张小涛简历

张小涛，1970年生于中国重庆合川，1996年毕业于四川美术学院油画系，1996-2010年任教于西南交通大学艺术传播学院，2011年至今任四川美术学院新媒体艺术系系主任、副教授、硕士生导师，居住于北京、重庆。

张小涛多次在国际、国内重要美术馆、基金会举办个展、群展，比如：萨奇美术馆、罗马21世纪现代艺术馆、瓦伦西亚现代艺术馆、博洛尼亚现代美术馆、挪威3.14基金会、成都当代美术馆、广东美术馆、何香凝美术馆、北京大学赛克勒博物馆；55届威尼斯双年展、亚太当代艺术三年展、布拉格双年展、广州三年展、荷兰电影节、东京动画节、亚洲动画大赛等。张小涛是活跃于中国当代艺术领域的优秀跨媒体艺术家之一，作品形式有绘画、摄影、动画、装置等，其作品一直关注中国今天这个压缩的现代性神话背后，我们心灵史的煎熬和挣扎历程。这是中国很独特的希望和毁灭交织的复杂经验。他用跨媒体的艺术方式去关注社会巨变与个人心灵史之间的悖论，并试图把这种个人经验转换在公共经验中。“病毒学”的概念既是病理学的也是社会学的，既是个人的也是社会的，每一代人都会遭遇到不同的困境，他试图呈现这些复杂的“病理学”报告。他“微观叙事”的研究方法，被德国1977、1987卡塞尔文献展总策展人曼弗雷德·施奈肯伯格博士评为“令人惊异的艺术家”。2004年日本NHK电视台，2010中国中央电视台《人物》栏目曾对其艺术成就做专题片采访。并获得了“2008年中国年度青年艺术家奖”、“2011年亚洲最佳技术动画奖”等殊荣。其作品被国际、国内重要美术馆、基金会及收藏家收藏。

Zhang Xiaotao

Zhang Xiaotao was born in 1970 in Hechuan, Chongqing, China and graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 1996. He had taught in the School of Arts and Communication of Southwest Jiaotong University from 1996 to 2010. Now he is the Vice-Professor, master's supervisor and director in the New Media Department of Sichuan Fine Arts Institute since 2011. He lives and works in Beijing and Chongqing.

Zhang Xiaotao’s exhibitions were held in many important art museums and foundations at home and abroad such as Saatchi Gallery, Rome 21st Century Museum of Modern Arts, Valencia Museum of Modern Arts, Bologna Museum of Modern Arts, Norway 3.14 Foundation, Chengdu Contemporary Art Museum, Guangdong Art Museum, He Xiangning Art Museum, Arthur M.Sackler Museum of Art and Archaeology at Peking University, the 55th Venice biennale, The Asia Pacific Triennial, Prague Biennial, Guangzhou Triennial, Netherlands Film Festival, Tokyo International Animation Fair, Asia Animation Contest and so on. He is one of the active and outstanding cross-media artists in China contemporary art. His works involve in painting, photography, animation and installation. He always focuses on the torment and struggle of our souls that lies behind China’s legendary modernization. This is a unique experience with both hope and destruction which is very complicated in China. He used cross-media to concern about the paradox between social changes and personal spiritual history and attempts to convert the personal experiences into public experiences. The concept of epidemiology is both pathological and sociological, both individual and social. Each generation faces different predicament, and he hopes to present these complex epidemiological reports. Dr.Manfred Schneckenburger, the German director of the DOCUMENTA 6 (1977) and the DOCUMENTA 8 (1987), considered him as a marvelous artist because of his research approach of infinitesimal narration. NHK and CCTV respectively interviewed him in 2004 and 2010 for his artistic achievements. He also won many awards like Prize of Young Artist 2008, Best Technique Award in Asia 2011. His works have been collected by museums, foundations and collectors at home and abroad.

张小涛：物质化的时间

近些年来张小涛强调“微观叙事”的研究方法，从传统油画到当代新媒体，其作品涉及视觉实验的各个方面，但始终有一条不变的主线——即对生命流变的视觉转译。“时间”一直是他探讨的重要课题，在其油画中，他用绚烂的色彩、厚重的笔触表现阴暗的社会图景，呈现出暗流涌动的生命状态。在新媒体作品中，他将空间的位移、错杂的历史经验和微观层面的物质状态融汇在巧妙的视觉结构中，创造了将时间物质化的阅读经验。

王栋栋