Bi Rongrong, A Growing Landscape (III)
以花之名
展览地点：明珠美术馆，上海
出品人：李爽
策展人：李丹丹
参展艺术家：艾敬、荒木经惟、希沙姆·贝拉达、毕蓉蓉、崔玄周、钟愫君、洛朗·格拉索、何多苓、胡为一、蒋志、清川阿莎美、克拉拉·克莉斯塔洛娃、李明维、梁绍基、梁缨、林明弘、孙月、徐冰、徐鑫桦、薛松、杨勋、余友涵、张恩利、张子飘、周春芽
展览时间：2020.8.8-12.6
毕蓉蓉受邀参加明珠美术馆展览《以花之名》，她的最新系列作《生长中的风景（III）》在展览中呈现，该系列作品由17件手稿、地毯及壁纸组成。毕蓉蓉的创作跟她的生活、时间一样一直在生长，我们在她的新作中能探寻到她今年的一些生活体验和细节。展览将持续至12月6号。
--手稿系列，铅笔、水彩、Ultra Giclee打印、树叶、亚麻布、涤纶线、丙烯胶，无酸水彩纸，25.5x35cm每件，共17件，2020--地毯，奥纶纤维，尺寸可变，2020，地毯由广州胜地装饰材料有限公司制作--壁纸，尺寸可变，无纺纸上弱溶剂墨水打印，2020，壁纸由上海中歌喷墨材料有限公司制作从采集素材到绘画再发展至场域特定的装置，是我自身与大自然或周遭环境对话的一种方式，作品也由此在时间与空间的变换中随之生长。在这次展览的作品中，我以一些近一两年来与我生活密切相关的中药植物作为素材，这些植物一方面作用于我的身体，另一方面又让我在心理上渐渐对它们产生了好奇与兴趣。绘画的时候，耳边播放一些古代医家的医案故事似乎已经成了日常，藉着对这些植物的兴致，我将素材转换成了手稿，同时这些手稿中的线条、碎片、色彩也犹如藤蔓一般继而与我之前的作品、与建筑空间相互缠绕，它们可能与原有的语境不再相关联，但却以另一种更独立的形式介入新的环境，生长为另一种图像风景。(文字/毕蓉蓉）
Venue：Pearl Art Museum, ShanghaiArtists：Ai Jing, Araki Nobuyoshi, Hicham Berrada, Bi Rongrong, Cui Xuanzhou, Zhong Sujun, Laurent Grasso, He Duoling, Hu Weiyi, Jiang Zhi, Asami Kiyokawa, Klara Kristalova, Li Mingwei, Liang Shaoji, Liang Ying, Lin Minghong, Sun Yue, Xu Bing, Xu Xinhua, Xue Song, Yang Xun, Yu Youhan, Zhang Enli, Zhang Zipiao, Zhou ChunyaBi Rongrong was invited to participate in the group exhibition "In the Name of Flower" at the Pearl Art Museum. Her latest series "The Growing Landscape (III)" is presented in the exhibition. This series of works consists of 17 manuscripts, wallpaper, and carpet. Bi Rongrong's work has been growing together with her life and time. In her new works, we can explore some of her life experiences and details this year. The exhibition will last until December 6.▲Bi Rongrong, A Growing Landscape (III)—Manuscript Series, pencil, watercolor, Ultra Giclee print, leaves, linen, polyester thread, acrylic glue, acid-free watercolor paper, 25.5x35cm each, 17 pieces, 2020 —Carpet, orlon，dimension variable, 2020, carpet produced by Guangzhou Sheng Di Decorative Material Co., Ltd —Wallpaper, dimension variable, ECO-solvent ink print on non-woven paper, 2020, wall paper printed by Shanghai Zhongge Print material co., LtdFrom collecting material to painting and then developing to site-specific installations, it is a way for me to dialogue with nature or the surrounding environment. From this, my works grow in the transformation of time and space. In the works presented in this exhibition, I used some Chinese medicinal plants that have been closely related to my life in the past one or two years as material. These plants act on my body on the one hand, and on the other hand, they made me spiritually curious about and interested in them over time. When I was painting, it seemed that it had become a daily routine to listen to some programs of ancient medical records. With my interest in these plants, I transformed the materials into manuscripts, where the lines, fragments, and colors are intertwined with my previous works and architectural spaces like vines. They may no longer be related to the original context, but intervene in a new environment with a more independent form, and grow into another pictorial landscape. (Text by Bi Rongrong）
▲Manuscript Series
Picture courtesy of Yan Haibo and Bi Rongrong
千高原艺术空间 A THOUSAND PLATEAUS ART SPACE开放时间：周二至周日（周一闭馆），10:30-18:30地址：中国. 四川省成都市高新区盛邦街，铁像寺水街南广场
作者：千高原艺术空间
特别声明：本文为艺术头条自媒体平台“艺术号”作者上传并发布，仅代表该作者观点。艺术头条仅提供信息发布平台。
