1907年（光绪33年），清廷将奉天、吉林和黑龙江合称为东三省。并将奉天和吉林两省的造币厂合并，称为东三省造币厂。当年由天津户部造币总厂代铸东三省造光绪元宝一套。而宣统元年(1909年)东三省造币厂仅开铸库平一钱四分四厘的银币。东三省一圆、半圆银元铸造极稀，很难看到，反而是1.44银毫，俗称贰角铸造有量，由于其众多的不同版别，被银元收藏者们称之为普品中大头，版别研究探讨也比较深。

      东三省银币，在清代银元中知名度较高，主要因为龙的艺术造型优美，气势磅礴，腾云驾雾，工艺精湛，可以说是清代银币铸造中的一个高峰。虽然东三省所铸造的银元枚数不多，但版别设计却非常丰富，是其他银币铸造所不能攀比的。

 这组银元是东三省造宣统元宝库平一钱四分四厘，直径：23.2mm，重：5.3g。币面上缘环书“东三省造”，下缘环书“库平一钱四分四厘”。10分钟位和50分钟位各有一颗五角（实）星，星上下各有一颗小五角星。中心由67颗“珠圆 围成圆圈，内书“宣统元宝”中心为满文“宣统宝”，币边缘有齿成环。币背中心为全鳞蟠龙，龙口有珠，尾下少云。上缘环书英文FIRST YEAR OF HSUAN TUNG(纪年--宣统元年)；下缘环书：MANCHURIAN PROVINCES （东北省）币中无“珠圆”，币边有细齿成环。边道为直齿。

     近几年以来，钱币藏品在各大拍卖会上风头鹊起，国内外对于清朝龙洋、龙邮的热捧不断升级，让众多的投资者感受到了中国龙藏品的收藏价值和潜力。迄今历朝铸造的银、铜币没有哪一种可以东三省宣统元宝库平一钱四分四厘三星鹿角龙结云相比。一方面该币几乎每一笔笔画镌刻以及纹饰均难以模仿；另一方面银币背面龙刻画的栩栩如生，令人叹为观止，是十分优秀的盘龙浮雕作品。

藏品所有字面、图案表面均依势圆润凸起、错落有致，有立体雕塑之感。文字间架结构大气磅礴，犹如墨迹正在饱满之时，令文人叹为观止！祥云蟠龙前后有别，形似腾跃之际，使观者立感龙威无边！即使穿梭在百年岁月中，它仍然保存完好，品相极具美感和收藏价值。

 藏品的品相精致，其审美风格独持，钱币正面鲜然可见满汉文化的融合，而钱背却明确标示了西方文化的介入。其包浆入骨，熟旧自然，深打字口清楚，流通痕迹明显，边齿过关，具有极高的投资价值和收藏价值。它有着历史熏陶，是价值很高的革命文物，具有深远的历史纪念意义；同时还是考古和研究中国历史文化难得的实物。

        Silver yuan is an exotic product. It first entered China, about in the Ming Dynasty, but a large influx occurred after the Qing Emperor Qianlong period(mid-18th century). Silver was first used in Guangdong and Fujian, which are closely linked to overseas, and was later popular in the Southeast and Beijing. There are no fewer than a few dozen foreign silver coins popular in China in the late Qing Dynasty, the most common of which are the Spanish silver dollar, the Mexican eagle ocean, the British and Japanese silver yuan. China's silver yuan Yuqing Guangxu years began to be officially cast by the official. In the early years of the Republic of China, silver coins began to be cast in large quantities as the main currency in circulation.
In 1907(33rd year of Guangxu), the Qing court collectively referred to Fengtian, Jilin, and Heilongjiang as the three eastern provinces. The mints in Fengtian and Jilin provinces were merged and called the Mint in the three eastern provinces. In that year, the three provinces of the East Province were built by the Tianjin Ministry of Mint. In the first year of Xuantong(1909), the East Province Mint only opened a silver coin of four cents and four cents. It is difficult to see that the round and semi-circular silver coins in the three eastern provinces are extremely thin. Instead, they are 1.44 silver cents, commonly known as the number of corner casting. Because of their many different versions, they are called by the silver collectors as the big heads of the general products. The research and exploration is also deeper.
The silver coins of the three eastern provinces are well-known in the silver yuan of the Qing Dynasty. They are mainly due to the beautiful shape of the dragon's art, the magnificent spirit, the clouds and fog, and the exquisite craftsmanship. They can be said to be a peak in the casting of silver coins in the Qing Dynasty. Although the number of silver coins cast in the three eastern provinces is small, the edition design is very rich and can not be compared with other silver coins.
This group of silver yuan is made in the three provinces of XuantongDiameter: 23.2 mm, weight: 5.3 G.Yuanbao Kuping with four cents and four cents. The upper edge of the currency is written in the "Eastern Three Provinces" and the lower edge of the book "Kuping has four cents and four cents." Each of the 10 minutes and 50 minutes has a pentagonal(real) star, and each star has a small five-pointed star. The center consists of 67 "beads in a circle," and the center of the book "Xuantong Yuanbao" is Manchu "Xuantong Bao". The center of the back of the coin is the full scale Dragon, the dragon mouth has beads, and the tail is Shaoyun. The upper ring book English FIRST YEAR OF HSUAN TUNG(Year-Xuantong first year); The lower ring book: MANCHURIAN PROVINCES(Northeast Province) has no "bead circle" in the coin, and there is a thin tooth ring on the side of the coin. The side road is straight.
Since 2008, coin collections have risen in various major auctions. The popularity of Longyang and Longyou at home and abroad has continued to upgrade, allowing many investors to feel the collection value and potential of Chinese dragon collections. So far, there is no silver and copper coin cast in the dynasties that can be compared with Xuantong Yuanbao Kuping in the three eastern provinces. On the one hand, almost every stroke of the coin is engraved and embossed; On the other hand, the lifelike portrayal of the dragon on the back of the silver coin is breathtaking. It is a very excellent Panlong relief work.
All the literal and patterned surfaces of the collection are round and raised, staggered, and have a sense of three-dimensional sculpture. The structure of the text frame is magnificent, as if the ink is full, so that literati amazing! Xiangyun before and after the dragon is different, the shape of leaping, so that the viewer feels the boundless dragon power! Even though it shuttles through the centuries, it is still well preserved and has a great beauty and collection value.
The collection is exquisite, its aesthetic style is unique, and the combination of Manchu culture can be seen on the front of the coin, while the back of the money clearly indicates the involvement of Western culture. It has a high investment value and collection value. It has a historical influence and is a highly valued revolutionary cultural relic with far-reaching historical commemorative significance; At the same time, it is also a rare object for archeology and research on Chinese history and culture.