伊玄灵性艺术 三个系列作品简述

 

【一味】系列

 

“万物负阴而抱阳，冲气以为和”，这个系列充分运用宣纸和水性墨质本有的自然特性，以水当“气”冲和笔迹墨痕加之空气热能与当下生命灵能的介入，形成自然生长性的“一法”之余味和亦真亦幻如海市蜃楼般的无相之象，内在“气力”和“水气”冲和默化生成“气韵生动”的“一化”式心象水墨，一抹心痕在无尽虚白的空间中荡漾脉动，在黑白、虚实、阴阳交互中归于禅画“一味”，此万法归一的极简之中又演化出无限丰富变化的墨韵多样性，呈现寂静无声充满氤氲水气的冥想空灵禅境。

  

    

【One Taste】Series

“The created universe carries the yin at its back and the yang in front; through the union of the pervading principles it reaches harmony.” This series uses the rice paper, water and ink’s nature fully. While water became the “air”, unite with brush mark and ink trace, added in the warm air and the living soul, blended out the aftertaste of “One Law” and the mirage of spirit without substance. Inner “force” and “steam” has clashed and blended into a spiritual ink work with “Lively Rhyme” and the concept of “One”. The trace of one’s heart is sloshing in the infinite white space. Between black and white; void and solid; yin and yang, the Zen painting came into “One Taste”. This minimalist idea of all became one evolved into the infinite changes and different varieties of the rhyme and halo of ink. It also shows the silent and steamy scene during Zen meditation.

 

 

 

  【日课】系列

 

此系列缘起于多年禅修体验和静心日课经文书写，但抽离了经典文字仅单纯归于一笔一线的止观冥想式无为书写，放空头脑思维而启用心智直觉，凸显心念的“念力”在当下的觉察与书写时心手合一、能所双泯的空明状态，呈现内在未显像灵性“心电图”式的心灵迹化显像，反复书写叠加的笔痕墨迹形成蕴含时间厚度与温润精神“包浆”般的玉质玄色，笔迹墨痕、水和纸的物质层面与冥想状态下内在灵心阴虚念力的灵能阴阳和合混生成新的气化精神物，我视之为“灵物”，其中蕴含高频振动的生命信息和能量磁场，亦是一部灵心默化的无字无相“真经”。

 

【Inner zen Daily Exercise】Series

This series originated from the years of meditation and daily sutra copying. When copying the sutra, thoughts are left out, only copying each line to achieve meditation. Emptying the brain but enable the spiritual intuition, emphasizing the “mental power”. When spiritual intuition joins writing, and when all thoughts vanish, the empty status will be achieved. The hidden soul will presents itself in an electrocardiogram from. The trace and marks of the repeatedly writing formed a reddish black jade with time and spirit, while material such as brush mark, ink trace, water and paper blended with the yin yang spiritual matter that was created during the meditation. I see this formation as a spiritual object, which contains a high-frequency vibration of life and energy field, also, a true scripture with no word or shape.

 

 

 

【玄象】系列

 

在黑色油彩画布上以毛笔书写或指甲、木笔刮划的一系列白色书写，寂静黑暗中涌动内在幽微灵光与精神之宇微茫的玄秘虚象，强调“笔力”和“指力”的搅转与归零放空、灵心在场的当下无为书写性，单纯中呈现无限弥散的丰富性和灵动气化的光晕流韵，飞动搅转的动态草书笔法最终呈现的反而是寂静无声、“恍兮惚兮”无相之象的内观冥想世界，暗合“大动归于恒寂”动静本一如的东方中观空性禅道精神的玄妙哲思。

 

【Flash of spiritual images】Series

On the black oil canvas, the silent darkness is surging the spiritual light of the faint epiphany and spirit. Emphasizing the stir up of “strength of brush” and “the finger force”; highlighting the inaction writing by self-venting and the divine will; this series presents the abundance and living rhyme of pureness. Surprisingly, the final presentation of flying strokes of Chinese cursive writing is silent. It is the combination of the elusive, yet latent in are forms meditation status and the idea of all big movement would become an infinite silence. The idea of silent and restless are originally one came from the Zen idea of realizing the emptiness.

 

作者：伊玄