紫砂壶在拍卖市场行情看涨，是具有收藏的“古董”，名家大师的作品往往一壶难求，正所谓“人间珠宝何足取，宜兴紫砂最要得”。紫砂壶是中国汉族特有的手工制造陶土工艺品。制作原料为紫砂泥，原产地在江苏宜兴丁蜀镇又名宜兴紫砂壶。从明武宗正德年间以来紫砂开始制成壶，名家辈出，500年间不断有精品传世。据说紫砂壶的创始人是中国明朝的供春。因为有了艺术性和实用性的完美结合，紫砂壶才这样珍贵，令人回味无穷。更加上紫砂壶泡茶的好处、和茶禅一味的文化，这就又增加了紫砂高贵不俗的雅韵。

Purple sand teapot in the auction market bullish, is a collection of "antiques", the works of masters are often difficult to find, is the so-called "what enough to take the earth jewelry, Yixing purple sand the most to get". Zisha teapot is a handmade pottery handicraft unique to the Chinese Han nationality. Production raw materials for purple clay, the origin in Yixing purple sand pot, also known as Yixing Dingshu Town, Jiangsu Province. Since the reign of Emperor Wu Zhengde of the Ming Dynasty, purple sand has been made into pots, with large numbers of famous artists and fine works have been handed down from generation to generation in 500 years. It is said that the founder of the purple sand teapot was the supply of spring of the Chinese Ming Dynasty. Because of the perfect combination of artistry and practicality, the purple sand teapot is so precious, so memorable. More on the benefits of purple sand teapot tea, and the culture of tea Zen blindly, which has added the noble and not vulgar elegant charm of purple sand.
紫砂壶长久以来，即被人们推崇为理想的注茶器。它优良的实用功能，在明清两代的文献中即有所记载。明清两代人们认为茶壶之所以“黜银锡及闽豫瓷，而尚宜陶”，是由于紫砂壶能发出茶之色、香、味，并且既不夺香，又煮熟汤气。关于“越宿不馊”的说法也有其一定的道理。

Purple sand teapot has long been, that is, people is highly regarded as the ideal tea dispenser. Its excellent practical function is recorded in the literature of the Ming and Qing Dynasties. People in the Ming and Qing Dynasties believed that the teapot "deposed silver tin and Fujian and Henan porcelain, but still appropriate pottery", is because the purple sand teapot can emit the color, fragrance and taste of tea, and neither seize the fragrance, but also cooked soup gas. There is also some truth about the "more stay not sour" statement.

时大彬，明万历至清顺治五年间宜兴人。生卒不详。号少山、时朋子。对紫砂陶的泥料配制、成型技法、造型设计和铭刻等，都有深入研究。善用各式陶土或在陶土中掺杂砂缸土制作，有“沙粗质古股理匀”的赞语。所制砂壶，具有朴雅坚致的特色。初仿供春，喜作大壶，其后改作小壶。作品千奇万状信手出，巧夺坡诗百态新，为前后名家所不能及。所制茗壶，初期请书家落墨，然后自己用竹刀刻出运刀成书。出土的也未必是真正的”时壶“，从历代明墓出土的众多“时壶“的制壶工艺进行比较，不难看出水平的悬殊，原因便是因为这其中不乏有大彬同时期以及明末清初的伪作。另外，在民国时期，上海还有专门的作坊生产落款为时大彬的紫砂壶，这些壶陆陆续续流入市场内。各个渠道涌入的大量赝品，为时大彬紫砂壶的真伪鉴别增加了很大难度。

Shi Dab, Ming Wanli to Ming Shunzhi five years of Yixing people. Birth and stroke is unknown. Number of ShaoShan, Shi Peng Zi. There has been in-depth research on the clay material preparation, molding techniques, modeling design and engraving of purple clay pottery. Good use of all kinds of clay or in the clay mixed with sand tank clay production, there are "sand coarse ancient stock uniform" praise. The sand pot, has the characteristics of Park Yijian. The first imitation for spring, happy to make a big pot, and then changed into a small pot. The works of letters, skillfully seize the slope poetry new, before and after the famous can not reach. The tea pot, the early please calligrapher ink, and then use their own bamboo knife to carve a knife into a book.The unearthed is not necessarily be true "pot", from the Ming tombs of the Ming dynasties unearthed many " pot making technology comparison, it is not difficult to see the level of the disparity, because there is some lack of the same period and the late Ming Dynasty and early Qing Dynasty artifacts. In addition, during the period of the Republic of China, there were also specialized workshops in Shanghai to produce the signed Dabpurple sand teapots, which flowed into the market one after another. A large number of fake influx into various channels, for the authenticity of Shi Dabpurple sand teapot increased great difficulty.时大彬制壶极其认真，稍不满意，就敲碎扔掉，有“十不得一”一说，如果都不满意，就一只不留。他制壶的特点，是紫泥中带有白点，最 大的绝活是壶盖一经合上，随手拈盖提起，壶身不坠。

When Dabpot is very serious, a little not satisfied, knock to throw away, there are "ten not one" said, if not satisfied, do not leave a. The characteristics of his pot making, is the purple mud with white points, the biggest unique skill is the pot lid a closed, with the lid lifted, the pot body does not fall.

国内现存于公家的，有以下四件时大彬作品：1.“六方壶”，红泥紫砂，系1965年于扬州江都明代墓葬中出土，有关专家大多认为是时壶真品。明墓系万历四十四年的。“六方壶”现存扬州博物馆。壶形制规整，壶底阴文刻“大彬”两字。2.“紫砂扁壶”，刻有“源远堂藏、大彬制”七字。该壶现藏于上海博物馆。3.“天香阁壶”，泥色紫黑。壶盖里刻“天香阁、大彬”五字。壶外观有大度之气，雍浑古朴，或认为是时大彬的早期作品。现藏于南京博物院。4.“僧帽壶”。“僧帽”造型，在唐宋以来的瓷器造型中已不少见。时大彬借鉴于紫砂造型中，所作“僧帽壶”棱角分明，线条流畅，精雅独到。底款“生莲居大彬”五字。该壶现存于上海友谊商店。

There are the following four works of Shi Dabin in China: 1. "Six square pot", red clay and purple sand, were unearthed in the Ming Dynasty tomb in Jiangdu, Yangzhou. Most relevant experts think it is the real pot. The Ming tomb is from the 44-fourth year of Wanli. The "Six Square ot" remains Yangzhou Museum. The pot shape is neat, the bottom of the pot Yin text engraved "Xiaobin" two words. 2. "purple sand flat pot", engraved with "Yuan Yuan hidden, big bin" seven words. The pot is now hidden in the Shanghai Museum. 3. "Tianxiang Pavilion pot", mud color purple and black. The pot covers five words "Tianxiang Pavilion, Dab". The appearance of the pot is generous, elegant and simple, or think it is Shi Dab' s early work. Now hidden in the Nanjing Museum. 4. "monk hat hat pot". "Monk hat" modeling has been uncommon in porcelain modeling since the Tang and Song dynasties. Shi Dabborrowed from purple sand modeling, "monk hat pot" angular, smooth lines, elegant and unique. The bottom of the "raw lotus in big bin" five words. The pot exists in the Shanghai Friendship Store.

在紫砂壶历史上，名人名匠众多，“时大彬”其中之一，他的出现给紫砂文化画上浓厚的一笔，起到重要性的意义，在紫砂界有着举足轻重的位置。

In the history of purple sand teapot, there are many famous people and craftsmen, one of "Shi Dab", his appearance makes a strong painting to purple sand culture, plays a great significance and plays a pivotal position in the purple sand industry.图中为 时大彬制紫砂壶重：500g该壶通体紫砂色，字体为“五石无用合世则重”布满犁皮状小颗粒，直口， 丰肩，鼓腹，平底圈足，圈足至口沿等大，外壁均垂直，底内弧，曲流，流上部出棱，流中一圆孔，柄体圆，足体方扁，外向作两个圆弧，器底阴刻“时大彬制”四丰，单刀竖刻，楷书。时大彬为时代最著名的 紫砂陶工匠，该壶为其早期作品，壶盖内沿有小磨损，证明为墓主生前使用过一段时期，为出土的、 绝对年代最早的时大彬作品。

In the figure is the purple sand pot weight: 500g the pot body purple sand, font is "five stone useless is heavy" full of small particles, straight mouth, shoulder, bulging, flat bottom foot, circle to the mouth, vertical, bottom arc, curved flow, the upper part of the flow, a round hole, handle round, foot flat, outward side for two round arc, the bottom engraved "big bin system" four, single knife vertical carving, regular script. Shi Dabis the most famous purple clay pottery craftsman of The Times. The pot is its early works. There is small wear and tear along the cover of the pot, which proves that the tomb owner used for a period during his lifetime, and the earliest works unearthed in absolute age.他对紫砂陶的泥料配制、成型技法、器形设计以及属款书法方面都极有研究，因此，即便他流传存世的作品极少，也依然被无数茶人名家推崇。据后世统计，大彬壶的存世作品不过数十件，但历代仿品却非常之多，可见大彬壶的受欢迎程度，更加有收藏意义跟价值。

He has great research on the mud preparation, molding techniques, shape design and calligraphy of purple sand pottery. Therefore, even if his works are spread around the world, he is still respected by countless tea people. According to the statistics of later generations, only dozens of surviving works of Dabpot, but there are very many imitations in the past dynasties, it can be seen that the popularity of Dabpot is more collection significance and value.