In his most recent series of paintings (called “Mise en scene”), the world, the human life, and the whole history of mankind are the stage where the protagonists are our personal experiences and dramas, the human fragility and suffering, the entropy and the loss of meaning – the impossibility of overcoming our negative impulses and selfish limits.

Sergiu最新的系列作品“场面调度”中，将世界、人类生活和历史比喻为一个舞台，以展示人们的个人经历和梦想、脆弱和痛苦，以及那些已经丢失的秩序——每个人都很难克服消极和自私的情绪。

The artist makes the viewer witness the creation of the world, the pre-order of all things, using many different techniques, overlapping different areas of meaning, as symbolically intending to bring together all the layers of reality: the micro and macro cosmos, the psychological world and the physical world, the history of humankind and the individual destiny, our crimes and our suffering. Sergiu Roman’s art has an immediate impact on the viewer through the force of compositions, through the strong chromatic in which the quality contrasts play a major role in emphasizing the structural elements of his paintings.

Sergiu通过使用许多不同的技巧，在画布的不同部位叠加不同色彩，以象征现实中不同层面的各种景象。微观和宏观世界、心理和物理层面、人类历史和个人命运等等，都让观众透过作品看清楚了世界创造万物的规则。强烈的色彩对比，作品结构形成，都为观众产生了最直接的影响。