达利用平常的办法画新奇的东西，毕加索把平常的东西用新奇的办法画。
　　这里面有个规律，就是画家用什么引起观者的兴趣，用什么来和观众沟通。
　　用新奇表现平常，是用形式来吸引，用内容来沟通；相反是用内容来吸引，用形式来沟通。如果形式和内容都奇得要命，看便无所立足；如果都平常，看了如同没看。这大概就是吴冠中先生说的风筝线吧。
　　新奇和平常到什么程度，又因人而异，不同的民族、时代、性别、文化、年龄、家庭、经历……千变万化……看者亦然。
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The New and Ordinary
　　Dali used ordinary methods to paint new things, while Picasso painted ordinary things with new methods.
　　The arrangement here is defined by what the artist uses to arouse the viewer's interest and what they use to communicate with their audience.
　　By using the new to express the ordinary, attention is drawn through the form and communication is through the content; vice versa is using the content to attract and the form to communicate.  If the form and content are quite bizarre then what is being seen is incomprehensible; if it's seen all the time, there's no point in looking at all.  This might well be the kite string that Wu Guan-Zhong once mentioned.
　　How new and ordinary also varies from person to person.  Different races, periods, genders, cultures, ages, family backgrounds, experiences……there are an infinite amount of variations and just as many individual viewers.

作者：闫博