姓名：朱佩鸿

院校：

专业：

作品名称：1 我的空间－Crystal 2015-7

油画 160×160cm 布面丙烯 创作年代 2015

作品故事：我是一名抽象绘画艺术家，《我的空间》是我的代表作品。在我看来，抽象绘画是一个自由的东西，它无需确证的形式或形态，在视觉表达上独立并且完整。抽象绘画几乎是在一种下意识的行为过程中完成的，所以我要求自己在创作的时候必须没有设定。这个观念决定了我在绘画的过程中对于色彩、笔触、制作的敏锐度。这种自发性的绘画行为，充满着充满着不稳定性和精妙性，使我在创作的时候不断推陈出新。 在我的作品中，最持久的思考是对都市痕迹与色彩的关注，这与我自己的都市生活密切相关。《我的空间》画面中那些不明出处的“形”与看似美丽的“色”，形成一种荒诞并且怪异的组合空间。作品在最后完成时，这些组合空间与外界产生丰富的视觉感官体验。我曾经写过，“现在的都市充满了霓虹灯、车流、楼群、股票信息、各式各样的显示屏和遍地的广告牌。给我们视觉上的冲击，让我开始反思当下人们生活的状态。创作的结果已然不是重点，.......作品的意义只能基于过程，变化服从个人体验的变化。” 《我的空间》具有这样一种状态：我表达“我所意识到的现实”。任何现实的存在都通过意识而存在，即绘画让看不见的部分成为可见，而非让看得见的部分重现。我画画的时候会把作品平放在一张桌子上，像画一张中国画一样而非一张油画。不同的颜料会在画布上等待凝固，反反复复绘制折腾许久直到完成。绘画的时间无限的延长，使得创作的开始与结束的界限模糊。这种绘画的体验是很微妙的，产生了与其他作品不一样的画面效果。近些年，经过几次的变化和推进，我打破绘画的空间关系，突破二维画布对于绘画的局限性。现成品、泼洒的颜料、挺健的笔触形成了一个具有生命力的在场空间。 我认为，《我的空间》它既是语言形式又是我生活的气质。它是我构建的“色彩空间”，“在释放个人情绪的同时，也为观众的解读留下余地。当视觉‘愉悦’起到作用的时候，作品与观众的距离也就大为缩小。” I am an abstract painting artist, and \"my space\" is my representative work. In my point of view, abstract painting is a thing of freedom; it does not need a confirmation of a vested shape or form; it is an independent integrity in the visual expression. Abstract painting is being completed in a process of subconsciousness, and it is a subliminal process when completing my painting. This concept in a way influences my sensitivity of the application of color, brushwork and crafts. This kind of spontaneous action is full of instability and subtlety, which enables me to bring forth new ideas. In my work, the most lasting intention is to pay close attention to the trace and color of the city, which is closely related to my life. The \"shape\" and the \"color\" come from something substantial, and have formed a kind of absurd and strange composite space. When the artwork has been finished, the composite spaces together with the external world create a plentiful experience of visual sensory. I once wrote, \" The modern city brings us neon lights, tall buildings, stock information displays, and omnipresent billboards. Experiencing such sustained visual impact, I begin to reflect the current state of people’s lives. For now, the final result of work is no longer the main issue, … the meaning of artwork is purely based on the process, the changes, are subject to the variation of personal experiences.\" \"My space\" is in such a state: express \"the reality I realised\", and reality exist through consciousness, saying, paintings let the invisible become visible, rather than let the visible reproduced. When I paint, I lie my work on a table, the process is like drawing a Chinese painting, not an oil painting. Different pigments will wait to dry on the canvas, drawing over and over for a long time until accomplishment. The indefinite extension of the painting process blurs the boundary of the beginning and the end of the creation. Which brings a very subtle experience, and result in a quite different appearance comparing to other works. During the 8 years, after several changes and advances, I have broke the spacial-relationship of painting, and breaking through the limitations of two-dimensional canvas. I use ready-made product, pigment, spirited strokes to create a vital space. To my way of thinking, \"my space\" it is both the linguistic form and the temperament of my life. It is a \"colorful space\" of mine, which helps me ”release personal emotions as well as leaving the audience a space for interpretation. When the audience senses the pleasure, the distance between the work and the audience is greatly reduced.”

作品名称：2 我的空间 2015-8

油画 160×160cm 布面丙烯 创作年代 2015

作品故事：我是一名抽象绘画艺术家，《我的空间》是我的代表作品。在我看来，抽象绘画是一个自由的东西，它无需确证的形式或形态，在视觉表达上独立并且完整。抽象绘画几乎是在一种下意识的行为过程中完成的，所以我要求自己在创作的时候必须没有设定。这个观念决定了我在绘画的过程中对于色彩、笔触、制作的敏锐度。这种自发性的绘画行为，充满着充满着不稳定性和精妙性，使我在创作的时候不断推陈出新。 在我的作品中，最持久的思考是对都市痕迹与色彩的关注，这与我自己的都市生活密切相关。《我的空间》画面中那些不明出处的“形”与看似美丽的“色”，形成一种荒诞并且怪异的组合空间。作品在最后完成时，这些组合空间与外界产生丰富的视觉感官体验。我曾经写过，“现在的都市充满了霓虹灯、车流、楼群、股票信息、各式各样的显示屏和遍地的广告牌。给我们视觉上的冲击，让我开始反思当下人们生活的状态。创作的结果已然不是重点，.......作品的意义只能基于过程，变化服从个人体验的变化。” 《我的空间》具有这样一种状态：我表达“我所意识到的现实”。任何现实的存在都通过意识而存在，即绘画让看不见的部分成为可见，而非让看得见的部分重现。我画画的时候会把作品平放在一张桌子上，像画一张中国画一样而非一张油画。不同的颜料会在画布上等待凝固，反反复复绘制折腾许久直到完成。绘画的时间无限的延长，使得创作的开始与结束的界限模糊。这种绘画的体验是很微妙的，产生了与其他作品不一样的画面效果。近些年，经过几次的变化和推进，我打破绘画的空间关系，突破二维画布对于绘画的局限性。现成品、泼洒的颜料、挺健的笔触形成了一个具有生命力的在场空间。 我认为，《我的空间》它既是语言形式又是我生活的气质。它是我构建的“色彩空间”，“在释放个人情绪的同时，也为观众的解读留下余地。当视觉‘愉悦’起到作用的时候，作品与观众的距离也就大为缩小。” I am an abstract painting artist, and \"my space\" is my representative work. In my point of view, abstract painting is a thing of freedom; it does not need a confirmation of a vested shape or form; it is an independent integrity in the visual expression. Abstract painting is being completed in a process of subconsciousness, and it is a subliminal process when completing my painting. This concept in a way influences my sensitivity of the application of color, brushwork and crafts. This kind of spontaneous action is full of instability and subtlety, which enables me to bring forth new ideas. In my work, the most lasting intention is to pay close attention to the trace and color of the city, which is closely related to my life. The \"shape\" and the \"color\" come from something substantial, and have formed a kind of absurd and strange composite space. When the artwork has been finished, the composite spaces together with the external world create a plentiful experience of visual sensory. I once wrote, \" The modern city brings us neon lights, tall buildings, stock information displays, and omnipresent billboards. Experiencing such sustained visual impact, I begin to reflect the current state of people’s lives. For now, the final result of work is no longer the main issue, … the meaning of artwork is purely based on the process, the changes, are subject to the variation of personal experiences.\" \"My space\" is in such a state: express \"the reality I realised\", and reality exist through consciousness, saying, paintings let the invisible become visible, rather than let the visible reproduced. When I paint, I lie my work on a table, the process is like drawing a Chinese painting, not an oil painting. Different pigments will wait to dry on the canvas, drawing over and over for a long time until accomplishment. The indefinite extension of the painting process blurs the boundary of the beginning and the end of the creation. Which brings a very subtle experience, and result in a quite different appearance comparing to other works. During the 8 years, after several changes and advances, I have broke the spacial-relationship of painting, and breaking through the limitations of two-dimensional canvas. I use ready-made product, pigment, spirited strokes to create a vital space. To my way of thinking, \"my space\" it is both the linguistic form and the temperament of my life. It is a \"colorful space\" of mine, which helps me ”release personal emotions as well as leaving the audience a space for interpretation. When the audience senses the pleasure, the distance between the work and the audience is greatly reduced.”

作品名称：3 我的空间3号

油画 240×240cm 布面丙烯 创作年代 2011

作品故事：我是一名抽象绘画艺术家，《我的空间》是我的代表作品。在我看来，抽象绘画是一个自由的东西，它无需确证的形式或形态，在视觉表达上独立并且完整。抽象绘画几乎是在一种下意识的行为过程中完成的，所以我要求自己在创作的时候必须没有设定。这个观念决定了我在绘画的过程中对于色彩、笔触、制作的敏锐度。这种自发性的绘画行为，充满着充满着不稳定性和精妙性，使我在创作的时候不断推陈出新。 在我的作品中，最持久的思考是对都市痕迹与色彩的关注，这与我自己的都市生活密切相关。《我的空间》画面中那些不明出处的“形”与看似美丽的“色”，形成一种荒诞并且怪异的组合空间。作品在最后完成时，这些组合空间与外界产生丰富的视觉感官体验。我曾经写过，“现在的都市充满了霓虹灯、车流、楼群、股票信息、各式各样的显示屏和遍地的广告牌。给我们视觉上的冲击，让我开始反思当下人们生活的状态。创作的结果已然不是重点，.......作品的意义只能基于过程，变化服从个人体验的变化。” 《我的空间》具有这样一种状态：我表达“我所意识到的现实”。任何现实的存在都通过意识而存在，即绘画让看不见的部分成为可见，而非让看得见的部分重现。我画画的时候会把作品平放在一张桌子上，像画一张中国画一样而非一张油画。不同的颜料会在画布上等待凝固，反反复复绘制折腾许久直到完成。绘画的时间无限的延长，使得创作的开始与结束的界限模糊。这种绘画的体验是很微妙的，产生了与其他作品不一样的画面效果。近些年，经过几次的变化和推进，我打破绘画的空间关系，突破二维画布对于绘画的局限性。现成品、泼洒的颜料、挺健的笔触形成了一个具有生命力的在场空间。 我认为，《我的空间》它既是语言形式又是我生活的气质。它是我构建的“色彩空间”，“在释放个人情绪的同时，也为观众的解读留下余地。当视觉‘愉悦’起到作用的时候，作品与观众的距离也就大为缩小。” I am an abstract painting artist, and \"my space\" is my representative work. In my point of view, abstract painting is a thing of freedom; it does not need a confirmation of a vested shape or form; it is an independent integrity in the visual expression. Abstract painting is being completed in a process of subconsciousness, and it is a subliminal process when completing my painting. This concept in a way influences my sensitivity of the application of color, brushwork and crafts. This kind of spontaneous action is full of instability and subtlety, which enables me to bring forth new ideas. In my work, the most lasting intention is to pay close attention to the trace and color of the city, which is closely related to my life. The \"shape\" and the \"color\" come from something substantial, and have formed a kind of absurd and strange composite space. When the artwork has been finished, the composite spaces together with the external world create a plentiful experience of visual sensory. I once wrote, \" The modern city brings us neon lights, tall buildings, stock information displays, and omnipresent billboards. Experiencing such sustained visual impact, I begin to reflect the current state of people’s lives. For now, the final result of work is no longer the main issue, … the meaning of artwork is purely based on the process, the changes, are subject to the variation of personal experiences.\" \"My space\" is in such a state: express \"the reality I realised\", and reality exist through consciousness, saying, paintings let the invisible become visible, rather than let the visible reproduced. When I paint, I lie my work on a table, the process is like drawing a Chinese painting, not an oil painting. Different pigments will wait to dry on the canvas, drawing over and over for a long time until accomplishment. The indefinite extension of the painting process blurs the boundary of the beginning and the end of the creation. Which brings a very subtle experience, and result in a quite different appearance comparing to other works. During the 8 years, after several changes and advances, I have broke the spacial-relationship of painting, and breaking through the limitations of two-dimensional canvas. I use ready-made product, pigment, spirited strokes to create a vital space. To my way of thinking, \"my space\" it is both the linguistic form and the temperament of my life. It is a \"colorful space\" of mine, which helps me ”release personal emotions as well as leaving the audience a space for interpretation. When the audience senses the pleasure, the distance between the work and the audience is greatly reduced.”

作品名称：4 我的空间－绿洲1号

油画 160×660cm 布面丙烯 创作年代 2014

作品故事：我是一名抽象绘画艺术家，《我的空间》是我的代表作品。在我看来，抽象绘画是一个自由的东西，它无需确证的形式或形态，在视觉表达上独立并且完整。抽象绘画几乎是在一种下意识的行为过程中完成的，所以我要求自己在创作的时候必须没有设定。这个观念决定了我在绘画的过程中对于色彩、笔触、制作的敏锐度。这种自发性的绘画行为，充满着充满着不稳定性和精妙性，使我在创作的时候不断推陈出新。 在我的作品中，最持久的思考是对都市痕迹与色彩的关注，这与我自己的都市生活密切相关。《我的空间》画面中那些不明出处的“形”与看似美丽的“色”，形成一种荒诞并且怪异的组合空间。作品在最后完成时，这些组合空间与外界产生丰富的视觉感官体验。我曾经写过，“现在的都市充满了霓虹灯、车流、楼群、股票信息、各式各样的显示屏和遍地的广告牌。给我们视觉上的冲击，让我开始反思当下人们生活的状态。创作的结果已然不是重点，.......作品的意义只能基于过程，变化服从个人体验的变化。” 《我的空间》具有这样一种状态：我表达“我所意识到的现实”。任何现实的存在都通过意识而存在，即绘画让看不见的部分成为可见，而非让看得见的部分重现。我画画的时候会把作品平放在一张桌子上，像画一张中国画一样而非一张油画。不同的颜料会在画布上等待凝固，反反复复绘制折腾许久直到完成。绘画的时间无限的延长，使得创作的开始与结束的界限模糊。这种绘画的体验是很微妙的，产生了与其他作品不一样的画面效果。近些年，经过几次的变化和推进，我打破绘画的空间关系，突破二维画布对于绘画的局限性。现成品、泼洒的颜料、挺健的笔触形成了一个具有生命力的在场空间。 我认为，《我的空间》它既是语言形式又是我生活的气质。它是我构建的“色彩空间”，“在释放个人情绪的同时，也为观众的解读留下余地。当视觉‘愉悦’起到作用的时候，作品与观众的距离也就大为缩小。” I am an abstract painting artist, and \"my space\" is my representative work. In my point of view, abstract painting is a thing of freedom; it does not need a confirmation of a vested shape or form; it is an independent integrity in the visual expression. Abstract painting is being completed in a process of subconsciousness, and it is a subliminal process when completing my painting. This concept in a way influences my sensitivity of the application of color, brushwork and crafts. This kind of spontaneous action is full of instability and subtlety, which enables me to bring forth new ideas. In my work, the most lasting intention is to pay close attention to the trace and color of the city, which is closely related to my life. The \"shape\" and the \"color\" come from something substantial, and have formed a kind of absurd and strange composite space. When the artwork has been finished, the composite spaces together with the external world create a plentiful experience of visual sensory. I once wrote, \" The modern city brings us neon lights, tall buildings, stock information displays, and omnipresent billboards. Experiencing such sustained visual impact, I begin to reflect the current state of people’s lives. For now, the final result of work is no longer the main issue, … the meaning of artwork is purely based on the process, the changes, are subject to the variation of personal experiences.\" \"My space\" is in such a state: express \"the reality I realised\", and reality exist through consciousness, saying, paintings let the invisible become visible, rather than let the visible reproduced. When I paint, I lie my work on a table, the process is like drawing a Chinese painting, not an oil painting. Different pigments will wait to dry on the canvas, drawing over and over for a long time until accomplishment. The indefinite extension of the painting process blurs the boundary of the beginning and the end of the creation. Which brings a very subtle experience, and result in a quite different appearance comparing to other works. During the 8 years, after several changes and advances, I have broke the spacial-relationship of painting, and breaking through the limitations of two-dimensional canvas. I use ready-made product, pigment, spirited strokes to create a vital space. To my way of thinking, \"my space\" it is both the linguistic form and the temperament of my life. It is a \"colorful space\" of mine, which helps me ”release personal emotions as well as leaving the audience a space for interpretation. When the audience senses the pleasure, the distance between the work and the audience is greatly reduced.”

作品名称：5 我的空间－Ocean 2016-3

油画 120×120cm 布面丙烯 创作年代 2016

作品故事：我是一名抽象绘画艺术家，《我的空间》是我的代表作品。在我看来，抽象绘画是一个自由的东西，它无需确证的形式或形态，在视觉表达上独立并且完整。抽象绘画几乎是在一种下意识的行为过程中完成的，所以我要求自己在创作的时候必须没有设定。这个观念决定了我在绘画的过程中对于色彩、笔触、制作的敏锐度。这种自发性的绘画行为，充满着充满着不稳定性和精妙性，使我在创作的时候不断推陈出新。 在我的作品中，最持久的思考是对都市痕迹与色彩的关注，这与我自己的都市生活密切相关。《我的空间》画面中那些不明出处的“形”与看似美丽的“色”，形成一种荒诞并且怪异的组合空间。作品在最后完成时，这些组合空间与外界产生丰富的视觉感官体验。我曾经写过，“现在的都市充满了霓虹灯、车流、楼群、股票信息、各式各样的显示屏和遍地的广告牌。给我们视觉上的冲击，让我开始反思当下人们生活的状态。创作的结果已然不是重点，.......作品的意义只能基于过程，变化服从个人体验的变化。” 《我的空间》具有这样一种状态：我表达“我所意识到的现实”。任何现实的存在都通过意识而存在，即绘画让看不见的部分成为可见，而非让看得见的部分重现。我画画的时候会把作品平放在一张桌子上，像画一张中国画一样而非一张油画。不同的颜料会在画布上等待凝固，反反复复绘制折腾许久直到完成。绘画的时间无限的延长，使得创作的开始与结束的界限模糊。这种绘画的体验是很微妙的，产生了与其他作品不一样的画面效果。近些年，经过几次的变化和推进，我打破绘画的空间关系，突破二维画布对于绘画的局限性。现成品、泼洒的颜料、挺健的笔触形成了一个具有生命力的在场空间。 我认为，《我的空间》它既是语言形式又是我生活的气质。它是我构建的“色彩空间”，“在释放个人情绪的同时，也为观众的解读留下余地。当视觉‘愉悦’起到作用的时候，作品与观众的距离也就大为缩小。” I am an abstract painting artist, and \"my space\" is my representative work. In my point of view, abstract painting is a thing of freedom; it does not need a confirmation of a vested shape or form; it is an independent integrity in the visual expression. Abstract painting is being completed in a process of subconsciousness, and it is a subliminal process when completing my painting. This concept in a way influences my sensitivity of the application of color, brushwork and crafts. This kind of spontaneous action is full of instability and subtlety, which enables me to bring forth new ideas. In my work, the most lasting intention is to pay close attention to the trace and color of the city, which is closely related to my life. The \"shape\" and the \"color\" come from something substantial, and have formed a kind of absurd and strange composite space. When the artwork has been finished, the composite spaces together with the external world create a plentiful experience of visual sensory. I once wrote, \" The modern city brings us neon lights, tall buildings, stock information displays, and omnipresent billboards. Experiencing such sustained visual impact, I begin to reflect the current state of people’s lives. For now, the final result of work is no longer the main issue, … the meaning of artwork is purely based on the process, the changes, are subject to the variation of personal experiences.\" \"My space\" is in such a state: express \"the reality I realised\", and reality exist through consciousness, saying, paintings let the invisible become visible, rather than let the visible reproduced. When I paint, I lie my work on a table, the process is like drawing a Chinese painting, not an oil painting. Different pigments will wait to dry on the canvas, drawing over and over for a long time until accomplishment. The indefinite extension of the painting process blurs the boundary of the beginning and the end of the creation. Which brings a very subtle experience, and result in a quite different appearance comparing to other works. During the 8 years, after several changes and advances, I have broke the spacial-relationship of painting, and breaking through the limitations of two-dimensional canvas. I use ready-made product, pigment, spirited strokes to create a vital space. To my way of thinking, \"my space\" it is both the linguistic form and the temperament of my life. It is a \"colorful space\" of mine, which helps me ”release personal emotions as well as leaving the audience a space for interpretation. When the audience senses the pleasure, the distance between the work and the audience is greatly reduced.”

艺术家简介：朱佩鸿（1987） 工作生活于中国 教育背景 2005 毕业于上海大学美术学院附中 2010 毕业于中央美术学院版画系，获得学士学位 2014 毕业于中央美术学院版画系，获得硕士学位 个人作品展览 2016 无形有画，Twins Art艺术空间，上海 2015 自如的印痕，名泰空间，北京 双人展 2016 追寻城市缺失的色彩－走近光明，上海世博展览馆，上海 2015 追寻城市缺失的色彩－璀璨季节，上海世贸商城，上海 2014 追寻城市缺失的色彩－朱玉祥朱佩鸿父子双个展，上海世贸商城，上海 群展 2017 向心力－中国青年艺术的四个维度，悉尼大学美术馆，悉尼 循循展－第三回，芳草地画廊，北京 2016 初•新－年代青年艺术展，年代美术馆，温州 中国当代－卢森堡大公国迪基希市美术馆巡展，卢森堡大公国迪基希市美术馆，卢森堡 _____让我们的生活变得如此美好？，X Gallery•未知空间，大连 吴语•方言－上海艺术家作品邀请展，中华艺术宫，上海 宋庄美术馆建馆十周年系列展之二－尖先生与卡小姐项目B，宋庄美术馆，北京 2015 2015青年艺术100启动展，全国农业展览馆，北京 民间的力量，北京民生现代美术馆，北京 形式的意味－青年抽象艺术展，凤凰艺都，上海 2014 瞭望之塔－中国版画名家邀请展，中央美术学院燕郊美术馆，北京 腹花集－青年艺术邀请展，虚苑美术馆，北京 NET WORK21c ART Festival 2014，全北市美术馆，全州 仲夏，艺美基金会四季空间，北京 1964-2014法中相知相交五十载－中国当代，巴黎17区市政厅，巴黎 ZHU PEIHONG (b. 1987) Born and works in China EDUCATION 2005 Affiliated High School of Shanghai University Academy of Fine Arts, Shanghai, China 2010 BFA with Distinction, Central Academy of Fine Arts, Beijing, China 2014 MFA with Distinction, Central Academy of Fine Arts, Beijing, China SOLO EXHIBITION 2016 From Formless To Form – Twins Art Gallery, Shanghai 2015 Traces Freely Traveling - Mingtai Space, Beijing DOUBLE SOLO EXHIBITION 2016 Pursuing the City Colors Lost - Into the Light, Shanghai World EXPO, Shanghai 2015 Pursuing the City Colors Lost - Colorful Season - Shanghai Mart, Shanghai 2014 Pursuing the City Colors Lost Exhibition - Zhu Yuxiang and Zhu Peihong Double Solo Exhibition - Shanghai Mart, Shanghai GROUP EXHIBITION 2017 Centripetal Force - Sydney College of the Arts SCA Galleries, Sydney XUN-XUN-Group Show III Grasping the normality within the abnormality - Parkview Green Art Center, Beijing 2016 Beginning of The New Epoch - Chinese Emergent Artists - Epoch Art Museum, Wenzhou Exposition “FASCINATION CHINOISE” à Diekirch - Luxembourg - La Maison De La Culture À Diekirch, Luxembourg _____ Makes Our Life so Beautiful - X Gallery, Dalian Wuu Speech: Artists Living in Shanghai - China Arts Museum, Shanghai Mr. Jian and Ms. Ka-Series Exhibition Marking the 10\'s Anniversary of Songzhuang Art Center - Songzhuang Art Center, Beijing 2015 Art Nova 100 - Beijing National Agriculture Exhibition Center, Beijing The Civil Power- Beijing Minsheng Art Museum Opening Exhibition - Minsheng Art Museum, Beijing The Expression of Format Exhibition - Phoenix Art Palace, Shanghai 2014 Watchtower - CAFA Yanjiao Museum, Beijing Endogenous Context Youth Art Invitation Exhibition - Xuyuan Museum, Beijing NETWORK21c ART Festival 2014 - Chonju Art Museum, Chonju Midsummer - ARTMIA Four-seasons Gallery by ARTMIA Foundation, Beijing FRANCE-CHINA 1964-2014: A time of Recognition and Friendship - an invitational exhibition of works by Chinese artists - 17th district town hall, Paris


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来源：雅昌艺术网