Ink and Wash Landscape

The landscape is divided into two kinds of ink landscape painting and color landscapes.

The name suggests, the ink landscape painting with ink as a form of expression; and color the landscape subjected to a light color or re-color ink landscape on the basis of general and can be divided into the the Qianjiang landscape and green landscape. Also vividly splash of color landscape and no bone landscape.

       Chinese landscape painting technology is mature early, and long strokes, ink, composition, mood, texture effects and apply color, all feature in the landscape can be described as concentrated culmination of painting techniques. Study landscape painting should start from the basic method, Deep and getting from here to the outside to the inside, on the quest. Copy, sketching, creative repeated practice, you can draw both traditional and personalized landscape "Feelings and, Italy, and the environment through

1, the performance techniques of landscape painting. Essentially can be said that a pen, ink and colors. The variety of landscape painting of a pen. This is determined by the performance of brushes. Hook line, point moss, painted surface, can be cracked, erasable, and can be dyed; stroke can be clustered can be scattered, can be wet ink can dry.

2 stroke use of the center and front side of the front along with the inverse front, Tibetan Feng and Lu Feng, Poly front and casual front. Line pen fast and slow, light and heavy, Qing Hui, and frustrated. Pen Fun clever and clumsy, just with soft, light hair. A pen can make a different artistic effects and a variety of different texture.

3, center pen is the most widely and commonly used to outline the contours of the object. Such as trees, branches, People, Travel, and a variety of points, such as dots, oblique point, straight point, cross point, thirsty point (dry brush), folder leaves the multi-purpose center.

4, the side of the front is used for rocks cracked rub trees cross-dyeing, and painting leaves.

San Feng used for painting rocks, trees, the chapped rub dyed, capitalize on the trend, quite good results.

6, the level of ink have a thick, pale, dry, wet, etc. change. The edges of thick and wet and thick dry, light ink have short wet and short dry difference. An ink shades of the wet and dry and the ink change. The taste of the ancients "ink no color, that is, to describe the use of ink, the ever-changing, as if the color, therefore, to master the ink.

7, ink landscape painting method, sub-ink method, integrated ink and breaking Mexican law.

Ink method is to use the width of the pen dipped in ink capitalized, the ink color germinal many changes. It until the point is an ink can take advantage of the wet appropriate additional, and to note carefully closing grid, this method is often combined with breaking Mexican law. Rain the Jingshan water and the of Shalini school of landscape painting a layer of ink, especially those in flat mountains, the ink method.

Plot blot analysis with the ink of a relative, a light is thick, thin and then thick multi-layer Mexican law, before an ink dry before painting an ink layers to add, can increase screen luxuriant heavy.

Breaking Mexican law to take advantage of the first ink is dry, add the second ink. Heavy ink broken light ink can also be broken pale ink, heavy ink. It is characterized by shades of wet and dry destruction with each other. Ink fusion, osmotic changes very Yun-induced.

10, painting landscapes with ink general rule is: draw lines painted edges of the majority, cracked Sassafras shades can be used along with, rendering the majority of the light ink. Mexican coke (dry ink) more edges of the auxiliary. For moisture at the wet ink, remind you at the Mexican coke. Dipped in the ink should not be too often, and a pen and ink to run out before the dry brush, can be rich tone.

11, and color: and color landscape Qianjiang, green, and not bone. The green landscape was divided in Golden, a large green, and green. Light green landscape: it is the completion of the hook, cracked, point, apply the dye of the ink to the landscape on the basis of pale ocher to show that the atmosphere of the mountains and trees and color. But it must be shallow, and Evergreen, grass green combined with the generally do not azurite, malachite green.

12, no bone landscape: This method is not ink fight outline, direct color painting. But the pen, with ink more difficult, now rare, and sometimes can also try painting the mountains. Beginners is not easy to master.

13, the green landscape: the characteristics of the green landscape is to reduce the Cunfa, rendering azurite, malachite green before playing the background, the purpose of starting off role, so that the green green both heavy and distinct. The small green landscape painting using ocher lay a foundation, and then another on the anthocyanin and the grass green, and finally on azurite, malachite green.

14 large green landscape only hook and not cracked, usually with ocher and cinnabar stone lay a foundation, azurite, malachite green to be several times rendering. If to uppercut gold in the large green landscape became Jinbi landscape.

15, in the traditional painting, pale malachite green or azurite in Qianjiang Mountain Ink surface, it is a unique show Run; some azurite malachite green infiltration and use, and some add some cyanine or grass green, the more Later, the use of more flexible, Qianjiang and green is combined.

16, while summary of the methods of traditional painting and color can draw on the performance of Western painting in color and watercolor techniques, in order to achieve the purpose of "innovation".

17, the general approach of the landscape and color: First complete the hook, cracked, point, dye ink both feet, and then apply the color, mentioned above, the word "pollution" means the hook, cracked, rub the basis of point , with different shades of ink to dye the relationship of the stone structure and shade.

18 In addition to the first ink color, ink can also hook after the first color dyed (or first light ink dyed hook heavy ink), but also take advantage of the wet stain with ink hook cracked, this method of breaking the traditional design The method of color, the color ink blend, vivid Wordsworth.

19, and color to be repeated a broader relationship, the colors to be unified. Rendering the color not the color tone was very strong at once, rendering can be rich, several times. Such as rendering, not enough thick, the color off the back of the paper plus dye, this method is called "back dye. When rendering the direct use of primary color dye much, and general use of several color matching or add a little ink. This frame and color rendering harmonization, white clouds of white powder back to dye their own charm, the sky is significantly deep ocher ink back dye.

20, the order of the colors are generally the first on the color, the latter mounted the stair color. Malachite green general performance of the positive side, the azurite performance nightside, the two colors can be blended using, you can also cover each other dye. Pay attention to color is to supplement the lack of ink, the ink is the backbone of the color, ink and color integrated with each other.
Rocks painting method


         The landscape is inseparable from the mountain and trees, cloud water, construction, journey and point King characters, animals, birds, etc., these elements constitute the landscape of life. A landscape dominated by the mountain or a tree or cloud water-based, building-based. Piece, giant system, or the magnificent majestic or graceful magic emanation, or apartment to avoid meaningful, or profound, are accustomed to the situation, the scenes of. To achieve the desired level, In addition to the training and talent, you must study and master landscape techniques, heritage and good fortune, by repeated creation and practice in order to digest handy. Landscape Painting, first of all start from the painting of the rocks and trees.

21, on the rocks. Rocks painting get together no matter, save the trimer, both large and small or large repeat interval are extracted from real life manifestations come out of these forms is actually a microcosm of the mountains. Therefore, the combination of "stone" to expand to the texture of the art processing can become mountains and canyons, peaks and ridges, so a combination of the rocks but in reality is a landscape painting of the skeleton.

22, the general painting rocks from the hook to start. The hook is a hook method of the rocks of the contour line and the main structure in the side or front to use either, when to pay attention to turn frustrated, the separation of changes in shades of wet and dry ink.

23, hook Stone Gallery from simple to complex, from easy to difficult hook line of light hair, thick and thin, light and heavy, long and short, curved and straight, square and round, vertical and horizontal, the sparse and dense shades of wet and dry, and so on, depending on the object, take a different approach.

24, cracked, Cunfa. In the Tang Dynasty, ancient artists to create more and more Cunfa, various Cunfa the name also appeared in succession. Cracked shading bump changes the performance of rocks and geological formations, is easy to see from the painting works of Huangshan the Cunfa extracted and purified from the real mountain real King.

25, both in terms of performance techniques and practical application, the texture strokes can be roughly grouped into three categories only: point cracked the line cracked, surface cracked.

Point cracked, such as traditional raindrops cracked (this Cunfa is Song Dynasty meters Ren created, also called the m points chapped) watercress cracked, sesame, cracked. Ink painting, near the mountain hills, the foot and the mountains is a combination of "Jufeng scattered front muddy point cracked performance from a tree surrounded by mountains.

26, wrinkle lines, such as traditional Phi Ma Cun Cun lotus leaf, cloud head cracked, Xie cable cracked, etc.

27, layers of terraces, constitute a thriving rhythm, terraces more suitable arrangement of the line performance. Therefore, constitute a terraced cracked this terraced apply this terraced cracked in the Mustard Seed Garden Huapu.

28, face wrinkle, face wrinkle, such as traditional ax chapped, scraped iron cracked, dragging its feet and cracked mused. Surface cracked the performance of the mountains of stone, the line cracked the general performance of the soil of the mountain.

29, there is a line cracked surface cracked the fold with a combination of cracked performance of sedimentary rock.

30, Cunfa is a form of expression. With the development of society, scientific progress, mountains and rivers of the changes and improvement of people's aesthetic understanding, traditional Cunfa far enough. Landscape painting techniques create new Cunfa. Liu mouth loose paper tendon extension blot is new Cunfa. Drawing board extension method, the ink and the color applied to the glass, to take advantage of the wet paper shop ink on pressure, so that the ink rubbing brush strokes, it becomes an image of style, and then make the best use to be improved.

31, chapped and hook in the use of combine can be the first hook cracked, can also be cracked after the first hook, cracked not to hurt the contour, and do not outline out of, you want to hook and cracked, pen and ink blend. Outline of the cracked a pen light, but do not float.

32, rub, rub with the cracked generation, wiping also appeared, wiping with a dry pen lying wipe. Plus cracked finished rub can also be cracked even with rub at the same time. Rub the emergence of a large development. Cracked see the pen, and wipe not see the pen, wiping is the fill cracked inadequate, can not be independent, rub can not be over.

33 point in many ways, a point of law is called the point of moss, the use of darker ink starting to remind you of the role of whom, in the landscape can enhance the artistic effect. Another method often used in the top of the hills, or far from the tree, in order to increase the level of the distance and lush effect.

34 points straight points and cross points, the big point, dot, dot, square point, poly front points and casual front point, the front point of Tibet and Lu Feng points need to be flexible in the use of A pen to be scattered mixed shades suitable for ink, and strive to fertilizations Fang Xianfeng rich and vivid.

35. Dye, dye sub wet dye and dry-dyed. Wet dyeing is the first foundation brush wet with water and then stained with wet pen dye. Wet dye effect and moist, but not the pen marks. Clouds, smoke, rain, fog can be used wet dye.