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http://artist.blog.artron.net/space.php?uid=51111&do=album&id=397745

中国画名家四条屏作品展

主办单位：文化部中外文化交流中心

展出时间：2010年12月31日-2011年1月9日

开幕仪式：2011年1月5日下午3:30

展　　厅：13、14、15、16、17号厅

Chinese Master Artists`SitiaoPing Painting Exhibition

Sponsored by:Centre of International Cultural Exchange,China

Exhibition Time:December 31,2010 to January 9,2011

Exhibition Hall 13,14,15,16,17

四条屏是中国画中一种特有的表现形式，在特定而有限的空间中诠释人物、山水、花鸟等万物个性神情的美感，不求感天动地的重大题材，只是凭借画家对生活中原生态认知、理解以激情勾勒出和谐的旋律，赏心悦目，寄情于形骸之外的神韵和不似之似的形态，让观者品味、赏真，入情入理，使平凡的生活题材富于表现性的艺术魅力，深厚的情感与灵性，通古而不拟古。让成法为我所用，为充分表达自我感受所用，在表现中创造。物善而本真。

由中国美术馆、中国国家画院为学术指导单位，由文化部中外文化交流中心主办，国韵文华书画院承办的中国画名家四条屏作品展，在征集的近千件的稿件中精选出100件当代画家作品，加之邀请当代中国画著名画家的作品，共128件。于2010年岁尾至2011年初在中国美术馆展出，可谓名家荟萃，精品云集。展览旨在艺术新的多元格局里对中国传统绘画美学的现代定位，予以新的认知，唤起中国画家新的创造活力，为中国画在当代艺术中的发展拓展更广阔的空间。

Si Tiao Ping, the four part screen, is a form of painting uniquely Chinese. Painted on the limited spaces of a screen consisting of four parts, it shows the distinctive beauty of various subjects such as people, landscape, flowers and birds. Instead of describing grand themes, Si Tiao Ping painters convey their understanding of the everyday life with unique perspective, subtleness as well as passion. Their works, striving to display the essence of their subjects instead of purely stressing on resemblance, are always exquisite pieces which arouse their beholders’ appreciation, for they bestow expressive charms, profound emotions and artistic spirit on ordinary things in our daily life. Moreover, created with traditional painting skills to express painter’s feeling, they are works both traditional and creative.

The Exhibition of Si Tiao Ping Works of Famous Chinese Painters is organized by the Centre of International Cultural Exchange of the Ministry of Culture of China, sponsored by China Culture Painting &Calligraphy Academy, and academically supported by National Art Museum of China and China National Academy of Painting. With 128 masterpieces of famous contemporary Chinese painters on display, it will present a real artistic experience in the National Art Museum of China from the end of 2010 to the beginning of 2011. Exploring the identity of traditional Chinese arts in the new artistic era of multiple patterns, and stirring up Chinese painters’ creativity and new ideas, it will broaden the developmental space of traditional Chinese painting in the contemporary time.