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《新新话》(2015/7/25 C-空间&智先画廊)

2015-07-21 15:52

C-空间与智先画廊协同呈现开幕:2015.7.25 16:00-18:00展期:2015.7.25-2015.8.30参展艺术家:The Collective 组(中国北京)、Garicia Frankowski(1983,波多黎各圣胡安/1985,苏格兰敦提)、OliverHaidutschek(1976,奥地利维也纳)、雎安奇(1975,中国乌鲁)、William Lee(1985,中国北京)、Sara Ludy(1980,美国加州)、任芷(1968,中国习)、吴珏辉(1980,中国杭州)和萧潇(1984,中国湖南)
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C-空间很兴与智先画廊协同呈现群展——《新新话》,参展艺术家包括 The Collective 组(中国北京)、Garicia Frankowski(1983,波多黎各圣胡安/1985,苏格兰敦提)、OliverHaidutschek(1976,奥地利维也纳)、雎安奇(1975,中国乌鲁)、William Lee(1985,中国北京)、Sara Ludy(1980,美国加州)、任芷(1968,中国习)、吴珏辉(1980,中国杭州)和萧潇(1984,中国湖南)。
新新话是根本的语规约,种世界观的压缩。新新话划定在它的辞汇中所成的概念及归纳的思想物。反映路德维希维特根斯坦的格:“我的语限制代表着我世界的限制”,情的审美政治制度在不同形式的“新话”反复重现,从创造、巩固及防护绝对主义的价值。艺术、建筑、设计、乐、表演、学及时尚只是于使新话渗活中的各个层的部分媒介。
采取乔治奥威尔的说《1984》中的话语和字,“新话”在今天的语境依然与在 1949年说出版的时候(亦是中华共和国成的那年)样有意义。新新话是以物质主义的、精神的、现象的、经验的和解释学的式掩饰在审美的背后对于社会、经济和政治的探讨。
新新话通过绘画、装置、录像、摄影及综合媒体等媒介, 探讨语规约及它在定义审美价值和社会政治意义的。反应了它既是巩固集体审美价值的媒介,同时也是于抵抗和颠覆的根本具。这次展览在盾中探讨语规约,运抽象与审查、唯物主义的迷信及对科技的怀旧试图删除、揭露和强化在对抗,同时在新新话其中的梦想、恐惧、意识,以及崇。
NewNewspeak
in collaboration with Intelligentsia Gallery
Opening: 2015.7.25 16:00-18:00
Duration: 2015.7.25-2015.8.30
C-Space in collaboration with Intelligentsia Gallery is thrilled to preset NewNewspeak, agroup exhibition with works by Sara Ludy (b. 1980, Californa, USA), Ren Zhitian (b. 1968Xishui, China), Oliver Haidutschek (b. 1976, Vienna, Austria), Xiao Xiao (b. 1984 Hunan,China), Ju Anqi (b. 1975 Urumqi, China), The Collective (Beijing, China), Wu Juehui(b.1980 Hangzhou, China), William Lee (b.1985 Beijing, China) Garcia Frankowski (b.1983 San Juan, Puerto Rico & b.1985 Dundee, Scotland).
NewNewspeak is the ultimate form of language reduction. A constriction of theworldview, NewNewspeak delimits the capacity of generating concepts to therepertoire of thought-figures inscribed in its lexicon. Reflecting Ludwig Wittgenstein’saphorism ‘the limits of my language mean the limits of my world’, ruthless aesthetico-political regimes have recurred to diverse forms of Newspeak to create, consolidateand defend absolutist values. Art, architecture, design, music, performance, literature,fashion are just some of the means used to infiltrate Newspeak in every sphere of life.
Eponymous to the language spoken and written in George Orwell’s novel 1984,Newspeak remains as relevant today as it was when the novel was first published in 1949(the year of the foundation of the PRC). NewNewspeak is the way in which materialist,spiritual, phenomenological, empirical and hermeneutical approaches disguise social,economic and political interests behind aesthetic screens.
Through painting, installation, video, photography, and mixed media, NewNewspeakexplores language reduction and its role in defining and cementing codes for aestheticvalues and socio-political signification. Reflecting both its capacity as vehicle for theconsolidation of collective aesthetic values and as a radical tool of resistance andsubversion, the exhibition deals with language reduction in paradoxical states asabstraction and censorship, material fetish and technological nostalgia attempt toerase, reveal and exacerbate dreams, fears, the unconscious and the sublime withinand against NewNewspeak
部分作品:



withthebackagainstthewall_web


withthebackagainstthewall_web2



dreamhouse1


dreamhouse4


萧潇 合理的现实-云系列之二 Rational Reality-Cloud series #02 Shanghai 2013


萧潇 合理的现实-云系列之六 Rational Reality-Cloud series #06 Beijing 2015


吴珏辉 Rema 维多利亚港 20150519


吴珏辉 出租车司机 维多利亚港 20150519


墙上构图 Wall Composition, acrylic on canvases, 300cm x 200cm, 2015


来源:墙报展览预告

特别声明:本文为艺术头条自媒体平台“艺术号”作者上传并发布,仅代表该作者观点。艺术头条仅提供信息发布平台。

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