——李青林
      “形”，从抽象到具体、以思辨方式为主的探索，不是指事物的自身变易，而是对事物的观点，方法和行为，主体的窥探。
因此，“形”，而是，“学”，“无”，是，“论”，从思想观念的学术，其中的，“形”，的本义是理性的体现。
      “形”，就是广义的阐释，精神境界的深遂，和理性思考、创造……
                                  
                                          
                                                2020.1.9


李青林        抽象表现主义艺术家

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                                             ——付文广
       
        青林的作品是以认知的角度理解把握对事物的看法，用统一的概念把人和自然的关系融为一体，用哲学的指导方法化解变化永恒的人生棋局；体现作者扎根艺术深度修养和底蕴以及蕴藏着巨大的爆发能量。把对皇天后土的一片赤诚和热爱深藏于内心深处，充满了敬畏和感恩！
        青林的作品有着强烈的震撼感。色彩厚重纯洁，对比强烈，运笔突出，张力充沛，充满烈性。近年来他的作品有了强烈变化，舍弃和创新是他绘画语言最鲜明的改变和强烈的特征。气场更加宏大，气势更加磅礴，布局更为匠心，表现更为凝重，如《山水·形》、《形·走·风》、《新锐·自然·形》等作品，大开大合于跌宕纵横中，大破大立于革故纳新里，雄浑俊逸于懿情恣性处，潇洒疏狂于咏物风流上，在空间和时间上找到了黄金分割的平衡点，把时间和空间的无限性，看做是生命的永恒延续而定格在几何维度里。处理好色彩的协调性，充分调动色彩的表现性， 发掘色彩的抒情性，着意色彩的音乐性，是青林新绘画的新尝试新追求！是现代表现主义抽象艺术的新实践，是艺术思维高度的集约化， 是处理统一与对立，整体与局部，守成与发展，重点与两点的客观逻辑思辩。他把内心真实的、真正的自我做了纯粹的艺术表达，把现实的与境界的做了彻底的勾兑，把从物质到精神、从精神到灵魂做了一次脱胎换骨的升华，才促成了这些呕心沥血的作品。他把智慧融入勤奋，把东方融入西方，把万物融入灵魂，把色彩融入生命，把规律融入理性，用山海精神容纳和堆砌艺术深度和高度，把有限的方寸幅尺，放大到无限的宇宙，以叙事，对比，夸张，意化的手法，自渡唯我，皈依大彻大悟的法门正道。毫无疑问他是一个毫不夸张的修行者，这或许就是为什么他的作品既简约精炼又深邃矛盾的缘由吧。
        心有山海，自己就是远方，这也许才是一个艺术家真正的修行！
                            
                                                  2020年1月

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——Fu Wenguang
Qinglin's works are to understand and grasp the view of things from a cognitive point of view, to integrate the relationship between human and nature with a unified concept, to dissolve the ever-changing chess game of life with the guidance of philosophy, to embody the deep cultivation and foundation of the author's rooted art as well as the huge explosive energy. To the emperor and the earth a sincere and deep love in the heart, full of awe and gratitude!
Qinglin's works have a strong sense of shock. The color is thick and pure, the contrast is strong, the pen is outstanding, the tension is abundant, full of intensity. In recent years, his works have had a strong change. Abandonment and innovation are the most distinctive changes and strong characteristics of his painting language. It is more grand, more majestic, more ingenious in layout, and more dignified in performance. For example, landscape, shape, shape, walk, wind, cutting-edge, nature, shape and other works are open and close in the ups and downs, break out and stand in the innovation and innovation, be majestic and handsome in the unrestrained nature of Yi, be free and unrestrained in the wind of chanting things, and find the golden balance in space and time Point, the infinity of time and space, as the eternal continuation of life and fixed in the geometric dimension. It is the new attempt and new pursuit of Qinglin new painting to deal with the coordination of colors, fully mobilize the expressiveness of colors, explore the lyricism of colors, and pay attention to the musicality of colors! It is a new practice of modern expressionism abstract art, a highly intensive artistic thinking, and an objective logical thinking to deal with unity and opposition, the whole and the part, the conservation and development, the key and the two points. He made a pure artistic expression of the real and real self in his heart, made a thorough blending of the reality and the realm, and made a complete sublimation from the material to the spirit, from the spirit to the soul, which contributed to these painstaking works. He integrated wisdom into diligence, the East into the west, everything into the soul, color into life, law into reason, with the spirit of mountains and seas to accommodate and stack the depth and height of art, the limited square inch scale, enlarged to the infinite universe, with narrative, contrast, exaggeration, intentional approach, self ferry solipsism, convert to the Dharma path of thorough understanding. There is no doubt that he is a man of practice without exaggeration, which may be the reason why his works are concise and profound.
With mountains and seas in mind, you are far away, which may be the true cultivation of an artist!
January 2020

我，无法阻止对自然幻象与抽离，任由感知跟随思想理性再现，我“山水”。
                                                  ——李青林
                                   
I can't stop the illusion and separation of nature, let the perception follow the rational reappearance of thought, my "landscape".
——Li Qinglin
2020.1.9

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