著名画家仲泊游《中国神话》和《华夏源》大型水墨组画原创完成

　　Famous painter zhongboyou"Chinese mythology" and "huaxia yuan" large ink painting group painting original completion.

　　画家仲泊游 Painter zhongboyou

　　近日记者来到著名画家仲泊游在北京的工作室，见到了《中国神话》系列组画及《华夏源》大型联画作品。

　　这批新作品以水墨黑白形式创作出来，作品给人以混沌虚幻而神秘的感觉。作者在儿时就伴着中国神话和古典历史故事(连环画、儿童读物)读书成长的。儿时的记忆会影响到成年的回忆和创作的灵感，于是呼产生出探寻华夏源流及寻根的冲动。

　　中国神话是华夏民族文化精神的种子和根脉，如原始神奇的生命力似涛涛不绝、奔涌不息的黄河之水，传达着人与生灵万物的超自然力量。

　　Recently, the journalist came to the studio of the famous painter zhongboyou in Beijing, and saw the series of "Chinese mythology" and "huaxia yuan".

　　The new works are created in black and white, and the work gives people a sense of mystery and mystery. The author grew up with Chinese mythology and classical historical stories (comic books and children's books). Childhood memories can affect adult memories and creative inspirations, and the urge to explore the source and roots of the Chinese summer is generated.

　　Chinese mythology is the seed of Chinese national culture spirit and roots, such as the vitality of the primitive magic out tao, the Yellow River surges of water, conveys a feeling of all people and forms of the supernatural.

　《华夏源 1/2》 《huaxia yuan 1/2》

　《华夏源 1/2》 《huaxia yuan 1/2》

　　神话故事是我们祖先巨大创造力与深邃智慧的体现，展现出具有博大胸怀的民族精神之梦。中国神话记载着上古原始神话的传说，神奇巫术、文字、神秘的文化信仰，是我们当今无穷的智慧宝藏。所以炎黄子孙追寻的是华夏民族远古至今源远流长的国魂之源头。

　　The fairy tale is the embodiment of the great creativity and profound wisdom of our ancestors, and shows the dream of national spirit with broad mind. Chinese mythology is the legend of ancient primitive myths, magic sorcery, writing, mysterious cultural belief, is our present infinite wisdom treasure. Therefore, the Chinese people are looking for the origin of the ancient Chinese nation.

　　盘古开天地 Pangu

　女娲补天 The hand that mends

　后羿射日 After yi shoot day

　　盘古开天地时，远古时期混沌一片，天地还没形成，人类始祖盘古在浑圆混沌中孕育了一万八千年，最后破壳而出，用自己的巨斧劈开混沌，一下分成清浊及天地，象征人类初始，征服自然的伟大创造力。

　　The pangu separated heaven and earth, ancient times chaotic, heaven and earth have not formed, gave birth to the human ancestor pangu in round the chaos in eighteen thousand, finally hatched, with their huge appeared chaos, divided into QingZhuo and heaven and earth, at the beginning of the symbol of human conquest of nature's great creativity.

　夸父追日 Quafoo chasing after the sun

　精卫填海 Jingwei reclamation

嫦娥奔月 Chang e

　　女娲补天传说，天地初始，灾难降临人间，女娲用练就的五色石块补天上漏洞，支撑天上的四柱抵住了灾难和消灭了怪兽，大地重新长出树木花草，女娲不但造就了人，还从自然灾害中拯救了人类。

　　The hand that mends the legend, the initial heaven and earth, the disaster came, nuwa with practice of five-color stones to heaven loophole, supporting the four pillars of heaven into the disaster and destroy the monster, the earth to grow plants, nuwa not only make the people, also to save the human from the natural disasters.

　　从大禹治水体现出中华民族奋斗崛起之精神;从嫦娥奔月展现出华夏子孙伟大的寻梦里程;从炎黄二帝驰骋疆土见证了中国人铁骨铮铮的不屈骨气;从伏羲观天上星辰察阴阳枯荣说明了华人的创新发明智慧。作者从神话中学习求索从而创作出中国神话组画。

　　It reflects the spirit of the rising of the Chinese nation from dayu. From chang 'e to the moon to show the great dream of the Chinese descendants; From the two emperors of yan and huang, they have witnessed the unyielding spirit of the Chinese people. From the perspective of fuxi, Yin and Yang of the stars in the sky explained the innovation and wisdom of Chinese people. The author learns from the myth to create Chinese mythology.

　黄帝 The yellow emperor

　炎帝 Yan di

　神农尝百草 Shennong tastes the grass

　　《中国神话》系列组画(1.25×1.25米)，《华夏源》大幅八联画(5×2.5米)创作始于2017年6月至2018年2月完成，此系列作品以纸本水墨为主，烘托出虚幻神秘的黑白空间，作者以现代创作思维与意象形式，用生动笔墨表达出远古神话故事，书写出远古和当代的寻根寻梦之画卷。

　　“Chinese mythology” series of paintings (1.25×2.5 meters) “the source of an ancient name for China” big eight league draw (5×2.5 meters)creation began in June 2017 to February 2017, the series is given priority to with paper and ink, foil the illusory mysterious black and white space, the author in the form of modern creative thinking with imagery, with vivid ink expresses the ancient myths, writing out the roots of ancient and contemporary searches for the picture.

伏羲八卦 The Fu gossip

仓颉造字 Changjie make a word

大禹治水 Dayu water conservancy

　　作者从神话中得到艺术创作灵感，勇于摆脱国画传统习惯思维。把平面抽象构成与笔墨肌理美相结合。使画面更具现代审美渴求，东方艺术讲究是“计白守黑”阴阳相生的太极原理。画面只用黑与白这最单纯的元素构成画面更具生动感，更富阴阳相生的美感。

　　作者仲泊游在构图、空间的造型上，以抽象、意象化的成份融入新水墨画的多维时空表达中。融贯中西，其中书法线的抽象之美更具有把水墨画推向东方现代艺术的强烈的视觉感、能丰富观者的触觉和幻觉。使观者带着情感用新眼界去发掘画面的整体内涵，从而得到心灵的升华。(文/任柯)

　　The author gets the inspiration for artistic creation from mythology, and dares to shake off the traditional thinking of traditional Chinese painting. The plane abstract composition is combined with the beauty of pen and ink. To make the picture more modern aesthetic desire, Oriental art exquisite is the principle of "white guarding black" Yin and Yang. The picture USES only the simple element of black and white to make the picture more vivid, more the beauty of Yin and Yang.

　　The author, in the form of composition and space, integrates abstract and image-oriented elements into the multi-dimensional space-time expression of the new ink painting. The abstract beauty of the calligraphy line has a strong visual sense to push the ink painting to the Oriental modern art, which can enrich the viewer's sense of touch and illusion. Let the viewer take the emotion with the new vision to explore the overall connotation of the picture, thus the spiritual sublimation. (word/Ren Ke)

来源：雅昌艺术网