glaze, especially white glaze. In terms of decoration, the method of black-and-white contrast is mainly used, among which the most popular are painting flowers, picking flowers and Pearl fields. The painting flower department takes the local mottled stone as the painting material, and draws the black pattern on the white glaze ground. Its decoration mostly uses the folding branch flowers with both branches and leaves and the vivid Yujian kiln with unique creativity. It changes the monochromatic decoration mode of Southern Qing and northern white before the Song Dynasty, and creates the first decoration of the white ground black flower underglaze color painting ceramic products.

并创造一系列的装饰纹式的格律。在色釉基础上，又创造了在已烧制的白瓷表面加彩，二次烧烤成色的世界上最早的釉上彩绘宋“红绿彩”。单以上两项技术成果与艺术成就，已确立了在世界陶瓷史上的重要地位。赋予创造性的磁州窑匠，在宋、金、元时代共创造了三十多种装饰陶瓷技法，如：“白地刻划”、“铁锈花”、“珍珠地”、“白地褐彩”、“白剔花”、“黑釉剔花”、“芘纹刻划”等等。

And create a series of decorative patterns. On the basis of colored glaze, it also created the world's first red and green glaze painted Song Dynasty "red and green color" by adding color to the surface of fired white porcelain and making a second barbecue. The above two technical achievements and artistic achievements have established an important position in the world ceramic history. In the song, Jin and Yuan Dynasties, the creative Cizhou kiln craftsman created more than 30 kinds of decorative ceramic techniques, such as: "white carving", "rust flower", "Pearl land", "white brown color", "white flower", "black glaze flower", "pyrene pattern carving", etc.

磁州窑刻花教子图文梅瓶:

高  约：26.5cm，口径约：1.6cm

此件藏品自是老窑口不必多说，从通天口、胎骨、刻花教子图文（连年生子、孪生贵子）等中华民族的传统寓意来看，很符合当时那个年代的风格，具有很高的收藏价值与投资价值。

Cizhou kiln engraved with picture and text plum vase of Jiaozi:

Height: 26.5cm, caliber: 1.6cm

This collection is from the old kiln, needless to say, from tongtiankou, fetal bone, engraved picture and text of jiaozi (born in succession, twin and precious son) and other traditional Chinese moral, it is very in line with the style of that era, with high collection value and investment value.