...所以艳俗艺术家是严肃的思想家，他们认真思考着最大的带有社会性的问题，如艳俗艺术家曾浩认为自己是“以一种严谨到近乎学究的方式来展现这种现象、饥渴和欲望。”他的《门神》系列作品充分体现出他的这种追求... 摘自文章  《中国的艳俗艺术》  郭晓川    ...So Gaudy Kitsch artists are serious thinkers, they carefully think about the great with social issues, such as artist zenghao is considers itself a "In a rigorous way almost to pedant to show this kind of phenomenon, hunger and desire. " His 《chinese door-god》 series works fully reflected his this kind of pursuit... Excerpt from article in《China's Gaudy art》   guoxiaochuan      ...历史的碎片与流行商业文化符号重组，文化深度也消失，只是一种视觉快感，构成滑稽感和幽默感。曾浩的作品《姻缘》有着与罗氏兄弟相似的方法和内涵... 摘自文章 《“坏艺术”的媚俗样式与大众文化》   黄笃      ...Debris of History and popular commercial culture symbol are reorganisated,the depth of cultural is disappeared, it is just a kind of visual pleasure, constitute a funny feeling and a sense of humor. artist zenghao 's《marriage》series works and Roche brothers works have similar methods and connotation...     Excerpt from article in 《 "Bad Art" style of Gaudy Kitsch Art and popular culture 》   huangdu                    ...90年代兴起的艳俗艺术则把各种异质文化统一在艳俗的名义下，或者说以反讽的态度挪用异质文化中一切浅俗透亮、表面和油腻腻的东西。在李路明、孙平、曾浩的作品中，中国传统文化、西方文化与当下商业文化的并置使其有了渎神的含义，目的在于揭示当下大众感性欲求的方向...              摘自文章 《艳俗艺术与大众变迁》    邹跃进     ...Rise of the 90 s gaudy keitch art have unity the various heterogeneous culture  in the name of gaudy art, or the attitude of the irony misappropriated  all bright.surface and greasy things in heterogeneous culture . In liluming and sunpin and zenghao works, the traditional Chinese culture and western culture and the business culture are and buy make it have the meaning of cursing god, purpose is to reveal the direction about public perception of the desired ...   Excerpt from article in 《Gaudy art and public change》  ZouYueJin"    ...曾浩的城市场景就在我们周围，候车也好，过街也好，都是瞬时的。城市生活消解了乡村式的人情味，在同一辆公共汽车里，人们紧紧依靠而又冷漠离距，有共同的去向却又各奔东西。一种不得不有的矜持，一种矫饰的非真实性油然而生，而且这恰恰就是我们日常面对的真实：真实的状态和真实的体验，尽管它们互相矛盾。当代城市生活无处不充满这种二律背反的荒诞，正是这种不可避免的体验使曾浩放弃古典意味的描绘而转向更具当下生活经验的城市场景。在他笔下，矫揉造作的女人、神情尴尬的男子，都有一种包装感。路遇牵动的情绪和衣物的线缝一样，属于明白不过而又莫名其妙的东西...                摘自文章  《切入生活》      王林      ...city scene is all around us in zenghao works, waiting and crossing the street are moment changed  . City life of human digestion the milk of human kindness of new-style village .in the same bus, people holding on and cold, have a common from and each rush thing . A kind of have to some reserve,  arises spontaneously feel the authenticity, and this is precisely arises spontaneously our daily face real: the true state and the real experience, although they are contradictory. Contemporary urban life is full of this antinomy of fantastic, and it is the inevitable experience made zenghao give up the description of the classical means and turned to more contemporary life experience city scene. In his writings, affected woman, look awkward man, have a kind of packing feeling. The emotions of the road meet and the clothes seam, belong to understand but as puzzling things...      Excerpt from article in 《entrance life》   wang Lin