Where does the name They come?

　　个人和艺术家总是喜欢说我的和我们，人们很少去关心别人，关心他们。人们把这种自私看成个性和个人价值。但是这是不真实的，我们和他们是一样的，他们也有他们的个性和价值。作为艺术家我们需要表现客观价值，表现他们的内心世界。如果我们的作品表现了他们，也就表现了我们自己。如果我们只是着迷于表现我们自己，我们永远也找不到自己。

　　Personal and artists always like to say that I and we, people rarely go to care for others, care about them. It is considered as selfish personality and personal values. But this is not true, we and they are the same, they also have their personality and values. As artists we need to show objective value, the performance of their inner world. If our work shows them and do our own performance. If we just fascinated by the performance of our own, we'll never find yourself.

　　Paint is usually a very individualistic discipline. How you came to work on it together?

　　画画确实通常是个人化的，我们喜欢这种挑战，这种矛盾，并且我们把个性和兴趣的不同融入到画面，这使得画面呈现出冲突和统一，主观和客观互相融合。我们会先讨论好一个基本的平台，例如一个房间或一个岛屿，然后我们会自由的在画面上画上自己感兴趣的内容，但是我们不能破坏和干涉对方的画，最后画面会呈现出一种奇异的自由和冲突。这使得我们必须站在他者的角度来观看自己的主观想法。这也是取名他们原因之一。

　　Paint is usually a very individualistic discipline.but We like the challenge, this contradiction, and we put a different personality and interests into the screen, which makes the screen showing the conflict and unity of subjective and objective convergence. We will first discuss what a basic platform, such as a room or an island, and then we will be free to draw on the screen the content of their own interest, but we can not destroy and interfere with each other's paintings, the final screen showing a singular freedom and conflict. This allows us the perspective of those who must stand to watch his own subjective ideas. This is one reason why they are called.

　　What characteristics of your generation are present in your paintings?

　　我们这一代人很焦虑和脆弱，我们很现实，但是我们缺少理想和诗意，除了金钱和性，我们没有真正的内心自由。对于未来，我们没有期待，所以我们只能在现实中沉沦。我们也没有真正的爱情和友谊，所以我们仅仅是熟悉的陌生人。我们互相看着对方，希望他们帮助我们，但是我们不打算付出我们自己的力量和爱，我们只索取，我们不付出。我们没有信仰，我们只相信我自己。这种自信非常脆弱。爱情和信任也是奢侈品，也是漂亮但脆弱的。这些感受都在我们的画里面。

　　Our generation is very anxious and vulnerable, we are very realistic, but we lack the vision and poetic, in addition to money and sex, we do not have true inner freedom. For the future, we did not expect, so we can only sink in reality. We do not have true love and friendship, so we are only familiar stranger. We looked at each other, I hope they help us, but we do not intend to pay our own strength and love, we only take, but we do not pay. We do not have faith, we only believe in myself. This self-confidence is very fragile. Love and trust is a luxury, but also beautiful but fragile. These feelings are in our paintings inside.

　　In your paintings there is a thin line between reality and fiction… What's real and what’s fiction in each?

　　我们认为，现实本身就是不真实的，我们生活的现实就是虚构小说。谎言和残酷的现实充满了我们的生活和世界，所以我们经常分不清现实和虚构小说。残酷是真实的，美丽是虚构小说。相对于现实世界的荒诞和虚伪，也许梦才是真实的。我们是被欺骗和愚弄的一代，我们的价值观混乱，我们不能分辨人性中的美与丑。我们甚至经常不相信最简单的爱。所以我们只能依靠一条地平线来区分真实与虚构小说。

　　We believe that reality itself is unreal, the reality is that we live in fiction. Full of lies and the harsh reality of our lives and our world, so we often can not distinguish reality and fiction. Cruelty is true beauty is fiction. Relative to the real world, the absurdity and hypocrisy, and perhaps the dream is real. We are being deceived and fooled generation, our values confusion, we can not distinguish between beauty and ugliness of human nature. We often do not believe that even the most simple love. So we can only rely on one horizon to distinguish between reality and fiction.

　　What about the surrealism? Many of your paintings show islands that would be very difficult to reach alone... if not impossible.

　　我们的画不是超现实主义，她也许是现实，也许是梦，也许是虚构小说，但是不是超现实主义。因为我们画的是真实的现实和内心世界。我们的画中出现的许多岛屿，这些岛屿是我们的心和他们的心，每个人的心都是一个孤岛，非常遥远，很难抵达。我们的心象这些孤岛一样保持距离，互相看着对方，很近但是却永远无法到达。我们各自说着自己的话却永远无法真正沟通。我们两个艺术家的工作方式也像孤岛和孤岛的对话。

　　Our paintings are not surrealism, she may be the reality, perhaps a dream, perhaps fiction, but not surrealism. Because we draw is true reality and the inner world. Our paintings appear many islands, these islands are our hearts and their hearts, everyone's heart is an island, very remote, difficult arrived. Our hearts like these islands remain the same distance, looked at each other, very close but never reach. We each spoke in their own words, but never really communicate. Our two artist's work, like silos and islands of the dialogue.

　　The paintings convey very calm, but also very lonely. Do you believe that loneliness is a problem in our society today?

　　孤独是我们今天世界性的社会问题。但是孤独更是人类的问题。人与人之间，人与机器之间，宗教与科学之间，种族之间，国家之间，阶级之间，男人和女人之间充满了怀疑和不信任，敌对和排他性成为了自我保护。有时候，我们甚至不相信自己。为了排遣这种恐惧和孤独，我们需要大量的爱和物质，但是当我们发现这些物质很容易消失，爱很廉价，我们就会陷入更深的孤独感。

　　Loneliness is today's social problem in the world. However, it is human problems alone. Between people, between man and machine, between religion and science, between races, between countries, between classes, between men and women full of doubt and distrust, hostility and exclusivity became a self-protection. Sometimes we do not even believe in themselves. Distraction from this fear and loneliness, we need a lot of love and substance, but when we found that these substances is likely to disappear, love is cheap, we will fall into a deeper sense of loneliness.

　　There are several contrasts in your work, reality / fiction, peace / solitude, beauty / distress. What do you think of this?

　　这种反差是很自然的。首先，这个世界就充满了反差和荒诞感。主观世界和客观世界永远无法达成统一。人类与自然也总是不能和谐。文明和历史有时也是模糊和矛盾的。作为艺术家，我们所要表达的真实只能是主观的认识，甚至是极端的思想和个性风格。我们通过两个艺术家一起工作这种方法，达成矛盾和统一。我们强化这种反差，同时转换和融合这种反差。这是一个很难的工作，同时也是挑战，也成为我们的特点和观念。

　　This contrast is very natural. First of all, the world is full of contrasts and a sense of absurdity. The subjective and the objective world can never reach unity. Humans and nature can not always harmonious. Civilization and history is sometimes vague and contradictory. As an artist, we want to express the true knowledge can only be subjective, even extreme ideology and personality style. We passed two artists working together this way, reaching contradiction and unity. We reinforce this contrast, both conversion and integration of such a contrast. This is a difficult task, but also a challenge, but also become our features and concepts.

　　What about the formats you used, the centered horizon line and the thoroughness with which you treat each of your paintings?

　　我们使用一个孤岛作为基础，就像我们过去曾今使用一件有窗户的房子一样，你可以在下面的网址中看到过去我们的作品。我们感兴趣的是创造一个容器或是舞台，在这个平台上导演戏剧和梦。

　　http://artist.99ys.com/artist/102049

　　http://artist.99ys.com/artist/102049/work#top

　　We use an island as a base, as we have in the past now use a window of the house, as you can see at the following URL past our work. We are interested in creating a container or a stage director of theater on this platform and dreams.

　　http://artist.99ys.com/artist/102049

　　http://artist.99ys.com/artist/102049/work#top

　　How your lives and experiences are manifested in your paintings?

　　是的，你的问题非常好!生活和经验必然成为艺术作品的基础和营养。中国有句话：艺术来源于生活但是高于生活。可是我们觉得艺术也低于生活。我们总是希望通过艺术找到生活的出口。因为生活的空虚和无意义，我们必须用艺术赖拯救灵魂，生活和经验是艺术的素菜。但是我们发现艺术也影响生活。当你以为艺术可以结束我们的空虚时，你只能不断的进行新的创作。一旦你停止下来，更加巨大和深远的空虚会立刻充满你。这有一点像性，我们永远无法真正的满足，却可以在过程中享受短暂的兴奋。

　　性是生命的原始动力，艺术也是生命和创造的原始动力。虽然我们的生活总是很琐碎无聊并且我们的个人经验总是充满谬误和局限。但是这就是生命的细节和真实。我们的艺术作品就是为了表现比生活更美好或比生活更糟糕的景象。不论美还是丑，孤独还是开心，空虚还是满足，都是生命的本质。人生最终是一场悲剧，因为每个人都面临死亡。而每个人都得不到他或她想要的所有东西。世界是不公平的，富有和贫穷，美丽和丑陋，健康和不健康。我们无法选择我们的命运和出生。但是世界上有一件事是唯一公平的，那就是每个人都会死去。只有在上帝、真主、佛面前人人都是平等的。

　　Yes, you are a very good question! Lives and experiences of works of art is bound to become the basis and nutrition. Chinese have a saying: Art comes from life, but more than life. However, we feel that art has less than life. We always want to find life through artistic outlet. Because life's emptiness and meaningless, we must rely on the salvation of souls with the art, the art of living and experience are vegetarian. But we found that art has affected lives. When you think art can end our emptiness, you can only keep a new creation. Once you stop, and even greater and far-reaching will immediately fill your emptiness. This is a bit like sex, we can never truly satisfied, but you can enjoy a short course of excitement。Sex is the life of raw power, art and life and the creation of raw power. Although our lives are always very frivolous and our personal experience is always full of fallacies and limitations. But this is life detail and true. Our art is to behave better than the life or worse than life spectacle. Whether beautiful or ugly, happy or loneliness, emptiness, or meet, are the essence of life. Life is ultimately a tragedy, because everyone is dying. And everyone is not he or she wants everything. The world is not fair, rich and poor, beautiful and ugly, healthy and unhealthy. We can not choose our destiny and birth.But there is one thing the world is only fair that everyone will die. Only in God, Allah, Buddha in front of everyone is equal.