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看了文广的个展,不得不说,这是灰墙艺术一个比较有水准的展览,策展人汤浩先生撰写的策展寄语也很有水准,表现出很高的学术造诣,这令我这个学术主持倍感压力。After looking around Wen Guang‘s solo exhibi-tion, I have to say that this is a relatively standard exhibition of Graywalls Art. The cura-tor’s message written by Mr. Jeff Tang is also of high standard and shows high academic attain-ments, which makes me feel pressure as an aca-demic host.
文广的艺术创作确实有很多可圈可点的地方,如策展人描写的那样,这个年轻艺术家一直在油画流派的突破和融合方面,进行着各种实验性的尝试,并已经取得了一些显著的成绩,所以他这两年的作品,会给大家带来新奇和独特的视觉感受。这是一场令人赏心悦目的展览。
Wen Guang‘s artistic creation does have many re-markable places. As described by the curator, this young artist has been making various exper-imental attempts in the breakthrough and inte-gration of oil painting schools, and has made some remarkable achievements. Therefore, his works in the past two years will bring you novel and unique visual feelings. This is a pleasing exhibition.
对于这位极具开拓精神的年轻艺术家,这篇学术评论,我绝对不想采用通常的格式,进行一番创作风格的解读,我更希望把它写成一篇学术建议,用我的一些忠告,来帮助这位我很看好的年轻人尽早成为广受藏家喜爱的艺术大家。For this pioneering young artist, I absolutely do not want to use the usual format to interpret his creative style. I prefer to write it as an academic suggestion and use some of my advice to help this young man become a popular and be-loved master as soon as possible.
文广毕业于中央美术学院的壁画系,正是这一专业的系统学习,给了他很多普通油画系学生所没有的学术特质,比如创作大尺幅作品时对画面空间、结构的有效使用和把握;比如在作品中叙述故事和表达观点的能力;再比如对哲学、宗教、艺术史更深入的理解和实践;等等。Wen Guang graduated from the Mural Department of the Central Academy of Fine Arts. It is the system-atic study of this major that gives him many ac-ademic characteristics that ordinary oil paint-ing students do not have, such as the effective use and grasp of picture space and structure when creating large-scale works; the ability to tell stories and express opinions in works; and a deeper understanding and practice of philoso-phy, religion and art history; etc.
但在给与艺术家很高评价之余,我也想谈谈文广目前艺术探索中不足的地方,当然这也是我的一家之言,希望对这位年轻的艺术家的未来发展有所帮助。如果大家往细处观察,文广的写实功底其实是相当不错的,但我却认为这种能力被他选择的虚幻表现方式所掩盖,无法发挥出应有的优势。艺术史上,把表达认知、哲理和思想的不同时空的形象、符号,放进一个简单的二维空间,可以有很多种方式,比如达利的图形扭曲、毕加索的立体解析、米罗的符号和夏加尔的象征。所以,我非常期待文广可以找到一种更清晰的表达方式,把传递自己观念所需的元素合理且美感地叠加在一起,而不用再进行梦幻般的雾化处理。雾化处理,或者叫梦幻处理,虽然解决了透视和空间安排方面可能存在的视觉突兀问题,但也让欣赏者很容易忽略作品中的细节,从而弱化他们读取作品背后故事的能力。
However, in addition to giving high praise to the artist, I also want to talk about the defi-ciencies in the current art exploration of Wen Guang. This is a viewpoint from my personal an-gle. I hope it will be helpful to the future de-velopment of this young artist. If you look closely, Wen Guang’s realistic painting skills are actually quite good, but I think this abil-ity is covered up by his illusory way of expres-sion and could not give full play to its due ad-vantages. In the history of art, there are many ways to put the images and symbols of different time and space expressing cognition, philosophy and thought into a simple two-dimensional space, such as Dali‘s graphic distortion, Picasso’s stereoscopic interpretation, Milo‘s and Cha-gall’s symbols. Therefore, I very much hope that Wen Guang can find a clearer way of expression to reasonably and aesthetically stack the ele-ments needed to convey his ideas without dreamy atomization. Atomization processing, or dream processing, although it solves the visual prob-lems that may exist in perspective and spatial arrangement, it also makes it easy for viewers to ignore the details in the works, thus weaken-ing their abilit to read the stories behind the works.
不过,文广这次出展作品中以毛玻璃透视效果呈现的抽象作品,倒可以算作是他的独门创意,这种既体现画功又张扬时尚配色的作品,可以象加热的餐刀去切奶酪一般轻易地杀进市场。而这种类型的作品,如果直接采用数码创作的方式,则不仅可以进行多种配色的转换,把单一作品开发成波普系列,而且还可以进行声光电的二次创作,从而帮助艺术家轻松地迈进电子版权的更大发展空间。
Nevertheless, the abstract works presented by the perspective effect of ground glass in Wen Guang‘s works in this exhibition can be regard-ed as his unique creativity. This kind of works that not only embody painting skills but also publicize fashion color matching can easily en-ter the market like a heated knife to cut cheese. If this type of work directly adopts the way of digital creation, it can not only convert a variety of color matching and develop a single work into Pop Art series, but also carry out the secondary creation of sound, light and elec-tricity works, so as to help artists easily move forward into a greater development space of electronic copyright.
综上所述,文广身上具备了太多的可能性,他任何阶段实验性的创作,都会在他成名后成为里程碑式的代表作品,我个人认为,当前是对他建立密切关注并逐步进行系统收藏的最好时机。To sum up, Wen Guang has too many possibilities. His experimental creation at any stage will become a landmark representative work after he becomes famous. Personally, I think it is the best time to pay close attention to him and gradually carry out systematic collection of his works.
--李不白
--Bubai li
2021年10月9日于上海
Shanghai, Oct. 9, 2021
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