Circumbendibus statement of heart and soul during cultural
　　Transition period-lnterpretation ofzhang jingli’s works
　　Fangzhiling
　　Loss of subject consciousness is an important feature of Chinese personality structure after the political event in 1989.keen feeling about social political phenomenon gives rise to a passive and evasion mental mechanism,adeep weariness dominates people’sinner world,and a”soft”ridiculous and joking manner becomes the trendiest life style.the contemporary art of china sinca 1990Sis just the profound reflection of the sociai states of mind and the contemporary art of the same period tends to display increasingly weakening subject consciousness.
　　However,works of zhang jingli indicate the quiet return of individual subject conscious-ness.All his works are grounded on his real emotion experience,which expresses in-depth conrusion of artists aobut nature of human and their highlight on painful experi-ence of life and conventional feelings.this is a sincere and serious “sober”emotion attitude different from that ridiculous and joking“soft”life style ,of which the personality feature of self-tracing ,self-bearing and self-affirmation at the same time is implicated.
　　Zhang jingli was a stern social observer before2008.the metaphotical description of his works about the knockabout, jumbly china social state which is full of daunting vigor implicates the deep concern of the generation about the high-speed social state out of control.When it came to 2008,the image elements in the artist’s works gradually became singular.the work composed ofdifferent forms reveals the social essence,law of the jungle ,and the blind,helpless heartfelt of individual lives in danger-ous survival circumstances. The work,comprised of classic motion picture images of m,ondey king familiar to Chinese people.tries to express the internal sensitive andheavy survival anxiety in the relaxed and humorous atmosphere.By then he is focused on unveiling of individual spirit experience mixed with the social physiology of a specific period in china.
　　The images created by paintings may not be comparable to those of popular cultures so his paintings directly select figures and objects in the real world.He intends to find the territory of painting,which is out of the reach of images of popular culture,and those fragments full of conflicts in his works.