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2015-12-16 11:11
开幕：2105.12.19 展期：2015.12.19——2016.01.31艺术家：翟倞主办：空白空间………… 我们很荣幸地宣布，翟倞在空白空间的第二回个展“笔记”将于12月19日开幕。展览即将展出翟倞最新的架上绘画和水彩作品，通过笔记式的记录，呈现“典故”、“空间感”以及“古怪的情绪”三个线索。这是艺术家近年来对未知疆域的持续探索，也是其对长期的百科全书式艺术计划“夜航船”的呼应与推进。 “典故”包含了多个历史的笑话。其中有关于现代国家史的“蒙古草原上的汉子”；当代艺术史的“离开教室的博伊斯”；也有混杂了电影史的卓别林和个人悲情艺术家幻想的“必经之路”。主要是关于绘画主题和内容的探讨，涉及主体与客体的叙事。
空间感 The Extensity2015布面油画 oil on canvas180×300 cm “空间感”是关于几何形式的讨论。“空间感”由五个圆环相互交界组成，其间隔缝隙各不相同，却维持在一个动态的开始和平静的结束的平衡之中；“洞”源自于工地上的水泥管子，不同的管子导向完全不同的地方，圆洞外却是同一的平面空间，这其实是一个有关“空间的玩笑”；“90年代的一个下午”则是艺术家将儿时目睹UFO的异类图景以一个近乎简洁而奇异的几何形式呈现。
必经之路 The Only Way Which Must Be Passed2015布面油画 oil on canvas105×80 cm 在“古怪的情绪”中，艺术家对绘画时常存在的作品情绪和气质问题进行了有趣的探讨。“夜”里面诗意的赏月；“十日谈”中人们多变的对话讨论以及周边坚硬的石头，像一出巴赫金式的戏剧；“古怪的情绪”中暧昧不明的猫兔被发现的瞬间；以及“感觉”中感性的小伙子想抽飞砸过来的书…零散的古怪情绪，触发难以名状的错位感。 翟倞1983年生于山西，2006年毕业于四川美术学院油画系，2009年获得中央美术学院油画系硕士学位。 现工作生活于北京。 近期重要的展览有:罗中立奖学金十周年回顾展，罗中立美术馆，重庆，中国(2015)；1199 个人-龙美术馆收藏展，龙美术馆，上海，中国(2014)。
哲学家 Philosopher2015布面油画 oil on canvas170×156 cm We are pleased to present Zhai Liang’s second solo exhibition “NOTES” at WHITE SPACE BEIJING. Zhai Liang will showcase his latest paintings and watercolors drawings. Through documentation in the form of brief sketches and notes, a threefold narrative thread is presented: Literary Allusions, The Extensity and Strange Sentiments. This division is the outcome of Zhai Liang's continuous investigation in recent years on unknown territories. Moreover, it corresponds with and gives impetus to the artist's long-term encyclopedic art project entitled Night Vessel. The exhibition will continue until January 31, 2016. Literary Allusions comprises an array of historical jokes: The Outlaw Flying over Mongolia Grassland recounts modern state history; Beuys Left the Classroom touches upon contemporary art history; The Only Way Which Must Be Passed in turn combines film history's seminal character Charlie Chaplin with a personal tragedy, as envisioned by the artist. Primarily these are explorations into the subject matter and the content of painting, i.e. narratives involving both the subject and the object.
无限 3 Infinite 32015布面油画 oil on canvas250×180 cm The Extensity serves as a discussion on geometric shapes. The Extensity is made up of five mutually intersecting rings. Since the gaps between the rings are all different, a precarious balance is upheld between the start of a dynamic state and the end of a tranquil state. The work Hole originates from the cement pipes commonly found in construction sites. Different pipes lead to entirely different places, and yet outside of the pipes' circular holes we find the same exact two-dimensional space, as such constituting a "spatial pun". In One Afternoon in the Nineties, the artist uses somewhat succinct and bizarre geometrical shapes to present a vision of otherness he had upon seeing a UFO with his own eyes as a child.
离开教室的Beuys Beuys Left the Classroom 2015布面油画 oil on canvas231×156 cm In Strange Sentiments, the artist intriguingly explores the problems of mood and temperament that arise now and then in his oeuvre. Night portrays a poetic admiration for the moon; in The Decameron, the ever-changing dialogues and discussions between characters, along with the surrounding adamantine stones create the allure of a theatre piece by Bakhtin; the unclear, ambiguous moment in which a cat and a rabbit are discovered in Strange Sentiments; the emotional young bloke in Feeling who wants to lash out at the books that come hurdling towards him: all of these are scattered, grotesque sentiments that trigger an indescribable sense of dislocation.Zhai Liang was born in Shanxi Province in 1983, he currently lives and works in Beijing. His most recent exhibitions include The 10th Anniversary of Luo Zhongli Fellowship, Luo Zhongli Art Museum, Chongqing, China (2015); 1199 People: Collection from Long Museum, Long Museum, Shanghai, China (2014). |
来源：墙报展览预告
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