金亚楠 Jin Yanan

“面对如此粘稠的世界，我无法抛开具体问题而宏观有效地活着。因此，我试图找到一种方式，能够持续测量日常空气的局部密度，将它稀释或者直接分割成一块块的意识形状，然后把它拼成一个认知的平面。从而帮助自己去理解这些具体问题。”

“Facing such a sticky world, I can’t live effectively from a macro perspective without concerning the specific question. So I'm trying to find a way, which can consistently measure the density of a specific part of the daily air. By diluting or cutting the air into several ideological shaped pieces, I can piece them together to a cognitive flat surface in order to help myself comprehend these detailed problems.”

金亚楠 Jin Yanan | 山顶的空气稀薄，山下的世界如铝厚实, 无法穿透 The Air on the Mountaintop is Thin and Tenuous, the World at the Foot of the Mountain is as Heavy as Aluminium, Nothing Can Pierce Through. | 2017 | 装置 羊皮、铝板、树枝、冷轧钢筋、墨水, Installation Sheepskin, aluminum plate, branch, cold rolled steel bar, ink | 尺寸可变 dimensions variable | 局部 Detail

刘毅 Liu Yi

“时间超越了空间隔断，城市的不同地域的生存状况，自然的状态，常态，社会潜在的发展。不管是即性捕捉的记忆动态还是记忆中的情景剧场，都变成我们的共同的生活剧场。”

“Time surpasses the spatial partition, the living conditions in various urban regions, the state of nature, the social norms and the potential development of societies. No matter it is an impromptu capture of dynamic memories or a theater scene in the memory, which all turn into a shared living theater.”

刘毅 Liu Yi | 一只乌鸦叫了一整天 A Crow Has Been Calling for a Whole Day | 2016| 影像动画 Animation | 12分钟 12 mins | 动画节选 Trailer

小龙花 Xiao Longhua

“这些被特定选取的物件在即兴的创作中自然碰撞、融合、组成新的形体，个体的使用方式和故事都融入在这些构成的关系里形成了新的叙事。随着创作的深入，思考如何能让每个物件在融合的过程中减少个体趣味的流失从而更好的呈现自己本身的质感和内容；如何让创作变的更自由；如何能更多的保留创作时的快感。”

“These specially selected objects have naturally collided, integrated then formed new shapes during the impromptus creation, new narratives are emerged in the constituted relationship which combines the individual mode of functionality and stories. While delving into the more in-depth level, how to lessen the loss of the individual characteristic enthusiasm in order to unfold the authentic texture and content during the process of integration becomes essential to be considered. Same situations also applying to how to work more freely as well as how to better sustain the pleasure while creating artworks. ”

小龙花 Xiao Longhua | 行走的LGL2 Walking LGL2| 2017 | 装置 木, 塑料, 金属 Installation Wood, plastic, metal | 58x20x15cm

郑文昕 Zheng Wenxin

“我希望通过幻化式的创作方式把扑面而来的碎片化信息序列化，试图刺破冰冷的人工屏障来解读当下人们最柔软的情感世界。同时，我希望以更为开放的态度和他者的角度来审视绘画，解放创作中的自我掌控，享受和还原创作中自由拉伸的空间。”

“I would like to serialise the surging fragmented information by an illusioned way, trying to interpret people’s tenderest emotional world when piecing through the artificial barrier. In the meantime, I hope to free the self-control spirit, enjoy and revive a flexible space for creation with a more open-minded attitude and various angles towards paintings.”

郑文昕 Zheng Wenxin | 231022116102LN | 2016 | 布上丙烯 Acrylic on canvas | 200x150cm