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来 睐 惘 往——文斌个人油画展

  路过街道,路过人群,路过被焚毁的古宅,路过近在眼前的天边,路过独自凭栏的身影,路过历史,路过青春,路过一切已然失去的美好。路过。。。。。。

  文斌和大多数人一样,在发条般的城市中机械的前行或者后退,但不同的是他在这来往中一直不断的去找寻被人们遗失的美和记忆。在他的画面中,表情各异的女子却有着相似的眼神,视角不一的画面空间感反带着些许相同的善感和窃喜。哗然而过的岁月中,文斌最终把美定义在每个扑面而来但又让人有疏离感的女人像中,掩盖在华美外表下的是她们特有的表情所带来的冷静回忆。而被淡化成背景的风景,似乎与鲜艳明亮的主体色那么个格格不入,但这其实正是文斌真正想表达的冲突和吞噬与被吞噬的无奈。

  此次展览中,文斌试图借助其画中女人的眼睛来观察这个世界,路过层层叠叠的风景,看尽形形色色的面孔,然后在其中寻找还没有殆尽的融合之美。

  来,睐,惘,往。

  展览地点:北京朝阳区798艺术区麦杰画廊

  开幕时间:2007年11月3日

  When you pass by the street, the crowd and old houses, you will notice those lonely figures. As we grow old, we will lose many precious things. We hope to arouse your memories of the past and cause you to think about the reality as well through this exhibition.

  Like most people, Wenbin has been coming and going in this city. But unlike others, he has been looking for the beauty and memories that people have lost. In his works, beautiful women have different expressions, however, they all have similar expression in their eyes. At the same time, those different images all have the same sentiment in spite of their different spaces. Wenbin thinks that the beauty that he searches for is in these women’s images , not because of the charm of them, but their expressions contained memories. On the other hand, unlike the bright of the portrait, the scenery is gloom, which is just caters for the theme Wenbin wishes to express.

  In this exhibition, Wenbin observes the world through these women’s eyes ,hoping to find the beauty that hasn’t disappeared behind the scenery and the crowd.

作者:刘希言

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