那么回到亚洲融入东方精神之美，则是为我的创作注入灵魂。

——温岳彬 ( Bing Wen )

有一件很特别的作品

第一眼 也许你会看到一个枕头

第二眼 也许你会看到一个臀部

第三眼 也许你会看到

这是一位有着曲线美女性的驱干

再走近细细观看

也许你会感叹于硬材质与软形态的完美结合

这便是由艺术家温岳彬亲手塑造出来的

Female torso —— 女性之驱

1996年前往意大利求学，并移居米开朗基罗大卫雕塑的故乡Carrara卡拉拉，毕业卡拉拉艺术学院(Carrara Academy Of Fine Art)，15年的旅居期间积累的学院专业与实践经验，奠定了日后的创作风格。

温岳彬的作品常以女性之美为基础，揉合了温婉的曲线与灵动的构面，透过与石材的对话，雕出对“生”的崇敬，塑出对“无”的豁达，将人和身边所能接触到的简单事物做结合而延伸出对于生命意义的诠释。他创作时一刀一刀慢慢的将石中的灵魂释放出来，观者可感受其作品省思内敛中蕴藏的光芒与希望，优雅却又充满力量，对生命仿佛产生莫大的鼓舞。

而《Female torso》更是温岳彬回到亚洲之后的第一件作品。

曾振伟在与温岳彬交流的过程中，对其艺术风格很感兴趣。

是什么造就了他独特的艺术观赏力？

《Female torso》的创造理念是源于美学的考虑，

还是出于为造就观者的联想而设计？

温先生又是如何观察自然社会景象的？

让我们随着曾振伟的提问，一起来走进艺术家温岳彬的艺术世界吧：
 

当代艺术家尝试跳脱传统的艺术思维或是生产的过程，多唯独地去阐述其对社会情境的想法与意识型态，透过创作来体现时代的脉动。艺术创作透过不同的时空背景，以多样化的观念来牵动人与环境之间的紧密性。

Contemporary artists try to break away from the traditional artistic thinking or producing process; simultaneously being multi-faceted to explain their thoughts and ideologies on social situations, and to reflect the changes of the times through creation. Through a variety of time and space backgrounds, artistic creations are able to influence the closeness between people and the environment with diverse concepts.

生活在意大利的15年间，艺术如同空气一般的存在。每天都能看到大师级的作品被运用或放置在各个不同的地方或角落，这段生活的经历也开始让我对古典人体雕刻产生浓厚的兴趣。将意大利的生活历练和东方的人文哲学思想以欧式古典雕刻技艺呈现在创作之上，至今一直是我追求的目标。Female torso是我回到亚洲后做的第一件创作。如果说从欧洲学习的古典雕塑技艺是创作的骨和肉的话，那么回到亚洲便是为了将中华文化的灵魂注入其中。

During the 15 years of living in Italy, art has always existed like air has. Every day, I was able to see sculptures done by master sculptors been applied or placed in various places or corners. My life experience in Italy gave me a strong interest in classical human sculpture. It has always been my goal in the pursuit of incorporating life experience in Italy as well as the European classical carving skills along with the oriental humanistic and eclectic thinking into the composition. If classical sculptural techniques learned from Europe are the flesh and bones of creation, then coming back to Asia simply injects the soul into it.
 

人体的完美比例一直以来是西方古典雕塑所追寻的目标，而东方的艺术一向致力于追求自然的和协与平衡。2013年初回到亚洲定居并且正式跨入艺术创作领域，我便开始思考着如何透过人体和其它元素的融合将东西方文化的精神以和谐的方式呈现。创作期间常常思考如何将坚硬的大理石以柔软的形态呈现，并将人体的线条结合其中。坚硬的顽石经过雕凿而释放出柔美与强韧兼具的外形，以简单而有形的语言来诉说那千古不变的真理。看似单纯线条的作品就如同一面镜子，它反映的是内心对于过去、当下、以及未来的深层思绪。

The perfect proportions of the human body have long been the target pursued by Western classical sculptures, while Eastern art has always been dedicated to the pursuit of balance between nature and harmony. Having returned to Asia in early 2013 then started to formally step into the field of artistic creation, I began to ponder over how to present the spirit of East-West culture in a harmonious way through the integration of human bodies and other elements. In the creative process, I often reflected upon in how to present the hard marble in a soft form and combine the lines of the human body with it. The hardened stone exudes a figure that’s not only soft but also tough in announcing the truth of that eternal life in a simple and tangible language. Seemingly simple lines of my sculptures are like a mirror which reflects my deep, inner thoughts of the past, the present, and the future.