黄宾虹（1865 年1月27日——1955 年3月25日），近现代画家，擅画山水，为山水画一代宗师。六岁时，临摹家藏的沈庭瑞（樗崖）山水册，曾从郑珊，陈崇光等学花鸟。精研传统与关注写生齐头并进，早年受“新安画派”影响，以干笔淡墨、疏淡清逸为特色，为“白宾虹”；八十岁后以黑密厚重、黑里透亮为特色，为“黑宾虹”。他的技法，得力於李流芳、程邃，所作重视章法上的虚实、繁简、疏密的统一；用笔如作篆籀，洗练凝重，遒劲有力，在行笔谨严处，有纵横奇峭之趣。所谓“黑、密、厚、重”的画风，正是他显著的特色。
Huang Binhong(January 27, 1865-March 25, 1955), a modern painter, is good at painting landscapes and painting a generation of masters for landscape painting. At the age of six, Shentingrui(Shuya)'s mountain book was copied from Zhengshan and Chenchongguang. The intensive study of tradition and attention to sketching go hand in hand. In the early years, it was influenced by the "Xin 'an School of Painting" and featured dry ink and light and elegant. It was "Baibinhong"; After the age of 80, he was characterized by black and thick, black and bright, and was "Black Binhong." His technique is able to rely on Liliufang and Chengsui, and he attaches importance to the unity of reality, simplicity, and density in the chapter and law; With the pen as a seal, washing and condensing, strong and powerful, in line with the strict pen, there is a wonderful interest. The so-called "black, dense, thick, and heavy" style is his distinctive feature.
目前，深圳观古国际有幸征集到一幅黄宾虹的作品：
At present, Shenzhen Guangu International has been fortunate to solicit a work by Huang Binhong:

藏品名称：黄宾虹山水画
规格：长130cm，宽65cm
Collection name: Huang Binhong Landscape Painting
Specification: 130cm long, 65cm wide
此幅画作倾注了黄宾虹先生毕生所学，首先从文化和思想的高度，用高超的宿墨绘画的技巧分五个层次充分表现出‘山里人家’依山傍水，前朱雀，后玄武，远近山脉连绵不断，象征财富的活水由远而近，紫气环绕，缓缓而来，形成远近独特的聚宝盆风景；更为重要的是在整个画面的显著位置反复用浓墨‘自然生存一棵千年摇钱树’，摇钱树上的钱（树叶）枚枚生动，绝对没有重复之感，而且只用了一种颜色把这棵摇钱树写活了，层次如此分明！此幅作品的点睛之笔远不只这些，首先是只用了一种颜色：宿墨；其次在这幅作品的主要背景上，用‘留白’的大刀阔斧的方法，用微微的粉、黄、红色缪缪几笔，把此幅作品的画面时间定格在早上八、九点钟，早上这个时候正是万物生长，蓬勃向上的最佳时间。可想而知，黄宾虹先生作画时是如此的深思熟虑，意境如此优美，诗意如此这般。大师终究是大师！
This painting has been devoted to Mr. Huang Binhong's lifelong learning. First of all, from the height of culture and thought, he has fully demonstrated the 'mountain people' in the mountains and waters, the former Suzaku, and the latter Xuanwu. The mountains are continuous. The living water that symbolizes wealth comes from far and near, surrounded by purple gas, and slowly forms a unique treasure basin landscape. What is more important is to repeatedly use thick ink in the prominent position of the entire picture to 'naturally survive a millennium money tree'. The money(leaves) on the money tree is vivid, absolutely not repeated, and only one color is used to write the money tree. Live. The layers are so clear! The finishing touch of this work is far more than this. First of all, only one color is used: Su Mo; Secondly, in the main background of this work, with the drastic method of 'leaving white', with a few strokes of powder, yellow, and red Moumou, the screen time of this work is set at 8 or 9 o'clock in the morning. This time of morning is the perfect time for all things to grow and flourish. It is conceivable that Mr. Huang Binhong was so thoughtful when he painted, the mood was so beautiful, and the poetry was like this. Master is master after all!
目前此幅作品即将参加2018年秋季拍卖会。如您有意向竞购本件藏品，请与本公司有关业务人员联系提前办理特殊竞投号牌。请届时竞价购买！！
This work is currently participating in the 2018 fall auction. If you are interested in bidding for this collection, please contact the relevant business personnel of our company for a special auction number plate in advance. Please bid at that time! Hey!