程亚杰：走向拉斯维加斯的艺术之路

1990年代的学习与创作之1992

　　1992年创作了代表作品《回乡拜见父母的小二黑和二妮》之外，还创作了颇有影响力的作品《晨曲》《云雀》《彩色的梦》《法国骑士》等，尤其《绚》《小雪》这些泼彩速写作品，画家不断地追求创新，后来泼墨速写作品成为程亚杰艺术的重要作品。

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回乡拜见父母的小二黑与二

1992年作

31*24cm

晨曲

1992年作

30*40cm

云雀

1992年作

42*59cm

彩色的梦

1992年作

27*37cm

法国骑士

1992年作

50*54cm

绚

1992年作

40*58cm

小雪

1992年作

75*55cm

　　维也纳速写《动与静组图之二》极具感染力。

维也纳速写-静与动组画之二

1992年作

30*40cm

　　1991至1995年无疑是程亚杰的艺术道路重要阶段，这期间他就读于维也纳应用技术学院大师级班，在胡特教授指导下研究幻想写实主义画派，后来程亚杰曾说过在维也纳期间向胡特教授学习了绘画的思想，也就是幻想。对他的创作影响很大。后来创作了《天际》，在奥地利维也纳画廊举办个展，作品被国际藏家收藏，这个时期是程亚杰成为国际大师的开始。

天际 The Horizon

1994年作

39*40cm

　　《维也纳幻想写实主义》《希望》《家园》，画家在现实主义年代对超现实主义思考和探索。画法上把写实技艺发展到极致的程度，细腻逼真，像照片一样。思想上深邃久远，有理想有破灭。从给画作起的名字上也不难看出这些画富有深意：希望，家园，花样年华。

维也纳幻想写实主义

1992-1995年作

希望 Aspiration

1992年作

110*145cm

家园 Home

1992年作

120*120cm

　　程亚杰创作了大量幻想写实主义作品，写实是基础，幻想是灵魂。幻想写实主义是其艺术的重要组成部分。

　　《创世纪》“像照片一样”。思想上深邃久远，有破灭，有求索，有希望，有理想。

　　《纯真》在这个1992这个年代出现了，这是幻想写实主义作品“娃娃”系列的开始，程亚杰从饱经十年的中国走向了世界，他的内心深处对于苦难的记忆是不可忘却的，他记住的是民族国家的苦难，不是个人的，他追求的是全人类共同快乐的世界，他想到了“娃娃”，这是一种世界语，中国娃娃，芭比娃娃。不同肤色语言的人都能看懂相通。于是他用独有的绘画语言诠释着艺术家理想中的美好世界和精神追求，无论是这里的《童心》还是后来的《梦想》。在他的艺术作品中不断演绎着这个主题，使之成为了一个重要标志。

创世纪 Genesis

1992年作

200*150cm

纯真

1992年作

100*80cm

童心 Heart of Innocenc

1992年作

80*60cm

梦想 Fantasy

1993年作

80*60cm

　　The Introduction of Cheng Yajie's Art Creation in 1992

　　In 1992,Cheng produced plenty of influential works,such as,Morning Song,Skylark,Rainbow Dreams,The French knight,in particular,Effulgence and Light Snow. He unremittingly pursued for innovation,and the splash-color and sketch became important part of his works. The Vienna sketch Dynamic and Static paintings II is extremely influential.

　　The years from 1991 to 1995 were important stage of Cheng's art road. During this period,Cheng studied in the master class of Academy of Applied Fine Arts Vienna,studying the school of fantasy realism under the guidance of Professor Hutter. Cheng said that he had learned the ideas of painting,namely,fantasy,from Professor Hutter when he was in Vienna,which left a great influence on Cheng's art creation. Later,Cheng produced The Horizon and held an art exhibition in Vienna gallery in Austria. Later,the work was collected by an international collector. This was the start point of Cheng's course to become an international master.

　　In 1992,Cheng produced Vienna Fantasy Realism,Aspiration and Home,reflecting his thinking and exploration to the super-realism in the age of realism. Cheng developed the realistic technique to the peak. These works were exquisite,vivid,photo-like profound,showing the disillusion,pursuit,hope and dream. From the names of these paintings,it can be seen that these paintings contain profound meanings including hope,home and blossom age.

　　Cheng produced numerous works of fantasy realism with the base of realism and the soul of fantasy. The fantasy realism is an important proportion of Cheng's arts.

　　Genesis is "photo-like" and profound,showing the disillusion,pursuit,hope and dream.

　　Innocence produced in 1992 marked the beginning of the "baby" series of fantasy realism. Cheng went to the outside world from China who was suffering a decade turmoil. His memory about hardship was rooted in his bottom of heart. What he remembered was the hardship of motherland rather than his individual suffering. He pursued for a happy world,so he thought of "baby" which was a kind of Esperanto,such as,Chinese baby and Barbie dolls. People of different colors and different languages could understand this theme. Cheng used the unique painting language to interpret his ideal and beautiful world and spiritual pursuit. Both Heart of Innocence and Fantasy display this theme which later become an important mark in Cheng's art creation.

作者：林夕